The Good old days of 1830. Madame Lalaurie is returning to New Orleans from Paris, “the jewel of civilization” and complaining about having to come back and the lack of intellect and inner light of the black people. Upstairs, a slave has injured himself and is bleeding profusely. The blood begins to give Delphine ideas and we all know where that is going to head. She strings up the slave and flays him in her attic. “I think I’m going to like it here,” she says gleefully.
In the modern day cemetery, the Coven mourns the “untimely” death of Nan, Fiona and Marie leading the Wailing Widow charge. Cordelia is taking it especially hard that she’s lost another student, although in fairness at least Madison came back. No one seems quite aware where Misty has gone to. “Probably shall-twirling down to the Everglades,” Madison helpfully offers. Arriving to pay their respects are Queenie, who has a re-headed Delphine on a leash. Queenie put her back together without scars, Kyle notes. “If I could have done you, you wouldn’t look like you went through a blender,” she tells him.
"I'm trying to muster up crying. Is this what crying looks like?"
In Atlanta, the Delphi corporation knows that the witches have been the cause of their problems. Hank’s father schemes to arrange a meeting with the Coven and pay them off to undo the spell, after which point they’ll come back and slaughter them to a witch. Yeah, no way ANYONE is going to see through that ruse. Either way, Fiona and Marie agree to a meeting, counting on the double-cross.
Delphine, meanwhile, is getting a little sick of this maid life, cutting the fingernails of the witches and cleaning the toilets and listening to Marie talk about how next time she’s going to sever her parts and scatter them. That is until the moment when one of the (black, natch) gardeners comes into the kitchen having cut his hands pruning the fig trees. Delphine, ever so graciously, offers to help the man – by taking him to Spaulding’s old room in the attic, trussing him up and seeing “what makes the n*ggers tick” by cutting off his toes one at a time.
Not a joke: She's seriously singing "This Little Piggy" before removing the digits.
Zoe meanwhile is casting a spell in the bathroom to reveal what happened to Nan and discovers that both Fiona and Marie were responsible. Madison is unhappy with all the attention that Kyle has been paying to Zoe and not her. She tries to intervene with a helpful blowjob, but Kyle rejects her, causing an epic witch tantrum until Mrytle stops them. Madison declares herself the next Supreme and announces the new order begun. Or something.
In the attic, the eviscerated remains of the gardener are causing something of a mess all over Delphine and the dolls in the room. “Not very robust, were you,” Delphine bemoans. Suddenly Spaulding appears, admiring her handiwork and admitting that he’s a ghost now. Delphine takes that news well, but then, she’s immortal so I guess it’s not that shocking. Spaulding tells her that he knows how to release Delphine by killing Marie through means of a magic concoction that he knows of that will render her invulnerable for a few moments. But first, Delphine must retrieve an item for him.
Queenie is moving back into her old room which was taken over by Misty. Cordelia tries to approach her to welcome her back, but Queenie notes that since Cordelia’s husband shot her kind of puts a wedge between them. Queenie reveals that she, too, has been manifesting new powers just like all the rest of the young witches, even though she was shot with a silver bullet. (Is that a thing for witches?)
Feeling dejected and determined, Cordelia repairs to her conservatory where she mixes up a paste and spreads it around her eyes. Then she grabs a pair of gardening shears and raises them to her new eyes, the ones that gave her sight but took away her powers. Screaming, she plunges them into both eyes. When Fiona learns what she has done, she finds Cordelia guarded by Mrytle who refuses to let her in. “Your daughter has become something you will never understand,” Myrtle says. “She’s a hero.” Myrtle challenges Fiona, calling her an enemy to the Coven and dares her to touch her daughter and see if Cordelia’s psychic sense has returned.
"I really need more excuses to use words like 'blanched' when describing the living conditions here."
In the attic, Marie has fetched the “magical” item that Spaulding needed – a rare doll that Spaulding is particularly enamored of from the 19th century. For her part, Spaulding gives her the special potion that will confer morality onto Marie – something called Benadryl. “Never speak its name aloud!” Spauling dramatically tells Marie.
In the conservatory, Myrtle calls Zoe to her, giving her a rare broach (or something – I don’t know fashion, I can’t tell you what it is but my friend insists that it’s by some rare designer that really exists) and tells her to hawk it for money then take Kyle and leave the Coven for their own safety. Myrtle warns her if she stays, Madison will kill both Zoe and Kyle.
At a very professional looking business park somewhere, the Delphi men have arrived in their Escalades and wait for the witches in a large conference room. It’s Marie and Fiona up against ten men. When the Delphi men ask if they don’t want to check for security or weapons, Fiona laughs. “I took down your entire company with less effort than it takes for me to mix a Rob Roy,” she says. The “negotiation” begins – Delphi offers to do whatever the witches want if they restore Delphi, offering that the war between them is outdated and a thing of the past. Each of Delphi’s directors have signed a 100-year truce that they offer to the women. Fiona counters that the only agreement that will work is if they agree to disband permanently. And give them a private jet and their private house in New Orleans. When no one seems interested in this, the waiter in the room reveals himself to be the Axeman and gets to what he does best, slaughtering every member of Delphi. (Marie, hilariously, plays on her iPhone through the carnage, apparently more interested in Words With Friends.) Fiona saves Hank’s father for herself, axing him personally at the end as Marie Instagrams the scene.
"This is so getting me new followers."
That night, Marie and Fiona toast to their success back at the house. Fiona heads out for her Axeman booty call, leaving Marie alone with Delphine and the “magic potion”. While it’s probably not great to mix antihistamines with champagne and Marie is clearly a little fuzzy from imbibing, Delphine has seriously overplayed her hand here and gets a surprise when she plunges a knife into Marie’s chest. Marie screams, but is more annoyed at having to pull the knife out than anything else and chases after Delphine, managing to only slip and fall down the stairs when Spaulding hits her over the back of the head with a doll. Turns out Spaulding was only interested in getting Marie out of the house and recommends that Delphine take advantage of the situation by burying the unconscious Marie in such a way as to ensure that she can’t get out of the ground.
But Spaulding’s not done being creepy! Guess who found Marie’s baby in the house and is thrilled to have a real LIVING doll to play with in the attic? <shudder>
Elsewhere in the house where no one can hear a woman falling down the stairs, Zoe and Kyle are packing to leave. Kyle is afraid to leave because he’s afraid that he’ll accidently kill Zoe like he did the dog. (Still not okay with that, btw.) Zoe tells him that she loves him and she’s not scared of him, just like any good woman about to enter into an abusive relationship. The two flee the house, running for the bus stop where they board a bus to Orlando (Don’t do it, guys! Seriously, the Mouse is scarier than certain death at the hands of a vengeful witch) and hopefully freedom.
Not the actual ending of this episode, but clearly what they're aiming for.