Showing posts with label Foxy Mystery. Show all posts
Showing posts with label Foxy Mystery. Show all posts

Wednesday, February 03, 2016

The X-Files Strikes Back

I remember when I first heard the news The X-Files would return. So many feels: excitement, nervousness, glee, and of course, terror. Because what if it the show comes back...and isn't any good? What if the old magic is gone? What if the sinkhole mess of mythology that broke the show in the later seasons (and we won't even mention the second movie) similarly sucks the joy out of these new episodes?

In short, I was freaking terrified. But I also WANT TO BELIEVE.

And now here we are. The first three episodes have aired and we're halfway through the new "season." I am sure you're all wondering...how did it go?


Yes, indeed, The X-Files is back. Everything that we loved about the original show is still here and a lot of the same beats, themes, and jokes work. But I don't mean to imply it feels like no time has passed. Somehow everyone in front of and behind the cameras managed to capture the tone of the show, but it's clear that events and relationships have evolved and changed. It's like when you get together with your good friends from many years ago. It doesn't matter how much time has passed, you still click and carry on as if you had seen each other just yesterday. But now you joke about spouses, kids, or jobs. You know, actual life stuff instead of boobs. Well, let's be honest. You're still going to joke about boobs. 

Ok, so we can all agree that The X-Files is well and truly back! Of course, this also means that all the old problems with the show are still there. The alien conspiracy still doesn't make any sense, Vancouver is still not Washington, D.C., and the idea that Mulder and Scully would still be employed by the Federal government is totally ludicrous. Oh, and Duchovny is still all mumble and Anderson seems like she could start snoozing in the middle of a scene.

BUT I DON'T CARE BECAUSE IT'S BAAAAACK!

Scully still rockin the pantsuits. She wore it before it was cool.

Of the three episodes that have aired, the third (Mulder and Scully Meet the Were-Monster) is the strongest. It's also not a coincidence that it's a monster-of-the-week episode seemingly unrelated to the alien stuff. I always considered the stand-alone episodes the strongest of the series, when The X-Files could play with genre, expectations, and storytelling techniques.

Don't get me wrong, the conspiracy remains the core of the series and the reason Mulder and Scully are positioned to investigate the other weirdness. But the thing I loved most about The-X-Files was the creativity of the stories and the chemistry between the two leads. I think some of that gets lost when we spend so much time trying to explain that aliens are real and are working with a shady group of old white dudes to take over the world except not really it's just the shady old white dudes stealing the alien technology to plan a complete collapse of the world economy and then fascism. Um, something like that anyway.

I will admit that the first episode of the new series basically did what I thought was impossible: it condensed a bunch of the past mythology into something that actually makes sense and is (somewhat) easily explained. It also put Mulder in a position to have a crisis of faith, which means Scully can help bring him around. For the most part though, Mulder is still the believer, Scully is still the doubter, and Skinner is still strangely hot. And bald. Just in case you were worried about that last part.

To sum up, watching the new X-files episodes feels just like watching the old ones. Whether that's good or bad, I leave it to you to decide. From my perspective, it's most decidedly a wonderful thing.


Now if they figure out a way to bring back Krycek I can die happy.













Monday, October 05, 2015

Fall Premieres, Part II

Here we are, well into Fall premiere time and I have barely expressed my opinions on anything. What is going on? Has the world gone mad?

Let's just say that a combination of factors (and I'll be honest, one of them is laziness) have kept me from writing on the blog. These factors also include some unexpected surgery. On my face.


A little hole in the head hasn't stopped me from watching new shows and forming opinions, though. It's just kept me from having the time to tell you about them. But fear not, gentle readers! It's a rainy weekend, I'm stuck inside, so I'm going to give it to your straight. So let's get to it!

Scream Queens: Have you ever seen a Ryan Murphy show? You know, like Glee or American Horror Story? If you have then you know exactly what to expect from Scream Queens. Snappy, too-clever dialogue, characters that are more caricatures, blatant racism, misogyny, and homophobia but it's ok because it's funny and full of social commentary, right? RIGHT? Oh, and lots of gore. Buckets of blood even. So be warned.

Objectively the show is not good and doesn't really make much sense. But that doesn't mean it's not also awesome. It's not as fun as I had hoped, but it's still some fun and I'll keep watching through the end. If nothing to else to observe the shit show and see how things spectacularly fall apart. And if they don't it will be a pleasant surprise! And I admit, I am kind of intrigued as to who the killer is and just how they hell they are pulling off these increasingly ridiculous murders. There's a lot of eye rolling going on in the Maggie Cats household during this show, but there's also a lot of laughing and snorting.


And honestly, Jamie Lee Curtis knocking it out of the park every week is worth the price of admission alone. She's in on the joke and is just having a great time with her character and the circus going on around her. If you want some brainless Halloween-appropriate fun, you could do worse than Scream Queens.

Scream Queens airs Tuesdays at 9:00EST on FOX. 

Rosewood: Morris Chestnut is ridiculously handsome and charismatic. And that is pretty much the only reason to watch this crime procedural drama. It's kind of like House meets Bones meets...I don't know, something about a hot doctor who solves murders. 

So Morris Chestnut is Dr. Beaumont Rosewood, Jr., a private pathologist living and working in Miami who contracts with the local police force to help solve murders. Is a private pathologist actually a thing? Like, you can take the body of your loved one to this guy and he will do a private autopsy? I don't believe this is actually a job. 

Anyway, the two episodes I've seen have had pretty run of the mill murders to solve, though the Miami locale means they are a bit flashier than other similar shows. Dr. Rosewood is surrounded by quirky and clever friends (and lesbians!) and his Mom and is very observant (like House, but slutty). And there is sexual tension with the homicide detective (of course) who has a tragic back story (of course) and so has trust issues (of course). Unless you're a fan of the police procedural drama, you can pretty much skip this one.

Don't look so smug, Morris Chestnut.

Rosewood airs Wednesdays at 8:00PM on FOX.

Quantico: You guys, I really wanted to dislike this one. Some of my favorite bloggers, Tom and Lorenzo, wrote a review where they basically grumped about how the show is a collection of all the worst trends on television right now. The overly pretty people, the season-long flashback plot device, the "nobody is who they seem" mysteries, and the ridiculous plot twists--it's all true. But, dammit, I'm still hooked and will have to keep watching.

The series' protagonist is Alex Parrish (Priyanka Chopra), an overly gorgeous FBI-recruit who is suspected of committing a terrorist attack. Flashbacks tell her story as well as the story of her classmates at the FBI Academy in Quantico.So basically it's How to Get Away with Murder but with terrorism and FBI stuff.

Let's say that I liked it in spite of myself and even against my better judgment. If you're looking for something to fill your conspiracy theory drama slot, you can do a lot worse than this. Well, at least as far as I could tell from the pilot episode. Time will tell if things stay interesting...or devolve into a big stinky mess.

If this is what the FBI recruit-class actually looks like I will literally eat my hat. I'll boil it first, but by Jove, I will eat it.

Quantico airs Sundays at 10:00PM EST on ABC.

Monday, December 22, 2014

Murder Ball

I took one for the team and watched Fox's American incarnation of the British murder mystery series, Gracepoint.


Look eeento my eeeeyyesss.

As I said before, I have not seen the British original, Broadchurch, so I am basing my overall thoughts on solely my viewing of Gracepoint. I read that the show has not been renewed for a second season (why would there be a need for a second season?), but I just wanted to state my thoughts and final impressions.

UPDATED TO ADD. I FOUND OUT THAT BROADCHURCH IS STREAMING ON NETFLIX. I MAINLINED IT. YOU GUYS. YOU GUYS. HOLY SHIT YOU GUYS. 

So I come to you now fully informed.

The series finale aired December 11, and while it was fun guessing who the culprit may have been, the final reveal was rather...underwhelming. The overall ending of Gracepoint is like Broadchurch, but they did add a twist to the end that differed from the Broadchurch ending.

If you haven't seen either Broadchurch or Gracepoint, I suggest you stop reading this now. 

It didn't really take a genius to figure out that Det. Ellie Miller's family was involved in the death of Danny Solano in some way. The writers kept dropping CONSTANT hints that Ellie's son knew something, and they dropped CONSTANT hints that since she was working all the time, she had no idea what was actually going on at home. (A win for feminism!) 

However, they heightened the creeper factor in a way that I didn't think needed to be heightened. Finding out that her husband Joe (Josh Hamilton, of American Horror Story) was a pedophile and wanted to get into Danny's 12-year-old knickers definitely upped the ewww quotient, but in this day and age of Law & Order SVU, a pedophile dad is pretty tame for prime time TV. Even cliche. They'd been dropping a lot of hints during the run of the show that Someone in Gracepoint was a sexual predator, so the fact that it was revealed to be Ellie's husband just made me kind of shrug. They advertised this as the "ultimate twist" but it wasn't really the biggest twist I could have imagined, honestly. So, I think they lost a bit of points in the creativity department.


  I'm not a creepy perv. I only play one on TV. 

I mean, everyone in this town HAD A SECRET or SOMETHING TO HIDE and the fact that we learned, yet again, that someone in Gracepoint was HIDING SOMETHING, just made me kinda go, "Ok, yeah. We get it. Everyone in this town is messed up and weird. Who cares who killed Danny Solano because honestly? These people are screwed."


Original filmed ending of Broadchurch.

I think it would actually have been a lot more tragic if Danny and Tom Miller had been out messing around and being boys, and Tom had accidentally killed Danny, and went to his father about it, and his father helped cover it up. Or if Tom had accidentally killed Danny, then spent the rest of the night freaking out and dragging his body down to the beach, then hastily trying to make it look like he fell. But yeah, point being. It was completely obvious, from the first episode showing Tom deleting text messages, to him trying to break apart his hard drive, that Tom was involved in Danny's death somehow. Also, his completely nonplussed reaction to Ellie telling Tom that Danny had died was a big clue. Having to wait nine more episodes to have my suspicion confirmed that he killed him on accident didn't really bother me so much as I think that they should have tried to make it a little less obvious from the get-go.


We've gathered some evidence and it seems to point to you being a terrible mother.


Another change they made was in the character of Paul Coates. In Broadchurch, Coates is harmless and adorable and RORY and is into the local hotelier lady. In Gracepoint, he is just downright creepy. So creepy, in fact, he was many of the fans' prime suspect for a while. Gracepoint Paul Coats is in love with Beth Solano, and is creepy and pervy and generally the cause of many an irk. I'm not sure why they made this change for the American version. As if that town didn't already have enough creepers.  I preferred the Rory version, because he wasn't weird, and he also developed a relationship bonding with the slutty hotel lady. I guess they had to try to do something with the Coates character because he was supposed to be a priest but, um, guys? There are Episcopalian ministers in the States, too. Just sayin'. He didn't have to be Catholic. I'm just throwing that out there.

DT: You a priest this time?
AD: Yeah. You?
DT: I'm a foul-tempered, lonely, bitter, jaded inspector trying to save these people from themselves.
AD: Way to play against type.

Overall, Gracepoint was not a point-for-point copy of Broadchurch beyond the first episode. Watching Broadchurch over this last weekend showed that while Gracepoint hit all of the main plot points and for certain scenes, the dialogue was verbatim, but other episodes and scenes things went off in an entirely different direction. The last scene of Gracepoint showed a Detective Carver (Tennant) calling Ellie, who was in a hotel with Tom, and had figured out through her super sleuthing skills that he had killed Danny, and Ellie ignored his call. So, they left the door open for a second season, but Fox chose to renew the series. That was definitely altered from the original. 


So...This blows.

That leads us to the manner of death. While on Broadchurch, Joe Miller strangled Danny Latimer in an act of desperation, and Broadchurch Joe was sad and pathetic and clearly mentally disturbed, Gracepoint Joe was totally predatory and a bit freaky. On Broadchurch, Tom Miller is a bit of a red herring, but on Gracepoint, Ellie figures out that Joe is covering for Tom. Gracepoint Tom follows Gracepoint Joe and as Danny is running away, Tom confronts his father and seems to be trying to protect Danny, and accidentally hits him in the back of the head with an oar. Then Joe tells Tom to go home, and proceeds to try to cover up the murder. 

One other change they made was in the character of the lady journalist, Renee Clemons (Jessica Lucas).  I dislike her character in Gracepoint, and I don't care for her on Broadchurch, either. She is the epitome of a bad journalist, making accusations about Jack without getting the (easily available) public records and back stories about his conviction. Just a crappy, crappy journalist, but a pretty good indictment of the laziness and sensationalism that our media can become prey to. They kind of redeemed her character on Broadchurch, but on Gracepoint her arc ended at Horrible Human Being. 


I'm going to work for cable news. You yokels aren't getting in my way.

My overall take is that Gracepoint, while being a very close copy of Broadchurch, is not an exact carbon copy of the British murder mystery. It was good, but not great, but it did create a bit of an addictive factor. However, there was something special about Broadchurch that I don't think the American version was quite able to capture.  One minor detail that I observed about the British version is that they definitely showed the change in seasons. I think setting this in NoCal (*coughcoughBritishColumbiacoughcough*) was a poor choice. It's scenically quite similar to the cliffs of Wessex, but it looked like it was cold and rainy ALL THE DAMN TIME. So, I didn't get the same sense of a passage of time between Danny being found dead and Joe's confessions. On Broadchurch, Danny died in summer, and Joe was caught in late fall. Again, a minor detail, but it made a lot of difference in terms of gauging how long this case was dragging on.


What time of the year is it? Dreary O'clock.

Gracepoint is still pretty engrossing, and it is stylish, sophisticated, and moody. It is definitely worth a watch if you like murder mysteries and horrible people. 

However, I do feel the American make-up team did a better job of making David Tennant look like shit. 

There was also this.


Buuuurrrrp.

Wednesday, October 15, 2014

Fall Shows Yayayaya...

Hello, my children. How are you wayward delinquents today?  

Here are three shows that have been somewhat occupying my attention in recent days and weeks. 

Gracepoint

You know that I love me some MUHDUH mysteries. Normally, I watch British mysteries, including the delightfully wacky Miss Marple series. That said, I am probably the only person on the planet who hasn't seen Broadchurch, and I am thus intrigued by the American incarnation of the David Tennant series, Gracepoint. So, if you're reading this post and hoping it will contain a comparison of Gracepoint to Broadchurch, culminating in the hipster assertion that the American version WILL NEVER BE AS GOOD AS THE BRITISH VERSION, I advise you to quit this post posthaste and make some artisan cheese to assuage your frustration. Maggie Cats has written her take on Gracepoint, so I shall add my two cents.

I watched the season premiere of Gracepoint and I was pretty engrossed, and that's saying a lot since I have the attention span of your average house cat. I am stoked for all things British, but thus far I cannot say that Gracepoint is better or worse than the British version.




The plot is pretty simple and will be familiar to those who have seen Broadchurch.  David Tennant stars in a role based on his role on Broadchurch. He portrays Emmett Carver, your stereotypically grizzled and disillusioned detective. Carver has a Past that is haunting and threatening to catch up with him.  Butting heads with him is Detective Ellie Miller (Anna Gunn), who learned she had been replaced by Carver when she returned from family vacation. So there's already tension there. From Wikipedia:


Detective Ellie Miller is upset when Emmett Carver is assigned as lead detective while she was on vacation. Carver's first case is a cut barbed-wire fence. Twelve-year-old Danny Solano goes missing, and his body is found at the base of cliffs overlooking the local beach. Beth Solano sees her son's body on the beach and breaks down. Having known the Solanos for years, Ellie deals with her own personal struggles as well as the Solanos'. A crime scene officer says the crime scene was altered to look like an accident, and the pathologist says Danny was killed by blunt force trauma to the head. Carver and Ellie disclose the cause of Danny's death to the Solanos, and Mark identifies the body. Ellie's nephew and ambitious reporter Owen Burke extracts information from Ellie for a Twitter report, causing tension with the police and upsetting the Solanos. Ellie takes the blame for Owen's action. Carver is asked if he wishes to withdraw from the case, but he does not. Renee Clemons, reporter for the San Francisco Globe, arrives in town without her supervisor's permission to try to get an exclusive on the death. Beth visits the crime scene with Ellie, and Ellie expresses her grief to her husband Joe. Ellie tells their son, Tom, about Danny's death, and he then secretly wipes his mobile phone and computer to remove evidence. Owen unwittingly provides Renee with a link to Chloe Solano, and CCTV footage shows Danny skateboarding down a street on the night of his murder. Ellie notes that Danny's phone and skateboard were not recovered at the crime scene and are missing. At a press conference, Carver urges anyone to come forward if anyone they know is behaving differently and remarks: "We will catch whoever did this."


This is one of those shows that you either commit to and follow through to the end, or you give up after the first couple of episodes. It's only 10 episodes, so the usual multi-season formula so common in American series is being put to the test here. It will be interesting to see if the British series formula works in the United States. The first episode was actually pretty engrossing, and I will continue to watch it unless it completely goes off the rails. It's my understanding that Gracepoint is a point-for-point copy of Broadchurch, so is that a good thing or a bad thing? Will they change things up and do a musical episode? I hope so. I guess Fox is trying to cash in on this critically acclaimed drama award-winning stuff. We'll see if that pans out for them.


"Just get back in your Tardis...or mope around your castle...or sweep a chimney...or something."

I enjoyed the pilot because it was full of intrigue and I like intrigue. Also, being from a small town in the Midwest has given me a healthy appreciation for small-town hypocrisy, Dirty Little Secrets kept by "elite" members of the social hierarchy, and community tragedies revealing cracks in the idyllic veneer. It's sort of my milieu. Yes, I used milieu in a sentence.

British Columbia stars as Northern California.

Gracepoint airs 9 p.m. EST Thursdays on Fox.


Inspector Lewis

Okay, so ITV and PBS totally LIED about last season being the last season ever of Inspector Lewis. It was probably just a conspiracy to get us all to go console ourselves with Endeavour, which is great, don't get me wrong, but ZOMG Lewis & Hathaway. 


Our conclusion: The pints were MUHDUHED. We MUHDUHED these mofos.


It is really good to see Hathaway and Lewis back together solving MUHDUHS again. At the end of last season, Lewis (Kevin Whatley) was set to retire and go shack up with and/or marry the Lady Coroner, Laura Hobson. A disillusioned Hathaway was quitting the force to pursue that most common of affluent white people past times, to Find Himself.  Anyway, Hathaway decides that himself done got founded and returns to the Oxfordshire PD, as Detective Inspector Hathaway. Superintendent Jean Innocent asks Lewis to return as a consultant, even though he is retired. For plot reasons. It is called Inspector Lewis, after all. Continuity, people. Continuity.

Hathaway has a new underling, Detective Sergeant Lizzie Maddox, A Lady. I ship them.

Other than the changes, it's the same academic MUHDUHS and high-jinks in the homicide-laden Oxford.

Inspector Lewis generally airs at 9 p.m. Sundays on PBS. 

The Paradise

As you may recall from my post last year, I was all aflutter about The Paradise, BBC's answer to ITV's Mr. Selfridge and Downton Abbey.



"Okay, so. For this scene, girls, think Clueless."

I am including it in my post about MUHDUH because THE BBC MUHDUHED THIS SHOW. They MUHDUHED IT.  

I'm not sure when and where this crime occurred. I think it happened when the BBC realized they could tart up trashy soap operas with crinolines and a few bustles and call it art. THANKS DOWNTON ABBEY. The Paradise has lost its soul. I think mayhaps the writers are searching high and low for material. The show is still pretty good, but it's not AS good as the first season. Perhaps its just the sophomore curse, but BBC of course canceled the show so there will be no season 3 of The Paradise. More Big Brother UK coming to a tele near you, Britons. 

After Moray and Katherine Glendenning's marriage plans fell through at some point after the end of last season, she (Bitchtits) banished him to Paris and away from his True Love, Denise.

Denise and Mr. Moray have consecrated their luvz for one another (not in that way; get your minds out of the gutter) so as they are no longer gazing longingly at each other over a window dressing 


I want you to dress me like one of your French girls.

the tension between them has lessened somewhat, shall we say. Since Bitchtits is now married to a philandering gajillionaire widower, and is no longer overtly trying to rape Moray, the show has had to create drama elsewhere. I was underwhelmed by the season premiere, and I was left perplexed by the second episode of the season. 

A couple of new characters have joined the cast. Katherine aforementioned hubby, Tom Weston, is a psychologically scarred war veteran whose first wife died, leaving him with his young daughter, Flora. Katherine has decided that Flora makes a nice pet, so she has showered her with attention and fripperies and furbelows from the store. Since Moray ended up losing the store ownership to the Glendennings, to whom he owed money, Katherine and Tom now own the store, since Katherine's father died. Weston constantly cheats on Katherine and brazenly makes passes at everything in a skirt, including shop girl Clara, and Katherine is probably scheming to destroy Moray while pretending to have forgiven Moray for his betrayal and to also destroy Denise for a-stealin' her man. Yeah, yeah. Katherine says she's reformed but considering how batshit crazy she was on Season 1 I'm guessing she's got something up her finely laced sleeve.

INTRIGUE!

Another new character is the scullery wench/cook/token Cockney, Myrtle. Myrtle works in the kitchen at The Paradise and shouts at everyone loudly in an accent indicative of the lower social orders. She generally looks unkempt, sweaty, and as she is working class, she is more than a little bit slutty, indicated by her low-cut frock, messy hair, and boobs jacked to Jesus.


Don't 'it me!

Anyway, I will continue to watch and see it through to the end/death of the series. I'm sorry to see the series go off the air. It had a solid first season and this season is entertaining if a bit silly.

Catch The Paradise on PBS. It generally airs on Masterpiece on Sundays, but as always with PBS, check your local listings.