We Don't Need Another Hiro...

It's back! Heroes is back! It's been more than a month since we last saw our intrepid heroes, and from the looks of things, there were a lot of changes that took place. But for the most part, I would say they are good changes.

It seems that the show-runners were listening when everyone was writing and blogging about the ways to save Heroes. A lot of thing have changed for the better--no more annoying trips to the future, Maya's gone (hurray!), Bennet's motives are back to being shady, Mohinder is no longer the fly, and Hiro is adorable again! And maybe, just maybe, we'll see the return of Peter's emo bangs.

Over at Greg Beeman's blog (he's a producer/director of the show), he mentions how Tim Kring wanted this volume ("Fugitives") to act as a kind of reboot of the show, and I think as a whole they were successful. After the events of the last volume's finale, the characters have resumed something of a normal life; Peter is working as an EMT, Sylar is off on his own being eeeeeeevil (and hot!), Claire is looking at colleges and apparently pissing off the makeup department because dear god they made her up to look like a clown, Matt and Speed Racer Chick are living in semi-domestic bliss, and Hiro is the cutest thing on the earth again. Apparently he has decided to make himself a sidekick to Ando, now that Ando is the one with the powers, and set up a "lair" for the two of them in an old building. Cuteness!

Other shows have gone with the reboot idea, and I think it works in some ways, but fails in others. First, it's successful because the fans get what they have been clamoring. A return to what they have been craving. The show is simply better when we see the main characters as normal people, going about their lives, yet having these remarkable abilities. The first season was about ordinary people with extraordinary powers working to save the world. Hopefully, we'll see that again. Also, one of the most compelling parts of the first season was deducing exactly whose side Bennet was on; this volume looks to be proceeding along that vein. I never thought that Bennet would be working with Nathan to help round up the heroes, but it makes perfect sense. Well played show!

But the ways in which a reboot will inevitably be disappointing is that it means you are essentially asking your audience to forget everything that came before. If the characters are acting like the events of the last volume didn't happen, it makes us feel kind of cheated that we hung in there with the show.

But, hey, you gotta roll with the punches, and so far I am psyched for what the next volume will bring.

He's back, baby!

Seeing Double

I cannot be the only person who has noticed this.

Jeffrey Dean Morgan (Grey's Anatomy, Supernatural) and Javier Bardem (No Country for Old Men, Vicky Cristina Barcelona) look exactly alike.

I think they might be the same person.

Exhibit A:

Exhibit B:

Can you even tell which is which?

Ok, I'll just tell you, Jeffrey Dean Morgan is Exhibit B. So far, the only thing I can find is that Javier has a longer nose and is more tan.

And this all started because I was thinking about making him the Secret Boyfriend of the Week and then wasn't sure if the pictures that were coming up on google images were actually him. In fact, I found pics of Javier while searching for Jeffrey, so clearly I am not alone in this confusion.

And just for the record, I know the "Izzie screwing dead Denny" plot on Grey's has not been popular, but I don't watch the show, and just find him hot. So my almost him making Secret Boyfriend of the Week should in no way been seen as supporting whatever necrophilia/brain tumor hallucinations/some other terminal disease cliche plot Shonda Rhimes is working here.

The Return of Big Love

For all of you polygamy and HBO fans out there, Big Love has returned to Sunday nights. I didn't post about it last week because I wanted to let the new season "soak in" first. To b honest, I am enjoying this season. For those of you who don't regularly tune into the show its about a family of polygamists dealing in an anti-polygamy world. It shows the external and internal struggles the family has with coping with their lifestyle choices and life in general.

This season has 3 distinct changes to the plot line. First is the courtship of a possible new wife (making 4 wives). Anna, our new eastern European character is considering joining the clan. I have a feeling it won't work out, but who knows. I like how the possibility of a new wife is showing a shift in the power in the family dynamic. Its clear Margie (the third wife) is pushing Anna on them so she climbs out of the bottom spot.

The second plot line is more younger characters. I assume in an effort to mix up the cast and get younger viewers the producers have added several more "young people" to the show. One being Bill's younger brother Franky...I guess we will see how it works out and how it effects ratings.

The third is less a plot line and more an observation, Bill Paxton looks HORRID. Bill Paxton, our lead male, has clearly come down with some sort of disease because he is wasting away in a very unhealthy way and I fear there are issues like cancer we will eventually hear about. I hope he gets well soon because if he loses more weight he will disappear.

If you are anti monogamy or just a big fan of non-network shows, I suggest catching Big Love on Sunday evenings at 9. Don't worry it doesn't cross over with the Simpsons or Brothers & Sisters.

Let's Do the TIme Warp Again (Lost Season 5 Premiere)

Umm. What?

Seriously. I mean, it was awesome. Totally awesome. But also confusing. But in an awesome way. You dig?

Since there is no way I arrange my thoughts in an organized fashion, I’m just going to bullet point it.

It's just a jump to the left….

--So we are following two main storylines now. The Oceanic 6, who made it off the island in the season finale last year, are all beginning to come together to make their way back. And three years in their past (or what has been the present and main storyline during the previous run of the show) we’re seeing the people who were left behind on the island. Ok, I think I got that.

--Daniel seems to be saying, and the show implying, that it’s not the island that moved it’s the people on the island. Which ok, fine. But then why did the island actually disappear? And are only some of the people skipping through time?

--I loved all the cameos the show threw at us. Anna-Lucia, Ethan, the dessicated corpse of Mr. Eko’s brother (Yemi?), the Dharma initiation video guy, the Irish Lady whom I believe is called Mrs. Hawking. All these were awesome!

--Speaking of Mrs. Hawking, I vaguely remember popping up in previous episodes (when Desmond was hopping through time? Or when Charlie was? This is why I need the previous season’s DVDs), but she seems to be involved in some kind of quest to find the island as well. And is ordering Ben around! I think she’s Daniel’s mother.

And then a step to the right….

--Michael Emerson never fails to amaze me. I really hope he gets recognized with an award for his portrayal of Ben some day. His range and the way he can manipulate not only the characters on the show but also the viewer (one minute you hate him, the next you feel sorry for him) is astounding.

--Funniest moment? Hurley hurling the hot-pocket at Ben. I kinda feel I would have the same reaction if he appeared in my kitchen.

--Neil getting the flaming arrow was predictable, and yet, I still enjoyed it. If they want to introduce new Lostaways just to kill them off in the same episode, I can deal with that. Also, Neil was the Aaron-Burr-peanut-butter-guy from the first “Got Milk?” commercial!

With your hands on your hips….

--Kate is seriously the worst fugitive ever. She drives around in her same car (which could be easily tracked, followed, or noticed) and uses her cellphone (again, easily tracked). Ugh. I really do not like her, they should seriously kill her off. And I’m sorry, I just don’t buy the whole “she’s the only person I care about because I looooove her” thing Sawyer has going on. Did I mention I still hate him? I can never forgive the frog squishing or the making fun of Hurley.

--Desmond! And Penny! <3>

--I love badass Sun. Making Kate cry…staring down Charles Widmore…all these things make me like her even more. If Ben is scared of anyone, it should be her.

You bring your knees in tight….

--Were the flaming arrow guys the original Dharma employees that we saw uncovering the frozen donkey wheel in the beginning and with whom Ben lived as a child? They had guns though so the flaming arrows thing seems needlessly dramatic and weird. I feel like it would have been completely rad if the show had actually allowed Juliet’s hand to be cut off.

--I wish Hurley would start to make his own decisions. The only reason he ran out of the house and let himself be arrested is because Sayid told him to do the opposite of whatever Ben said. Hurley just seems to bounce back and forth between people telling him what to do and allowing himself to be used for their own purposes, and it makes me mad.

But it's the pelvic thrust that really drives you insane….

--I still want to know what is up with that three-toed statue we saw several seasons ago.

--I love the new format of no more character-specific flashbacks or flash-forwards. Just get on with the plot!

--Who is Jacob? Locke? Jack’s Dad? And where’s Claire? Is she dead? How come only the Losties seem to be the ones jumping around in time on the island?

Ok, I’m ready for next week, Lost. Bring it!

Let's do the Time Warp again!

A funny thing happened on the way to the weekend...

Friday night became one of the best nights on television.

I’m not sure how it happened. But for some reason, the universe has aligned to make Friday, the tv-network executive much maligned Friday, the place to be for drama.

First, Sci-Fi started new episodes of Battlestar Gallactica after making fans wait months for the second half of season 4. Then, NBC started airing “new” episodes of Friday Night Lights (even though they have previously aired on DirectTV, but hey, I haven’t seen them, so woot!). And in February, we can look forward to FOX moving Terminator: The Sarah Connor Chronicles and Joss Whedon’s new drama, Dollhouse, to Friday nights.

So basically, that means sitting in front of your television on Friday night will be the cool place to be. Hurray! Now we all have excuses for not going out. “No, you don’t understand,” we’ll say. “I thought about going out to dinner at that awesome new restaurant and hitting up the VIP room at the club downtown, but everyone knows it’s cooler to find out if the Dillon Panthers are going to make it to States again this year!”

Or I could be deluding myself and none of these shows will do well and will all be unceremoniously cancelled in less than a month. Actually, we already know BSG isn’t coming back so: :o(

And now for some brief thoughts on the BSG and FNL premieres (spoilers!):

BSG: Well, that was bleak. I mean, I knew this show was dark, but Jeebus. Dee blowing her head off after seeming to be genuinely happy, the President burning the pages of the prophecies that had once brought everyone so much hope, the Admiral threatening to blow HIS head off, and everyone just moping around contemplating the futility of life. As for the reveal of the final Cyclon….Ellen? Woah. But now I’m confused, because I thought Starbuck finding her own dead self still in her Viper must have meant she was a Cylon, but apparently not? Unless there is another super secret final Cylon? Anyway, when even Leoben thinks this shit is crazy, you know you are in trouble.

FNL: Hurray! Oh, dear god I love this show. People who don’t watch it are seriously missing out, because it is one of the best shows not just now, but EVER. I watch the interactions of Julie with Coach and Tami, and I just think, “I have had that fight. I have said that exact same thing to my Mother. I have reacted in precisely the same way.” This show is so realistic it is almost scary. Tyra not taking anyone telling her she can’t go to college, Smash pushing himself to get past his injury, and Tami stepping up to the challenges of being principal starting with telling Buddy Garrity to shove his jumbotron, LOVE. As for Lila and Tim, meh. I know some people think Tim walks on water because he’s so hot, but the boy needs to wash his hear and he never really did it for me. So, I say again, meh. Also, watch out Matt! That new quarterback, J.D. is gunning for your position and you need to step it up.

What I learned from the Inauguration.

The greatest threat to America?

Aretha's hat.

Hide your babies and your beadwork. It's coming for you, America!

Inaugural viewings

As someone who lives inside the Beltway and within 5 miles of the Washington, D.C. mall, I am planning on hunkering down this weekend and riding out the storm of out-of-towners who are descending on my fair city for Obama's inauguration.

I kicked around the idea of going to the swearing-in ceremony several months ago, but as the day came closer and the newspapers and television news began devoting entire segments to the clusterfuck that would become our roads and public system on Tuesday, I put that idea away real fast.

Which means I will be sitting on my couch like most people on Tuesday watching the anointing of our new president on tv. But what to watch?

First of all, the key to watching news coverage of any large political event is simple. Keep the remote handy. If there is one thing I can't stand, it's pundits. And trust me, every channel (be it CNN, MSNBC, or *gulp* FOX news) will find ways to fill time with talking heads who will go on and on and on about something totally lame and nonsensical. So being able to switch channels in a hurry is key.

I plan to move between MSNBC (liberal hippies FTW!) and my local NBC news coverage. And in the morning, I am all about the Today show on NBC. I think Matt Lauer is cute, ok? So sue me.

In any event, the swearing-in ceremony starts at 11:30 a.m. and the inaugural parade is "planned" to begin at 2:30. I suggest you plan your day accordingly! And if you're stuck at work, most of the news websites will be streaming the event live. So you have no excuse to miss it!

Here are some other things to look for:

HBO is airing the Inaugural kick-off concert on Sunday at the Lincoln Memorial at 2:30 p.m. (with a re-airing at 7:00 p.m.). This is free and available for everyone, even non-subscribers, so check it out.

Also, The Daily Show will be airing live at 11:00 p.m. on Tuesday night.

If you are looking for a source beyond the usual news networks, BET will be offering extensive inauguration day coverage.

He's coming to save us!

If you come across any other inaugural programming that looks promising, feel free to share in the comments!

Superstars of Dance

Ok, so here's the thing. This show? Is not good. You know, I know it, NBC knows it. And yet I am still watching it. But here's the deal. This is the kind of show where if you are watching it live, it's unbearable. Commerical breaks after every dance performance, endless clips of filler material listening to the dancers talk about themselves, and even MORE filler of interviews with each country's dance coach after each performance.

BUT. If you are watching the show on DVR, it can be quite fun. You can skip all that other crap and get right to the dancing, which is the only reason to watch the show. It sure isn't for the actual competition, since it's never made clear what criteria the judges base their decision on (although I will say allowing each judge about 20 seconds to explain their score has been a good move since the premiere), and it's definitely not for host Michael Flatley, who is one of the most boring hosts ever.

In fact, I didn't even recognize that the host was Michael Flatley for the first hour of the show, until someone called him by name. For someone who is so charismatic while dancing, he sure comes off as an automoton as a host. And jesus, button your shirt, dude. Nobody wants to see you chest hair.

Eight countries are competing for the prize (USA, China, Australia, Argentina, India, Russia, South Africa, and Ireland) in the solo, duet, and group categories. Each country has a judge who scores the dances on a scale of 1 to 10 (although they don't judge their own country's entries).

While the judges didn't say anything during the premiere, they are now able to speak a bit before revealing their scores and have started to show some personality. Example: the South African dude is a hardass, he wants to see perfect technique. I think the Irish judge might be drunk (duh), and the Russian guy is just hilarious. He seems to delight in taking at many potshots at his country as possible, even noting that he would be killed when he returned after the competition for his remarks. The scary thing? He's probably right. Putin is a scary mofo is all I'm saying.

In the end, the show's greatest strength is also it's greatest flaw. Most of the dancers, for obvious reasons, have chosen to perform some kind of traditional dance from their country, albeit with a modern flair. But this means that it's incredibly difficult to judge the completely different styles against one another. How does one compare the South African group dancers performing Gumboot (a dance created in the gold mines of South Africa) with Irish step dancing or Indian Bhangra? It's all very subjective.

But as long as you are on board to just enjoy the many different dancers and styles, then you'll have a good time. And remember to keep that fast forward button handy.

Oh, who do I think will win? It would seem somehow un-PC for the USA team to win overall, since we are hosting the stupid thing, but I have a funny feeling it might happen. I am rooting for India though, their dances are the most interesting, IMO. The judges seem to cream themselves for the Chinese teams, but they yell a lot while dancing, which frankly, creeps me out.

Quick Thoughts on the Golden Globes

I don't really have any complaints with the winners. I adore Kate Winslet and was so happy to see her win two awards (side note: I really need to see The Reader). Her acceptance speeches were emotional and genuine, and pretty funny too. Also, I really loved Slumdog Millionaire and was so happy to see it take how the big prize. It's always great to see people associated with these movies appear so joyful at winning.

But I have to confess that my main thought throughout the evening was what the eff happened to Sting?

Srsly. What happened?

When even Colin Farrel is surprised by how cracked out you look, you know you need some help.

As for my best dressed woman pick, it's hard to say. My top three are probably Kate Winslet, Anne Hathaway, and Selma Hayek, but I don't think I can choose just one. Here's Kate Winslet at any rate:

You might think her dress is a bit boring, but it fit her like a glove, was completely classic and classy, and moved so beautifully under the lights on stage. And Leo Di looks great as always. Her speaking about him during her speech ("I've loved you for 13 years with all my heart") was really sweet. It's nice to see that all the backlash from Titanic didn't impede their friendship.

Things that I also loved about the show: Mickey Rourke winning best actor (we all love a come-back story), Ricky Gervais speech, made with a beer in his hand, of course, and Steven Speilberg winning the Cecil B. DeMille award.

The only real disappointment for me was NPH losing to Tom Wilkinson in the Supporting Actor category. Also, I was shocked as hell at Gabriel Byrne's win for In Treatment. Is anybody even watching that show? Don't worry John Hamm, I still love you.

The combination of awards + hot people + booze always makes for an entertaining show. Here's looking forward to the Oscars!

The future of TV is... comics?!? Part I

Okay, so several months ago I was asked to review something and I kept putting it off and putting it off. Over those months I kept thinking about it, mentally writing it but never putting pen to paper (so to speak), but about two weeks ago a new thought occurred to me. There may be more to the story than a simply review, so here it goes....

Over the last half-century we have witnessed the growth of the media entertainment industry as it borrows and sometimes steals out-right from other sources entertainment, especially books and comic books. Now, for much of this last half century comics have been relegated to childish fantasy (Chabon's Kavalier & Clay portrays this quite well, not to mention it is a wonderful novel in and of itself that all should read). Sure we had movie and TV adaptations of Superman, Batman, Spider-man and The Hulk but I'm not sure anyone could claim that those movies and shows ever truly took the source material serious.

Then something changed in the comic industry with the advent and rise of the graphic novel (btw: this history of the comics is incomplete, so please forgive me), in particular the work of Frank Miller. However, by in-large that remained outside the general public consciousness. With Tim Burton's Batman and the later Batman animated television, people got a feel for some of the changes in the comic industry.
But in the 90s something else happened. Following the demise of shows like and the rise in Star Trek: TNG and the rise in Star Wars books and toys, suddenly comics became a new medium for new stories. Just like the novels for these two franchises, the stories were sanctioned by Paramount and Lucas but not written by the scribes of the shows or by Lucas himself.

Then about a decade ago, J. Michael Straczynscki had all but given up on TV. B5 and its telemovies and spinoffs were not great hits. Sure, he was well-loved by his fans, but I can honestly say that apart from myself and a few of my nerd friends few people had heard of him (even now after having a screenplay turned into a movie by Clint Eastwood I bet many have not yet heard of him). JMS had written several comics before this time, including a couple B5 ones, but rather than working occassionaly in comics while writing for TV he turned his attention to comics full-time and signed a contract with Marvel and started writing Amazing Spider-man. I am a comic fan but I've never been a big one. Sure, I bought some of the issues when Todd Macfarlane was working on it, but I got hooked by JMS's take on Spider-man. After Spider-man he has gone on to write Fantastic Four and most recently Thor. And now, like many comic scribes he finds himself writing for DC.
I'm not sure he was the first, but after JMS suddenly comics became a hot place and comic execs actively sought big names in Hollywood to start writing for them. Kevin Smith worked for DC on a Green Arrow mini-series and wrote the first arc of a Daredevil relaunch (a. Smith's work was nothing short of brilliant but is all but forgotten because of the amazing talent that followed, and b. it's not surprising Smith was asked given how everyone knows he owns a comic store).

In my opinion though it was Joss Whedon that really started an amazing cross-polonization. While working on Buffy Joss had pulled together and co-wrote a couple of limited series books based in the Buffy universe: Tales of the Slayers and Tales of the Vampire (I never read the former but the latter was brilliant). In the meantime, the tradition of stories being told in print continued with a Buffy comic. But it was when Whedon decided to write a limited series story set in the Buffy-verse, several hundred year in the future that things really changed. Titled Fray it was the story of the future of the slayers and it was brilliant. Whedon nearly returned full-circle with his female protagonist (Kitty Pryde of X-Men comics to Buffy of movie/TV to Fray of comics). In Fray we also caught sight of a certain scythe that would find its way into season 7 of the show. With Firefly over, Buffy ending soon and the end of Angel around the corner, Joss was approached by Marvel to see if he might be interesting in writing for them. And in 2004, we had Joss writing Astonishing X-Men. It was immediately heralded as one of the best comics of the year, and the storyline directly inspired elements of the third X-Men movie.
By now the flood-gates were open with scribes from Lost and The O.C. joining the ranks of writers going comics. Comics even started to pull from the literary world, with Orson Scott Card eventually writing a couple limited series books about Iron Man.

The real change in the industry happened 2-3 years ago. Heroes appeared on the air and I was an instant fan. I was shocked at first to learn that the creator was not a comic book person. But I was comforted by the familiar presence of a name, a comic book scribe of great reknown who was an executive produce: Jeph Loeb. And I was further comforted and impressed when he also had some writing credits. Of course I was dismayed to the extreme when NBC accounced he had been let go because of the poor ratings. I only hope that this show, which is an homage (and sometimes a rip-off) of great comics like Watchmen, Rising Stars and X-Men doesn't completely lose its grounding. The presence of Loeb's name signaled a change as more comic scribes entered the television world. By now we had seen Frank Miller directing movies, but that felt more like a fluke than a change. I knew something had changed while watching Lost and finding another comic scribe name show up, first with a writing credit and later as a producer: Brian K. Vaughn (who has happened to write some of my favorite Lost episodes not the least because they focused on Desmond).
I can't name any further names but I know more shows are open to the idea of hiring comic scribes. Comics are not just for kids; there are some amazing writers out there who are gain traction in the entertainment industry. And comics themselves are gaining noteriety and popularity. When Captain America was killed in an issue, it was talked about for weeks and features on CNN and in the New York Times. I hadn't even made it to the comic book store and was told about this tragedy by my wife. The author of this issue, Ed Brubaker, had been doing some great stuff and is getting noticed by people like John Singleton.
However, there is one more change that is occurring in the entertainment industry. But that'll keep for Part II.

Something to look forward to on the weekend...other than just looking forward to the weekend in general.

Believe it or not, there are actually some interesting things happening on television this weekend. And so you don’t forget any of them (like I did the Damages premiere last night, d’oh!), I’ve arranged them for you in no particular order. Actually, they are in broadcast order, so whatever.

Neil Patrick Harris on Saturday Night Live (Saturday night, 11:30pm, NBC). I think the NBC studios might implode from containing the awesomeness that is NPH. Especially if he sings something. OMG, what if they do a sketch where he plays Dr. Horrible?!?!

The Story of India, Part 2 (Sunday night, PBS, check PBS.com for your affiliate’s show time). I know it’s hard to imagine compressing the history of an entire country into a mini-series, but this one is beautiful to look at and interesting to watch. And at least it’s a 6 part mini-series, so it’s not like their being chintzy.

24 (Sunday, 8:00pm, FOX). I know this is like the twentieth season premiere of 24 or whatever, but would you believe I have never watched the show? Despite being strangely attracted to Keifer Sutherland.

The 66^th Golden Globes Awards (Sunday, 8:00pm, NBC). Let’s all watch and see what other boring and mediocre shows get awards! Hey, maybe someone’s boob will fall out of their gown or something. Bright side!

Who are these "People"?

For those who are unaware (almost everyone) last night was the first in a slew if of award shows. The winners can be found here. I have a HUGE amount of criticism towards the television winners.

I support all things House, which took home the "Favorite TV DRAMA" award and the "Favorite MALE TV STAR." However, almost every other winner is utterly ridiculous. My first issue lies with Heroes winning "Favorite Sci Fi" show. Why are we congratulating a job POORLY done? This season has been universally awful (as I previously posted) so WHY give them awards? I would have much rather former Mighty Ducks star Josh Jackson get some recognition for The Fringe.

In addition, The Mentalist, a blatant rip off of Psych on USA won "Favorite NEW TV DRAMA." As it stands, I know no one who watches this show. Same thing applies to Gary Unmarried (though I am a huge Jay Mohr fan) which won "Favorite NEW TV COMEDY." Though the other nominees in the category are just as bad, especially Kath & Kim. I would have nominated the Life and Times of TIM!

I have more issues, however, I will wait until REAL awards shows post their winners....expect another rant from me!

"I've become deeply superficial, haven't I?"

Last night, I watched my very first episode of Nip/Tuck. And, um... wow. Just. Wow. They definitely earned that MA rating.


Language: Apparently, you can say several four letter words on FX. Good taste prevents me from reproducing them here, but they dropped everything short of the F-bomb. Which, I dunno, they could be saving for sweeps week.

Violence: Beyond the typical gore associated with cutting people open and messing with their insides, this episode featured someone being violently stabbed. We're talking about a man coughing up, and lying in a pool of, his own blood.

Sexual Content: The protagonists pick up a couple of floozies and have Just Shy of Porno sex with them. It boggles the mind that you can't show a nipple on TV, but you can show a boob being clutched in some dude's hand hard enough to leave a bruise. I'm just sayin'.

Many shows on television are designed to link violence (danger, pain, blood) with sexual appeal, in order to best excite and disgust their audiences. Few shows do it as well as Nip/Tuck. The visual effects, all naked bodies and medical procedures, are absolutely stunning. At the end of the episode, you are left with a sense of vulnerability - even the show's tagline, "What don't you like about yourself?" takes on a whole new meaning.

But cinematography alone would not be enough for me to tolerate Nip/Tuck's utterly unsympathetic anti-heroes. Toss in some Adhir Kalyan, on the other hand, and you've got yourself a deal. That's right! Everyone's favorite Alien in America is back in the recurring role of Dr. Raj (how bloody original).

So very pretty ... I know where I'll be Tuesdays at 10pm.

Secret Boyfriend of the Week: Ben Bailey

While winter hiatus is often difficult, (waiting for my favorite shows to air new episodes is such a drag) it does give me the chance to catch up with television programs that often get shoved to the side in favor of more flashy prime time offerings.

One such show is Discovery Channel's Cash Cab. In case you've never seen it, Wikipedia describes it as a reality game show where passengers in a specially designated taxi cab are offered the chance to win money by correctly answering a series of trivia questions on the way to their destination. Wikipedia also provides a helpful link for "taxi cab" in case you are a complete idiot who has internet access but does not know anything about taxi cabs. *eye roll*

In any event, the man who keeps the Cash Cab going (literally) is comedian Ben Bailey. He's cute, he's funny, and most importantly, he can multi-task the shit out of anything.

Think about it. He has to navigate a cab through Manhattan traffic, and at the same time host a game show. He drives the cab while receiving trivia questions from producers through an ear piece, asks contestants the questions, and then cracks wise about their responses. But in a polite way, of course. He's a nice guy.

And if he can do all that with a cab imagine what he can do....no, let's not go there.

Anyway, congrats, Ben Bailey! This Secret Boyfriend of the Week goes out to you!

And look at those arms! Rowr.

The 11th Doctor *spoiler warning*

The new Doctor has dumb hair.

See? Dumb.

Other than that, I don't really have anything else to add. I'm sure they will cut his hair when he begins filming, and if he's good enough for Steven Moffat, he's good enough for me! While I'm sad for David Tennant to leave, I'm excited to have a new take on the Doctor, and I kind of feel that 10's story has just about come to an end.

Here's some more info about the new guy, if you're interested.

Another happy convert

Whitney (fellow tv slut) and I were chatting about how we really didn't have anything to post on the blog lately since nothing much had been going on on television. We're halfway through the winter hiatus and twiddling our thumbs waiting for beloved shows to return (Battlestar Galactica, Lost) and for new ones to start (Dollhouse, Castle, Kings).

To pass the time this Saturday night, we hunkered down with Firefly. Whitney had only seen the movie, Serenity, and her husband had never seen any of it. After the 2 hour pilot and the first hour episode, I'm hoping they are hooked. After all, they went home with the series and seemed excited about watching it. And so I'm walking around with the blush of one who has converted someone to the joys of a loved tv show.

I don't know about you guys, but when I find something I really like, be it a television show, a book, etc., I feel the need to inform as many people as possible and convince them that they will like it too. I'm not really sure why I feel the need to do this; I hope it's because I just want to spread the happiness and it's not borne of some deep-rooted insecurity (other people have to agree it's awesome for me to think I have good taste!), but in the end, it doesn't really matter. It feels good when you turn someone onto something you really like.

So she and her husband walked off into the night, fresh converts to the world of Firefly. I'm hoping to get them into Wonderfalls next, and then who knows? She did ask about The Vicar of Dibley.....*cue evil maniacal laughter*

Don't get too close, or I might get you addicted to Twilight! 5 people and counting! Seriously. 5 people.

Happy New Year!

As we bid farewell to 2008 (which for personal reasons I cannot wait to see the tail end of), I wanted to take a moment from all of us here at TV Sluts to wish you much health and happiness in the coming year.

I don't know about you, but I intend to spend all day tomorrow continuing my The West Wing Season 1 Marathon. Ah, the good old days. When Aaron Sorkin was still on coke and the world was good.

Happy New Year!

"In the New Year, may your right hand always be stretched out in friendship, never in want." --Irish Toast

"We will open the book. Its pages are blank. We are going to put words on them ourselves. The book is called "Opportunity" and its first chapter is New Year's Day." --Edith Lovejoy Pierce

"Be always at war with your vices, at peace with your neighbors, and let each New Year find you a better man." --Benjamin Franklin

True Blood

Sadly, I don't have HBO. This means that I miss out on a lot of great shows the first time around and have to catch them on DVD. Shows like Rome, Deadwood, and Big Love. So I had resigned myself to having to wait months, or maybe years, to catch up on the much buzzed-about True Blood. But, fate intervened! Thanks to my awesome friend Rachel (shout out!) and her on-demand capabilities, last weekend my group of vampire-loving friends got together for a 12 hour balls to the wall full first season marathon of True Blood.

Do you think it's easy watching 12 hours of television in a row? It's not. You have to make sure you move around occasionally to avoid blood clots. The more you know!

First, let me say that True Blood is awesome. Ok, that's the short review. Here's the longer one: what makes the show so great is, like most HBO shows, you can enjoy it on many different levels. Ostensibly, it's a show about a girl and a vampire who fall in lurv, two flawed people (he's a vampire, she reads minds), that find in each other what they've been looking for. So you can love it for that part of it. But you can also love it as a study of how people deal with the unknown and the different.

Vampires in the show clearly stand as metaphors for any marginalized group of people: gays, racial minorities, etc. And while the comparison is obvious, the parallels are drawn in a smart and interesting way. The show is concerned with the characters different reactions to this new marginalized group. And I would say 50% of what makes the show so interesting comes from it's setting in a small Louisiana town and the weird blend of culture that exists in that area of the country. The ingrained hypocrisies of the area influence people's decisions and lives. Just watch the opening credits of True Blood and you'll see what I mean.

In case you aren't aware of the particulars of the plot, here's a brief description from the HBO website:

Thanks to a Japanese scientist's invention of synthetic blood, vampires have progressed from legendary monsters to fellow citizens overnight. And while humans have been safely removed from the menu, many remain apprehensive about these creatures "coming out of the coffin." Religious leaders and government officials around the world have chosen their sides, but in the small Louisiana town of Bon Temps, the jury is still out.

Local waitress Sookie Stackhouse (Anna Paquin), however, knows how it feels to be an outcast. "Cursed" with the ability to listen in on people's thoughts, she's also open-minded about the integration of vampires — particularly when it comes to Bill Compton (Stephen Moyer), a handsome 173-year-old living up the road. But as Sookie is drawn into a series of mysteries surrounding Bill's arrival in Bon Temps, that tolerance will be put to the test.

Season 1 focuses on Sookie's relationship to Bill (who calls her "Suckie," because of the accent, which I find completely lame), and also the mystery of who is running around town murdering women who have connections to vampires.

True Blood is anchored by the main character Sookie, the mind-reading waitress who falls for vampire Bill. I can't think of a show from recent memory where I was so enamored by the main character. I guess I should have known better, since we're dealing with HBO here, but I was constantly surprised by how much I loved her. She's brave, smart, spunky, funny, and is able to maintain a naivete and joy about her life that is surprising, considering she lives in a swamp and is surrounded by mostly stupid people. Her reactions to events feels real, and she doesn't let Bill get away with shit. Which I like, because sometimes he does things that piss me off.

Perfect example of why I love Sookie. When Bill is sweet-talking her by discussing her juicy femoral artery, she responds with, "hey, you just shut your nasty mouth, mister! You might be a vampire, but when you talk to me, you will talk to me like the lady that I am." Sassy!

My only real quibble with the show centers on its balancing of plots. As a viewer, I was really involved in the serial killer plot, especially since some characters I like were killed. But the other characters didn't actually seem concerned about finding out who was running around town killing people, and it felt like the entire subplot was shoved to the backburner for much of the season to allow for some lameass hijinks from Sookie's brother, Jason.

Sidenote: let me just say, I don't think I have ever encountered a character as dumb or whom I wanted to see get his comeuppance as much as Jason. And when I say he's dumb, I don't mean ditzy, or flaky, but that he is literally the most foolish, borderline non-functioning, easily manipulated person on television. While he sometimes gets in some comic relief and I really like the actor, he is hands-down my least favorite character on the show and spending time with him makes my brain want to leak out of my ears. End sidenote.

Jason: hot, but not the sharpest tool in the shed. Actually, scratch that. He's more like a tool that's been left out in the yard for years and has completely rusted over. Ugh.

I have a feeling that the balancing of subplots will improve with season 2, and it didn't lessen my enjoyment of the show. And it's probably the kind of thing that doesn't get noticed when watching week to week; it's only some crazy person who sits there for 12 hours in a row that would catch it.

So, yeah, True Blood is awesome. And I might have to actually break down and get HBO. Dammit.

Die Hard FTW!

I thought I would take a brief moment on this holiday week Monday (ugh, why am I not still in bed?) to give a Colbert-esque "tip of the hat" to Chuck, who had perhaps the most awesome shout-out homage ever.

In last week's episode, Chuck vs. Santa Claus, the folks at the Buy More found themselves in a hostage situation. One of the police officers on the scene outside the store was Big Mike's cousin, Sgt. Al Powell. Now, those of you who are huge geeks (like me) surely recognized the actor, Reginald VelJohnson, from the movie Die Hard (and Die Hard 2) where he played a cop by the name of, you guessed it, Al Powell! In fact, it was the same character, and he still has a love for twinkies! At least he's given up the pretense of claiming they are for his pregnant wife.

I have to confess, I might have teared up a little when at the end of the episode when Big Mike and Al were reunited and ran together and hugged, all to the tune of Ode to Joy (which is also used in Die Hard).

And yeah, I know Reginald Veljohnson was also in Family Matters as Carl Winslow, but come on, it's all about Die Hard!

Chuck writers/producers/etc., from one nerd to another, I salute you!

Reginald rulz.

Hey, guess what has two thumbs and still gives a crap?

Bob Kelso Monkey Sri! I think we've met.

Sorry for the blog silence! Real life is always getting in the way, you know? Anyhoo, word on the street has is that everyone's favorite Doctor Drama is moving to ABC. Scrubs has been in syndication for so long, it won't be too weird to watch it on another station (see also: Comedy Central, Fox, TV Land and WGN America). You know what is weird?

1. JD's facial hair in the new season. A literal beard to replace is figurative beard, Baby Mama and Mary Sue extraordinaire Dr. Kim Briggs? You're not fooling anyone, guy.

JD loves his Chocolate Bear.

2. Elliot doing underwear commercials. Though Sarah Chalke does bring a certain comedic je ne sais quoi to picking a wedge. Observe:


3. Pur water filtration systems ... a la JD. Zach Braff is lending his power of voice over to Pur for their latest ad campaign. What's up, Braff? Have you been burning your money?

Maybe I'm been too harsh. Maybe he just loves water.

But even with sell-out stars and questionable personal grooming, Scrubs remains one of the most enjoyable things on television. So you know I'll be making the transition to Tuesday at 9pm (we get hour-long double eps for a couple of weeks before switching to half an hour starting a 9:30) on - say it with me now - ABC.

The Best/Worst Show You Aren't Watching

Sunday on HBO has become a dumping ground for the WEIRDEST and most entertaining shows. I previously blogged about the Life and Times of Tim that was on HBO (though the season has ended). HBO is currently showing Summer Heights High our newest import from New Zealand. This show perplexes the mind.

It is about a high school and the central story revolves around three characters: Ja'mie (not Jamie), Jonah and Mr. G. Ja'mie is my favorite character, she is a Junior in High School and is a complete stuck up snob. Last weeks episode she pretended to be a lesbian so she is the center of attention. Jonah is a freshman who is a "poly." Apparently that's a normal way to refer to a polynesian boy. Finally, Mr. G is an over the top drama school teacher. The quirk is all three characters are played by Chris Lilley, a 34 year old Comedian originally from Sydney. Lilley is also the write and director of the show.


The show is weird, but INCREDIBLY addictive. Overall it is a comedy and I really enjoy it. Keep in mind it isn't deep. You will not be moved or learn anything, however, I enjoy Lilley's commentary on these age groups and characters.

Check it out 11pm on HBO.

Winter Hiatus Blues

I remember when I used to look forward to winter hiatus, mostly because it gave me a chance to catch up on my DVR backlog. But now that the DVR has dropped below 30% (I refuse to delete this season's episodes of Pushing Daisies and Supernatural) and I'm not recording hardly anything anymore...I find myself getting kinda sad. And kinda twitchy.

I miss the anticipation of the latest episode of my favorite shows! And the hustle and bustle of trying to keep up with the latest happenings. It's like how excited you are the night before a big event: your birthday, Christmas, a vacation, etc. etc. etc. And then you wake up the day after and realize it's all over and you have nothing else on the horizon to look forward to. And then you get depressed.

So I guess I have winter hiatus depression. With nothing but weeks and weeks ahead of repeats to look forward to, what am I going to do to fill my time? Read? Interact with people? In the words of Emerson Cod, "oh, hells no."

No new episodes makes Maggie a sad snowman. *cries*

What happened to my DVDs?

So in May I moved to VA with my wife. And one of the perks for us was being close to her family. One of the perks of the family was my DVD collection. While in college people constantly raided my VHS movie collection, well, now it's movies and TV shows. Having arrived I found Veronica Mars, West Wing and others constantly being raided. Then in Sept my sis-in-law took off for Boston and somehow some DVDs disappeared, including Sports Night.


I feel in love with that show during its second and last season, and was thrilled first when it reran in its entirety on Comedy Central and later when it came out on DVD. Recently I noticed they released a new version, the 10th Anniversary DVD with commentaries, special features, and interviews. I'm not sure why, but I soon forgot all about the show. But then two weeks ago I started really wanting to watch it. Don't get me wrong, when I want an Aaron Sorkin fix West Wing is my choice but I was a little burnt out on the the political angle and I wanted to relax in the embrace of wit, charm and a never-ending parade of words that characterized Sorkin's first real TV show. And what's not to love about Krause before Six Feet Under and Huffman before Desperate Housewives and Charles before In Treatment and Malina before West Wing? But of course, I could not watch this behind-the-scenes show because my DVDs were gone. So I settled for Studio Sixty.

I don't mean to denegrate Studio Sixty because when the show was on I loved it. And I could never understand why the critics were so critical of it. Sure it premiered around the same time as 30 Rock and I freely admit the sketch portions of the Studio were never as funny as but the show was never the show. It was about the people behind the show. And being aware as I am of the inside-baseball I knew that Danny and Matt were stand-ins for Tommy Schlamme and Sorkin I sometimes found the shows a little too apologetic. But it was good. It was funny. At least it's on DVD, but it makes me miss Sports Night even more.

I only hope that for Christmas instead of getting my old DVDs back I have something new to check out. And maybe wish that when Sorkin stated recently that he would snatch up Krause and Huffman for another season that it might actually happen. Well, TV can make us all dream.

Golden Globes

The Hollywood Foreign Press announced the nominations for Golden Globes this morning, and as usual all I can say "really?!" followed by a "meh." Usually the Golden Globes come closer to the mark than the Emmys, but really, they both seem so out of touch that all you really do is shrug you shoulders and carry on with life.

The only thing that really got my goat this time was the lack of a nomination for Pushing Daisies (and Kristin Chenoweth). The nominations for best television show comedy or musical are 30 Rock, Californication, Entourage, The Office, and Weeds. Really? Entourage? By all accounts that show is breathing its last, and while I enjoy Californication and Weeds, I wouldn't say they're the BEST. But to not include Pushing Daisies really pisses me off. I understand that the show is not for everyone, but COME ON. And don't even get me started on the lack of a nomination for Kristin Chenoweth (although I get that all the actresses get lumped into one category--there's no supporting category like with the Emmys).

As for best drama nominations there was one surprise. HBO's In Treatment (which I have barely heard of and never seen) got a nod, as did Dexter, House, Mad Men, and True Blood. That makes only one nominated non-cable network drama. Shocking! Or not. With the glut of crime procedurals on network tv right now, it's hard to distinguish them. Especially NCIS and CSI. Get some new letters, people!

I would like to say "yay!" to nominating January Jones for her work as Betty on Mad Men. I think she is really under-appreciated, but does a fantastic job.

Anyway, here's the complete list of nominations if you care. If not, you can tune in like me and watch for the pretty dresses.

Secret Girlfriend of the Week: Tina Fey

This season I finally got into 30 Rock. I remember when it premiered; I watched the first few episodes, but wasn't impressed. But after it's run at the Emmy's this past year, I decided to give it another shot. And I have been pleasantly surprised.

The wacky characters, who seemed jarring and disjointed when I first watched the show, have gelled, and the show has settled into a good rhythm. While the comedic highlight of the show is still Alec Baldwin, who can make my knees turn to jelly with the timbre of his voice, it's Tina Fey's Liz Lemon, who sits at the eye of the storm, that I have really connected with this year.

Liz Lemon is the lone voice of reason in the mayhem, but she is also flawed. And that's what I love. She uses her sharp wit as a weapon, is desperate for approval from almost everyone she meets, and really needs to work on her social graces, but you know what? That's what makes her real. If she was just some typical middle-management woman running around, throwing her arms up at the circus around her, and giving the audience a wink everytime she got embroiled in a wacky plot, that would get boring. We root for Liz, but we also know that in her own way she is just as crazy as everyone else around her. And I kind of feel that's how Tina Fey is in real life.

She's definitely willing to make fun of herself, which is always attractive, and she is the creator and head writer of 30 Rock. Which is actually really badass. She's a woman in charge! In all her interviews, she comes across as witty, self-deprecating, and smart. Also, I think she's really pretty.

See? Funny and smokin.

There's also an air of mystery about her; I'm sure you noticed the scar on the left side of her face. She never talked about in interviews until recently (basically saying she didn't like thinking about it and it's nobody's business so STFU nosy people), so it lent this whole aura of secrecy. Like maybe she used to work as a government assassin and she got in a fight with a ninja and went through a plate glass window...or maybe I need to not watch Grosse Pointe Blank while writing blog entries. There is even a whole blog devoted to that scar!

In any event, Tina Fey rocks my world, I have definitely developed a girl crush on her, and she is therefore the Secret Girlfriend of the Week.

Happy Birthday, Monkey!

Ah, the joys of growing older. Here at tv sluts we are celebrating the birthday of one of our contributers, Miss. Monkey Sri. I won't say how old she is, because I value my life, but I am sure you can all join me in saying, Happy Birthday!

Here is a TARDIS cake, all for you, Sri! Maybe there is a cute, lonely, 900 year old Time Lord inside. Hey, at least you would know there is someone out there older than you. Hahaha...ha?

And you can check out other fun cakes (with lots of tv themes) at the Coolest Birthday Cakes website.

Boston Legal: Breaking Down Walls

Last night, ABC surprised us with a rather entertaining episode of Boston Legal. I will admit that Boston Legal is not one of my shows. Its one of my husbands rare shows. However, I was thoroughly entertained by last night's episode. Boston Legal not only mocked the ABC but Television as a whole.

A section of last night's show included an elderly woman (played by DARLING Betty White) suing the network broadcasting companies for not providing entertainment for people of 50. Though to quote my lawyer husband the "lawsuit was Ridiculous" the premise wasn't. I may only be 26, but ever so slowly the shows I can tolerate are lessening in numbers. Reality and brainless television are winning the ratings wars and shows with genuine plot and witty banter are falling by the wayside.
The episode of Boston Legal last night came out and said the only show with a prominent cast over fifty was "Boston Legal." Though to more accurately quote David Arquette he said "B...well that would be breaking down the wall." His, well the character's but you get the drift, argument continued to state that the over 50s make up half of the retail market and half of the television watching community. So where are the shows for the Blue Hairs? There hasn't been a REAL show about people over 50 since Golden Girls (which I have several friends who remain devoted fans, thought they are in their late 20s and gay, beside the point). Where are the shows about growing older? I feel today, at 26, I am older than most of the characters on television.

Boston Legal continued to poke fun at ABC by stating that "we don't get any advertising." Which when I thought about it...is true.

Try to catch last night's episode on ABC.com It will make you think!

Distraction TV

As the holidays creep inevitably closer, the amount of work around the house seems to get exponentially higher. Decorating, baking, cleaning, wrapping gifts; all these things need to get done, and like most people, I have my go-to shows for just such occasions.

You know what I mean, something that will keep you entertained, but that you can keep one (or both) eyes off the television and still know what is going on. The obvious choice is something you have seen a million times, like your favorite Buffy episodes, reruns of a sitcom, etc. But when the DVR is stacked up above 80% and you just need to get it cleared, these are the shows I have found do not require 100% of your attention.

Law and Order (SVU): I have a strong preference for SVU, but any of the Law and Orders will do. The acting isn't really subtle, you can pretty much understand what is going on by just listening, and there aren't any real exciting fight scenes or anything you need to run into the room to see. Actually, the same thing applies to the CSIs. And then you don't have to actually see the gratuitous gore and violence against women.

How I Met Your Mother: Maybe it's because a lot of the humor from this show comes from the zingers, but I don't need to give it my full attention.

Fringe: This is a show that I probably should be watching closely (it is J.J. Abrams after all), but I just can't being myself to do it. In fact, I usually end up emailing, playing online bridge, etc. while it's on. I get the gist...the Dad acts crazy, Pacey is adorable, Olivia is robotic, yadda yadda. I do like trying to spot the weird bald guy though. But still, I tend to wander around the house when Fringe is on.

Any awesomely bad Sci-Fi Channel movie. The parts you watch = awesomely bad. The parts you don't watch = awesomely bad. It's a win win!

So, what shows do you all put on when you need to get some chores done! Comment away!

Bromance is the new Black

So a few weeks ago I was watching House (a show I admit, once upon a time was huge turn off to me because he is such a jerk). For all of you following the show (which should be everyone because Hugh Laurie is phenomenal), the House-Wilson friendship took a HUGE hit last season and there was no reason to see that changing in the nearby future. And then House's dad died, and the ensuing trip to the funeral sparked a friendassance (thank you Joey and Phoebe for that word!). While great for the show, what struck me was the publicity the show got and how suddenly I was seeing the word bromance everywhere. Now House is certainly not unique in this regard with two male leads who act and at times are a de facto married couple. But bromance seems to be on the rise in shows, and many shows are embracing this fact.

Perhaps one of the more popular examples in recent history has been Joey and Chandler. I mean, who really would argue that Monica knew Chandler better than Joey. Certainly not me. Since Friends went off the air I can think of only two good examples, other than House and Wilson (although I'm sure there are more out there and I encourage any and all of you to provide some additional examples): Alas Shore and Denny Crane in Boston Legal ('nuff said) and my personal favorit JD and Turk in Scrubs (I've been missing this show so much I've started watching it on DVD; I'm only up to season 4). And I would argue that the JD-Turk bromance is the ultimate example in modern TV. Season 4 begins with this chasing each other all over the hospital as Turk returns from his honeymoon. Carla speaks to their daughter, describing JD as the man who will compete for her father's love and let us not forget the season 6 musical episode where they express their "Guy Love."



Bromance is in the air. But what about 'womance'?

RIP Daisies & Stone

Dearly Beloved,

We have gathered here to pay our greatest respects to two shows, who despite valiant effort, have been victims to the ABC show axe. Our beloved Pushing Daisies and Eli Stone were axed this week. This is all due to the fact both shows ratings plummeted this season. It is possible that due to the writer's strike that the high ratings of these two shows last season may have been artificial.

Pushing Daisies was born October 3 2007 and in its brief lifetime was nominated for 10 Emmy awards.

Eli stone was a mid season replacement in 2008 and its first season is currently out on DVD.

I know I will miss these shows a lot.

In lieu of flowers please send letters of disappointment to ABC!

Private Practice should never have gone public

I should have known. When I saw my very first episode of Grey's Anatomy, I spent the entire hour yelling at the TV. My friend Emily, who is a fan of the show, spent the entire hour hating my guts. I can't help it - when medical dramas don't even attempt accuracy, it makes my blood boil. Especially when they use genetics purely for dramatic effect. During Grey's, my breaking point was when McDreamy called the BRCA1 gene "braca." During Private Practice last night, it was when Addison "diagnosed" a fetus with a 22q11 deletion after a five second ultrasound.

I hate you and everything you stand for.

I won't get into how bass-ackwards the writers got this situation - frankly, I don't have the time. See me later if you want the full diatribe. Needless to say, within ten minutes I was severely pissed. And it just got worse from there. There was unprofessional conduct, irrationality and schmaltz as far as the eye could see.

The problem is that everyone on this show is just so damn pretty. The doctors are pretty, and they wear fabulous outfits. The receptionist is played by Chris Lowell, of Veronica Mars fame. For crying out loud, they've got Taye Diggs running around the place! No wonder everyone is too distracted to practice medicine.

Piz - What happened to you, man? You used to be cool.

And yes, I know it's all part of the fantasy. Tons of medical professionals love these shows (witness my friend Emily, one of the smartest people I know). I'm sure it's largely because they are pure fluff that is completely detached from a somewhat depressing reality. But to me it just feels dishonest and so very, very wrong.

On the other hand ... maybe I can just watch it on "mute."

Crossovers of quirky fantasy shows make me want to say "squee!"

Pushing Daisies. Wonderfalls. Both whimsical, fantasy-based television shows that have struggled to find an audience but have been embraced fully by a small percentage of television viewers. And now fans of both are getting a treat!

Crossover!

Mary Ann Marie Bettle, played by Beth Grant in the Wonderfalls episode, Muffin Buffalo, will appear as a character on Pushing Daisies. Beth Grant is a total, "hey, it's that girl!" so I'm sure you've seen her around, but having a shout-out to Bryan Fuller and Lee Pace's other fun, albeit short-lived series, will be neat.

Plus think of all the wacky trouble she can cause around the Pie Hole with her muffins!

This show is seriously conspiring to ruin my "get healthy" campaign. Why all the baked goods, show? Friends are supposed to help each other out, not tempt!

Comfort tv

It's come to my attention that certain people have had a crappy past couple of days. Make that a crappy past couple weeks. I've been struggling to think of ways to help them, suggestions to offer, etc., and so the best I can come up with is a list of my comfort shows. You know, the ones that you return to when you need to feel uplifted, or simply don't want to think.

So, unnamed people who have had crappy weeks, this one's for you! And feel free to name some of your favorite comfort tv shows in the comments.

1. Firefly: Joss Whedon's sci-fi show is ostensibly an adventure space western. But what it's really about is family. And when I'm feeling down, sick, or just not able to be with my family, I can sit down with 13 episodes of one of the best television shows ever made. It's got everything: action, romance, comedy, escapes, swordfights, pirates (that's a Princess Bride reference, but it really does have escapes, swordfights, and pirates). But the show is really about how families are created and how you don't have to be related by blood to care about a group of people.

2. The West Wing: sometimes you just want to be inspired, and Aaron Sorkin's political drama is the best way to restore my faith in humanity, and in the system, when I'm running on faith fumes. Never doubt that a small group of dedicated people can change the world. Because it's the only thing that ever has.

3. America's Next Top Model: there are times when I just don't want to think. When what I want is pure mindless entertainment. For my money, ANTM is the best bet. Seek out a marathon on VH-1 and you will understand.

4. My So Called Life: you think your life is angsty? Try Angela Chase's. Remember, things could always be worse. You could still be in high school.

5. Veronica Mars: Veronica is someone who doesn't take crap from anyone and can save her own ass (except for when she needs Logan, but hey, I'm not gonna begrudge girlfriend getting rescued by Jason Dohring once in a while). When I'm feeling blue or powerless to control events in my life, it's nice to see a heroine who fights back, always gets revenge, and can save the day using her brain, especially her powers of deductive reasoning.

One more thing. Below is quite possibly the most powerful vignette ever told in the history of television, and it comes from John Spencer, as Leo McGarry. It never fails to make me tear up, but it also never fails to remind me that no matter how bad things are, I can always count on my friends.

This guy's walkin' down a street when he falls in a hole. The walls are so steep he can't get out. A doctor passes by and the guy shouts up, "Hey you! Can you help me out?" The doctor writes a prescription, throws it down in the hole, and moves on. Then a priest comes along and the guy shouts up, "Father, I'm down in this hole; can you help me out?" The priest writes out a prayer, throws it down in the hole and moves on. Then a friend walks by. "Hey, Joe, it's me. Can ya help me out?" And the friend jumps in the hole. Our guy says, "Are ya stupid? Now we're both down here." The friend says, "Yeah, but I've been down here before and I know the way out.