Golan the Insatiable

How long did it take for me to get my boyfriend to write for the TV blog? Only about 6 months. I think I showed remarkable restraint! Please enjoy this offering about the new FOX cartoon series, Golan the Insatiable. --Maggie Cats

Golan the Insatiable is not your typical cartoon. Sure, there are the usual trappings of a family sitcom: A cozy Midwest town. An adorable precocious preteen daughter. Her older, more… shall we say “worldly” sister. Their single mom just trying to hold everything together.

This probably sounds familiar, but the title character, Golan the Insatiable, turns the premise on its head when he crash lands from an interdimensional portal and takes up residence in the family’s suburban home. A renegade demon lord exiled into a humdrum middle-American existence, he plots with the younger daughter Dylan to wreak havoc and return to his home.

Golan started out on the web, then became part of a cartoon anthology series, and has most recently segued into its own legit 30-minute animated series airing on Sunday nights. The fantastically imaginative concept started out as a series of short journal-style entries by Joshua “Worm” Miller on the web forum “Something Awful” between 2010 and 2012.

The journal features the earliest iteration of the characters, and the plot focuses mostly on Golan himself and the differences between his life in his Dungeons & Dragons-esque nightmare-dimension called “Gkruool” versus the USA everytown of Oak Grove, Minnesota. There are interesting distinctions between this rough and offensive early version and its later, tamer TV reiterations--most notably the Barbarian character “Yor” who is also stranded in our dimension. He’s loved by the citizens of Oak Grove just as universally as Golan is despised.

Golan evolved into a 2013 short series as part of Fox’s ADHD TV programming block alongside similarly adult animated shows like High School USA and Axe Cop. Miller himself voiced several characters, including Golan, but when the network scrapped the programming block, it seemed the adventures of Golan, Dylan (his preteen acolyte), and the Beekler family would also be over. While that wasn’t the case, the question is whether it should have been.

For just when it seemed like Golan had gone the way of the dodo, FOX instead conjured it back to life as part of its Sunday night animation lineup. The new Golan has undergone some changes--the Beekler family now consists only of single Mom Carole (sorry, affable loser Dad, Richard!), and daughters Dylan and Alexis. While Carole probably still writes erotic fan fiction about Golan, the Godlord’s perviness towards teen Alexis has been expunged from the plot--mostly likely deemed too objectionable by network producers.

For a 30 year-old, I watch a heck of a lot of animation. In this country, the medium has been relegated mostly to an “age ghetto” to use tvtropes.org terminology, or the lowest common denominator. It’s no surprise then with each reiteration, Golan the Insatiable has become less edgy, more appealing to a wider audience, longer, and dumber. The Fox network execs are probably pushing Family Guy-style frat humor since that seems to be what “the people” want...or is it just what they think we want? In any event, the latest version of Golan now features Rob Riggle, former correspondent on Comedy Central’s The Daily Show, as a more bro-tastic bratty Golan. In essence, Golan has become American Dad. Just, you know, a demon.

Demons have feelings too.

The concept has undergone some positive changes too -- Dylan, originally a teenage boy in Miller’s writing, has transformed into a goth elementary-schooler (voiced in the latest version by the immensely talented Aubrey Plaza of Parks and Recreation and Grumpy Cat fame). Most characters, such as the town Mayor or Keith Knudsen, Dylan’s sister’s boyfriend, get much more characterization in this new revision. Also, with the negative continuity of the show, the horrors that Golan and Dylan inflict on the small community are reset at the beginning of each new episode (so it’s okay if Dylan or Golan bludgeon 5th grade bully McKenzie B. to death, right?).

Finally, though being the tamest version of the Godlord himself, the new Golan occasionally works entertaining feats of Gkruoolian magic with humorous results -- he breathes life into a backpack in the pilot, for example, or in the third episode creates a “shamunculous”, a monster that feeds on shame.

Nevertheless, the latest episodes of the show are mere shadows of the stronger, edgier, and more tightly-written episodes from the ADHD version and the web series that spawned it. Let this be a lesson to the fanboys and girls of America -- be careful when asking for your favorite shows to come back on the air, you might just get what you wish for. And it will be transformed into a shamunculous.


Golan the Insatiable airs Sunday evenings on Fox at 9:30 p.m. EST. You can also catch all four aired episodes on the FOX website.

Psych-Out

Another day, another series finale review. This time, guest-blogger Priya tackles the Psych finale. --Maggie Cats

For the uninitiated: Psych is at its core a criminal procedural with a twist. Shawn Spencer (played by the hilarious James Roday) masquerades with the Santa Barbara Police Department as a psychic detective. The twist? He's not really psychic, but is really good with deductive reasoning and sees details that no one else can. Together with his BFF Gus (Dule Hill, whom I LOVE) and a great cast of characters at the SBPD they solve crime and engage in entertaining tom-foolery.

What worked for the show was just how un-serious it was. In an era where CSI, Law and Order, and other macabre shows fill the airways, Psych always took its crime with a level of tongue-in-cheek ridiculousness. With guest stars like Cary Elwes playing an art-thief con artist, or Ally Sheedy as a nefarious crazy villain (who was just one member of the Breakfast Club to appear on the show) they upped the ante each week. 

Psych was also incredibly successful in pulling off the comedy-as-parody routine. Many episodes each season would take on a theme that mimicked other shows and movies. For example, the penultimate episode was called "A Nightmare on State Street" and involved Zombies and classic shots from horror movies that scared me silly.

So what about the finale? Did they do it justice? I think so. The creators took the hour as an opportunity to circle back on some eight-year long jokes with surprising guest stars (Val Kilmer!) while giving friends one last glimpse of team Psych in action. In the finale episode, Shawn tries to give Gus one last case as he tries to tell him he is closing down the business to move to San Francisco to be with his lady love, Juliet. In the end the show gave us a satisfying conclusion. Spoiler Alert! Gus moves to San Francisco where they may have to compete with Monk in the consulting biz....and they live happily ever after. Shawn, Juliet, and Gus. One big happy family.

Also, the theme song is pretty awesome.

.

Almost Human

This review is going to be a bit shorter than most. First, because it is such a gross, rainy, cold day and all I want to do is crawl into bed and pull the covers up over my head. And also, I don't think it's going to take a lot of words to get the point across.

Almost Human is a fun buddy-cop sci-fi drama series. It's I, Robot meets Alien Nation with a pinch of Lethal Weapon thrown into the mix. It's great-looking, from the actors to the sets, and you can tell FOX really wants it to be a hit.


From the FOX website (so watch out for hyperbole):

Almost Human is an action-packed police procedural set 35 years in the future, when police officers are partnered with highly evolved human-like androids. The year is 2048. Detective John Kennex (Karl Urban), is a cop who survived one of the most catastrophic attacks ever made against the police department. After waking up from a 17-month coma, he can't remember much – except that his partner was killed, he lost one of his legs and he is now outfitted with a highly sophisticated synthetic appendage. Suffering from PTSD and the “psychological rejection of his synthetic body part,” John returns to work at the behest of longtime ally, the police captain (Lili Taylor).

By mandate, every cop must partner with a robot. And despite his passionate aversion to androids, John is paired up Dorian (Michael Ealy), a discontinued android with unexpected emotional responses. Although such responses were deemed flaws, it is in these “flaws” that John relates to Dorian most. After all, John is part-machine now, and Dorian is part-human. John and Dorian's understanding of each other not only complements them, it connects them.

Almost Human will follow the week-to-week missions of John and Dorian, as they fight crime across this futuristic landscape, while the mysteries surrounding John's attack and the larger mythology of this new world unfold. 

See? Get it? They're both ALMOST human. So we can explore all these hard-hitting questions about what it  means to be human, and what makes a person, and can an android truly feel.

Or we could also just blow a lot of shit up. I am particularly fond of that part.

There's nothing particularly earth-shattering about the premise here. Future cops, mismatched partners, blah blah blah. But what Almost Human has going for it are the lead actors. Karl Urban has gone from a little known New Zealand actor who popped up in Xena: Warrior Princess....

Hey there, I'm Cupid.

....to a full-blown movie star whom you probably recognize from Lord of the Rings and JJ Abrams' Star Trek movies. I've liked Urban for a while, but Michael Ealy, who plays the android partner, Dorian, was unknown to me.

I am happy to report that they are both great in this, especially Ealy who has the difficult task of playing an android who can feel. He has to walk a fine line between robot and human, but does it seemingly without effort. When watching the show, I actually believe that he is an android, and for a tv-watching cynic like me that's a hard feat to pull off. The two actors have great chemistry together and when you toss Lili Taylor into the mix, you have a first rate cast.

Three episodes have aired and while I haven't found the plot particularly riveting, it's the actors that are the real draw here. Oh, and the previously mentioned explosions. Hurray for blowing things up! I am also hopeful that we'll learn more about the "futuristic landscape" the characters inhabit since that seems pretty interesting, but a focus on the relationship between the characters is ok by me too.

In short: I recommend the show, especially for fans of sci-fi and buddy cop movies. Ratings have been solid, (not spectacular), but I am reasonably certain that we'll at least get a full season out of it. So if you are afraid of commitment to a show that might get cancelled, I think you're safe with these guys. You can also watch the complete episodes on the FOX website so catching up will be easy.

Almost Human airs Mondays at 8pm EST on FOX.

The Hollow Crown Part Two: It's Only a Flesh Wound

In the Yeare of our Lorde Fourteen Hundred and Plague, Henry IV reigns. He has been the king since taking the crown of Richard II to become the first Lancaster king of England.

Willie Shakes wrote this aroundabouts 1597, but there's really no way of knowing for sure, since Willie Shakes didn't actually exist, amiright? 

First off, I want to start by saying that one thing I loved about this production was that the Welsh characters (Hotspur, Lord Percy, et al) actually sound Welsh. A Welsh accent being what it is, it sounds very similar to what is known in the biznit as OP. That is, Original Pronunciation. That is, what Shakespeare and his contemporaries likely actually sounded like when they spoke Early Modern English. I thought this was a really clever way of sticking some OP goodness into the production, instead of everyone flouncing around with posh RP pronunciation. Not that I am down on posh RP. I can do it like a boss and I often launch into it upon a fortnight with little provocation. Whether it was director Sam Mendes's intention or not to give us a little OP to go with our supper, it was not lost on me and 'twas most appreciated, good sirrah.


During the course of Henry IV, Part I, the aging king has more than his fair share of Medieval England Problems. He just could not wait to be king, and now that he's got the job, he's finding it comes with a lot of work-related stress. He so thought that pillaging the Holy Land to absolve himself of guilt over Richard II's murder would be therapeutic for him, but as it turns out, not so much. Those pesky Scottish and Welsh subjects are agitating for autonomy AGAIN, and even though the Percy (Northumberland) family helped him overthrow Richard II, Henry feels like they're being completely unreasonable, too. 

#99Problems

The title of the play is kind of a misnomer. It really isn't about Henry IV at all. He's a presence in the movie, but his part is very small and he's much more of a background character, and he's honestly not a terribly interesting character. Jeremy Irons is the type of seasoned, veteran actor dude to pull off the part and make it memorable and significant. Henry wouldn't work at all without someone like Irons in the role, and if there isn't a good Henry to bring urgency to Hal's situation, then play just doesn't work. Mostly, he's concerned about the succession and his legacy after he dies, and he spends a lot of time ranting and nagging Hal about straightening up. There's not a whole lot of depth to him as a human being in this part of Henry IV, and the way the character is written is sort of static and uninteresting, but his story is more or less the engine of the play. So, in sum, Henry's way more boring in this play than he is in Richard II. Apparently, he goes batshit in Part II. We can look forward to that. 

Really, the play is more about the dichotomy between Prince Hal and Henry Percy (Hotspur). I'll let the professors parse out the complexity of their relationship, but it's no coincidence that they share a name (Henry) and similar personality traits. However, they express themselves in different ways. While Hal sows the proverbial wild oats of youth in taverns, drinking wine and banging whores, Hotspur spends most of his time ignoring his wife (Lady Mary Crawley herself, Michelle Dockery) and fuming over the indignities Henry has been subjecting the Percy family to. They're both idiots, but Hal only emerges as the champion of the play because he wises up. 

Back to the plot. Adding to Henry's troubles is that his son, Prince Hal (later Henry V) is a drunk frat boy. By "drunk frat boy," I mean he is fucking awesome. In case you were wondering why Tom Hiddleston isn't Loki-ing around on Agents of S.H.I.E.L.D. (that is fucking annoying, Clovis), it seems he's given up on trying to take over freaking Space Norway in favor rejecting the throne of England for dipsomania and potential VD, and also inadvertently making your pants spontaneously fly off.  

Hal spends most of his time carousing with his friend Ned Poins (who is also kind of hot), and a fat old drunken whoring nobleman. No, that's not Hagrid's midget cousin. That's Sir John Falstaff (Simon Russell Beale), who I'm guessing needs little introduction. Falstaff is what you'd expect. He's uncouth and drinks a bunch. There are a lot of shenanigans. And nonsense. And also foolhardiness. 

Ahh. If only you'd seen my Santa Claus back in '86.

Anyhoo. Harry Percy, or Hotspur, is emo, but Henry thinks that he'd rather have Hotspur for a son because Hotspur does his noble duty and goes out and kills Scottish people like he's supposed to, whereas his own son is drunk at the bar. Kids these days.

At the start of the play, Henry whines about how his son is a layabout and a good-for-nothing and a slacker. These mid-millenials. Interrupting his self-pity-a-thon are Hotspur and Lord Percy. Hotspur's been out battling the Douglas at Holmedon like a good laddie. Henry wants Hotspur to return the Scottish prisoners that Hotspur took in action, and Hotspur is like no. Hotspur wants the king to ransom his wife's brother, Edward Mortimer, who's been taken prisoner by Owen Glendower (most Welsh name ever). The king goes ballistic, basically because he's a control freak, and insults Lord Percy and Hotspur. 

Hotspur: The king is being a total asshat.

Lord Percy: I know, right?

Remember when the Earl of Northumberland helped Henry overthrow Richard II? Yeah, those were good times. The Percys sure do remember that Henry owes his throne to the support of nobles like themselves, and they are PISSED that Henry is dissing them.

MEANWHILE back at the whorehouse, Falstaff decides that he, Hal and Poins should rob a merry band of travelers who are making their way into the shire. Because reasons. Hal and Points decide that that is not enough highjinksery for them, so they don't show up to meet Falstaff at the appointed time, and Falstaff has to do the highwayman thing all on his own. Falstaff robs the travelers (who really deserve to be robbed if they can have their asses kicked by Falstaff), and then Hal and Poins jump out from behind some trees to surprise Falstaff and steal the money that Falstaff stole. It's like Robin Hood, but postmodern. Hal returns the money to Falstaff, and they all go back to drinking and wenching. All is right with the world. 

Falstaff: You! Elf! Get back to making toys!

Hal: And more wine!

Falstaff! Yes! More wine!

Hal: And more whores!

Falstaff: Yes. More whores, more wine, and more toys. I said now, elf!

Over at castle Northumberland, Hotspur is raging against the machine. His obsessive anger with the king has not gone unnoticed by his wife, Kate.

Lady Kate Percy's Diary:

Weather: Bleak.

Shags: 0. If possible to have negative shag balance, am probably getting there.

Weight: Same. However, have been eating cold roasted peacock sandwiches, butter directly out of churn, and some cheese off wheel when servants are asleep. If someone would invent ice cream, would be grateful. Weight gain: imminent. Am defo not preggers.

Harry Status: Continues raging. Day 7 of tirade. Am hoping tires himself out but has been up all night ranting about king. 

"Don't marry the Welsh guy," said friends. Wonder if that cheesemonger in Surrey is still single...

In a play comprised almost entirely of dudebros, Kate Percy has one of the best monologues in the whole damn thing -- actually, it's one of the best monologues in Shakespeare.  Kate is, of course, played by Michelle Dockery. She's a clever choice for the part because it's giving the people what they want, and the people want more Downton Abbey. 

This is for all of you Downton Abbey fans who can't stand to see Lady Mary with anyone but Matthew.

Hotspur's all up in arms this time because he got a letter from one of his noble kinsemen in re: Hotspur's request for them to join in Hotspur's plan to overthrow the thing. Survey says: No. Kate threatens to castrate Hotspur if he doesn't tell her what he's up to, then he insults her, tells her he doesn't love her, and throws her on the bed. Real winner you've got there, Kate! Hotspur's worried that his kinsmen will betray him and tattletale to Henry, so he leaves to go plot his rebellion, and tells Kate that she can, like, join him in a few days or... he'll call her or...whatever.

Come and see the violence inherent in the system! Help! Help! I'm being oppressed!

Because Henry IV has got a serious case of he oldz, he's really concerned that he's going to die and leave England without a decent king. The guy is one rebellion away from a triple bypass. He's got his little spies everywhere, and he's aware that Hotspur & Friends are a-plottin' and he's got to get Hal to sober up long enough to walk a straight line and maybe get stabby with a few rebellious folks. 

Henry: Ohhh, my prostate.

Hal: Soo...just to clarify. No hookers ever again or just tone it down a bit?

Henry: Ahh! My acid reflux.

Hal: Okay. Bad time to ask. Did you see I killed that guy-

Henry: Shut up! 

Henry summons Hal into his throne room, and Hal shows up and Henry is is all like, 

Henry lays some smack down on Hal and tells him this drunkenness, tomfoolery, monkey business, frequenting of strumpets, and general errant knavery have got to stop. LIKE RIGHT THIS MINUTE. He tells Hal that he is just like Richard II (only Henry hasn't had him imprisoned yet) and thinks Hal is going to go over to Hotspur's side in the rebellion. Henry's speech itself kind of goes on and on without much point, but it spurs (ha!) emotion in Hal.

 Christ. Seven years of college down the drain. Might as well join the fucking Peace Corps.

Hal reassures Henry that he's got it all wrong. He swears to fight against Hotspur and to take any action necessary to prevent Hotspur & Friends from taking over their rightfully...er...stolen crown.

And THEN Sir Walter Blunt enters and alerts them to the fact that Douglas, who's leading the Scottish rebels, has joined forces with the English rebels near Shrewsbury and they're getting ready to attack. OH NOES. 

Over at Castle Glendower in Wales, Percy and the other rebels have gathered to plot their battle against the king, and this is where we meet Glendower's daughter, Lady Mortimer, who's married to Kate Percy's brother. Yeah, I think I've got that right.  She doesn't speak any English, and Mortimer doesn't speak any Welsh, and neither of them have bothered to learn the other's language for, you know, relationship purposes. I guess that would require literacy. Hey, don't judge. I'm sure they connect on other levels. They gather in the evening to have a fancy dinner party before they all die horrible deaths or are executed or torn apart limb from limb or are banished and whatnot.

This isn't Chanel? Then WTF is it? "A skinned muppet"? Okay. What is a muppet?

Lady Mortimer doesn't have any lines per se in the play, but she does get to babble incoherently in Welsh. Needless to say, I would be all over that part like it was my job. Lady Mortimer decides to give a concert for the rebel alliance, and there's a moment where Kate and Hotspur appear to set aside their differences for the sake of snuggletime. They sneak off during Lady Mortimer's song for a make-up quickie.

Weather: Continues bleak.

Shags: 1. Harry. Against cold stone wall in dank castle. Bum: a bit cold.

This Enya music is making me horny. 

That brings us up to Act IV, or thereabouts. This is where it starts to get real. It's all Empire vs. Rebel Alliance from here on out. 

In Shrewsbury, which is near Wales, Hotspur, Worcester (pronounced Wooster) and Douglas are discussing their strategy when this guy shows up and tells Hotspur that his father is too sick to fight that day. Really? You've got fat old fuckin' Falstaff waddling onto the battlefield to support Hal and the king, but Lord Percy can't toddle his sorry ass to the fight? I call shenanigans. AS IF THAT IS NOT ENOUGH BAD NEWS FOR ONE EFFING DAY, Vernon shows up and tells Hotspur that Henry's other son, Prince John, is, like totally headed their way with a bunch of soldiers, AND the king AND Hal are on their way with a bunch of other soldiers. Vernon has seen Hal on a horse, and he looks completely regal and is totes ready for Hotspur to baaaariiiing it. 

SPARTAAAAAAANNNS!!

AND AND AND. Glendower is bailing. Well, I guess he's not technically bailing, but he can't assemble enough forces together before the battle. This would maybe be a good time to BACK THE FUCK OFF, but Hotspur says NOPE. We are going to fight this thing to the end, and he expresses a wish to have a mano a mano confrontation with Hal. 

Hotspur: We're going to win, right?
Dudebro: Oh, yeah. Totally! 
Hotspur: YOLO!

The battle is actually pretty cool, and should, I hope, satisfy all the stage combat and SCA nerds out there. It's not exactly Orcs vs. Elves or Harry vs. Voldemort (I said it), but it's pretty exciting and historically accurate from a combat perspective. Hal is wounded, but he's got his vow to redeem himself to keep in mind, and, though wounded, he meets Hotspur in one-on-one combat and kills him.

Yeah, that's right. I stabbed you. Mind THAT gap, bitch.

I'm not sure who delivers the tragic news to Kate Percy, but I'm guessing she's sensing a theme. 

The rebellion thus quashed, and the rebels either killed in battle or executed, King Henry is able to hang onto his ill-gotten throne and Falstaff lives to drink and whore another day. So, a net gain for our fair city.

Obviously, the play is much richer than what I've presented here for you, and there's way too much going on in the movie for me to have room for to recap for you fine folks here. There's a new episode airing this week, and that will be Henry IV, Part II: The Wonder Years. Head over to PBS.org for more info.

It's a Game of Thrones!