Showing posts with label nunsense. Show all posts
Showing posts with label nunsense. Show all posts

Thursday, June 08, 2017

How "The Keepers" Reimagines True Crime Stories

Quick, think back to the last true crime mystery that you watched or read about. Maybe it was Serial or Making a Murderer or whatever you happened to see on Investigative Discovery last night or maybe even The People v. O.J. Simpson. Do you remember the name of the killer (or accused killer)? So long as the story is still fresh in your mind, I’m betting the likes of Adnan Syed or Steven Avery or O.J. Simpson are in your head. Now next question – do you remember the names of the victims?

Sometimes victims become as unintentionally famous as the people who killed them. Most times they fade into obscurity, unless they become part of the zeitgeist like Nicole Brown Simpson or Hae Min Lee. But whenever we watch movies about them or read stories or listen to podcasts, we almost always lose sight of the victims because we tend to get the story more or less from the perspective of the killer, accused or otherwise. There’s a practical reason for this, of course – dead people are notoriously hard to get on the record whereas accused or convicted killers can be interviewed.  That dynamic creates a skewed view on crime where the victims become cyphers, unable to give us the answers we really want.

So what if you had a crime story where the victim of the murder could still speak? Answer that question, and you’ve got Netflix’s new documentary series The Keepers. The series examines the murder of Sister Cathy Cesnik, a nun and Catholic high school teacher in Baltimore in 1969. And before you get too checked out, this is not a story about ghosts or mediums or mistaken identity or any other trickery. It is, however, about how the victims of a murder (mostly) survived.

Catholicism, man. Amirite?

A quick note: It’s hard to have traditional spoilers in a true crime story, especially one that officially remains unsolved. But The Keepers takes viewers on such an intense ride that if you prefer to experience the story with all the emotional twists and turns that the series intends you to experience, you may want to stop here and go watch the first three episodes before reading any further. The series is full of revelations and I’m only going to review a few of them briefly, but if that’s a concern for you consider this your spoiler warning.

Now that that’s taken care of, let’s explore the facts of the case. In 1969, Sister Cathy Cesnik was a 26-year-old nun living in Baltimore and working as a teacher. Not that much older than the girls she taught, she was popular and well-liked. Several of her students, now women in mostly their late 60s, recount how close they felt to her and inspired by her they were.

Sister Cathy began her teaching at Archbishop Keough High School, an exclusive all-girls Catholic school. She taught English and Drama for several years, but despite a strong tenure at Keough, Sister Cathy nonetheless left the school at the end of the 1968-1969 school year and took a position at a local public school with another young nun in her order. The two nuns even opted to live together in an apartment in West Baltimore. The move was part of an experiment in which nuns would try to live among the world rather than in cloistered lives.

On the evening of November 7, 1969, Sister Cathy left the shared apartment and drove in her car a short distance to a shopping center to buy an engagement present for her sister in Pennsylvania. Along the way, she cashed a paycheck and stopped off at a local bakery. She left around 8:00pm. When she hadn’t returned home around midnight, her roommate Sister Russell called a priest and mutual friend, Rev. Koob who drove to the women’s apartment. At 4:30am, Rev. Koob discovered Sister Cathy’s car parked illegally less than 100 yards from the apartment building. The car was dirty and had twigs and debris inside. (In a weird coincidence, Sister Cathy’s apartment was located near the spot where Hae Min Lee’s body would be found 30 years later. Stay classy, Baltimore.)

Baltimore Policy conducted a basic search, however they reportedly didn’t see any evidence of foul play or violence. Sister Cathy would be officially missing for almost two months until on January 3 when two hunters discovered her partially-clothed body in remote wooded area not far from her home. An autopsy revealed that she had likely died due to a skull fracture caused by a blunt instrument to the back of her head.

From there, the case went cold. It remained largely inactive for almost 25 years when something happened that began to shed new light.

Enter these two jerks

In 1994, a woman in her 40s came forward to say that she had attended school at Archbishop Keough during the late 1960s. She alleged that for three years, from her sophomore year until graduation, she was routinely, systematically, and sometimes violently raped by a member of Archbishop Keough’s staff, Father Joseph Maskell, who served as the school’s counselor. The woman recalled detailed events where Father Maskell would call her into his private office, demean her as a “whore” and a “slut” and then rape her, telling her that only by having sex with him could her soul find forgiveness. What’s more, he routinely arranged for her to be raped by multiple men at the same time, often in his office with the door locked while he watched. Some of these men, the woman later learned, were high-ranking city and police officials.

While the woman’s reports were shocking, what really grabbed public attention was another detail: the woman claimed that not only had Sister Cathy known something about these attacks, but that Father Maskell had taken the woman to see Sister Cathy’s dead body a few days after the nun went missing. And what’s more, she may not have been the only one exposed to all this; there could be others.

Tom Nugent (no relation to Ted), reporter, shows the headline of his 90s era article re-opening the case

And therein lies the detail that separates The Keepers from other true crime series that I’ve seen. Unlike most that focus on the accused, The Keepers has access to the victims and investigates the events surrounding Sister Cathy’s murder and Father Maskell’s alleged conspiracy and sexual assaults through the eyes of people who were witnesses to them because it was happening to them too. Sister Cathy is a victim, to be sure, but the story quickly grows to encompass a number of victims who have spent more than 40 years unable to tell their own stories.

The Keepers is dense, but immensely watchable. As I binge-watched it with a friend, I turned to her after one episode and said out loud, “How are there four more episodes to go? There’s so much information here; how are they going to keep shedding new light on this story?” And yet, with each episode, the creators do.

This is largely thanks to the access they have not only to the still living victims of the crimes committed at Keough High School, but also thanks to the small sorority of women who, nearly 50 years later, are still dedicated to getting to the bottom of the murder of a teacher they loved and respected so much. What this means is that the narrative of the series is almost entirely told through the voices of women, most of them middle-aged or older. The women in this story have been abused, literally and figuratively, by a variety of forces and personages and they’re only now getting to tell their stories. That makes The Keepers a natural expression of the nascent “Nevertheless, She Persisted” notion.

Abbie (r) and Gemma (l), the amateur investigators still trying to piece together the crimes. AKA #Heroes.

As such, the series gives out a measure of justice, but justice is like Schrodinger’s cat – it both exists and doesn’t exist at the same time. These women finally get to tell their stories and be believed, but of course many of the perpetrators of the crimes done to them are long dead, having escaped whatever worldly justice the law could have meted out to them. There’s a sense throughout the series that history has already passed much of this story by, making it even harder to gain any sense of closure about these events. In a timely, though unrelated event, Keough high school, now officially named Seton Keough High School, announced last fall that the school would be closing its doors for good once school lets out this summer.

Crime and punishment are almost always, by their nature, reactionary things. It’s in keeping then that the way we’ve talked about both of those things has been reactionary as well. The Keepers represents an attempt to change that narrative, if only by looking at those concepts from a different perspective. The results are fascinating to watch.

Wednesday, April 03, 2013

Sister Evangelina Will Cut You

Did your cable drop Oxygen where you live? Are you unable to spend your weekends marathoning The Duchess and the 1995 and 2005 versions of Pride and Prejudice on continuous alternating repeat? Kids, I have your salvation.  It comes in the form of a darling little costume drama that does not get nearly the amount of attention it deserves:  BBC's sleeper hit, Call the Midwife

Slums are so whimsical!

I have drunk of the cup of Call the Midwife kool-aid and I am here seeking converts. Oh, yeahhhh. 

Following the runaway train (never goin' back) that is ITV's Downton Abbey, our beloved PBS (fuck you, Mitt Romney) has no qualms with airing ITV and (its rival) BBC dramas on the same network.  THIS IS WHY WE FOUGHT THE REVOLUTION, FOLKS.

Call the Midwife is set in the late 1950s in Poplar, which had historically been an impoverished area of East London. These days, I'm pretty sure Poplar is inhabited by hipsters and performance artists, so I don't recommend stopping during your next tour of London, unless you want your dignity assaulted by a mime. 

Guess what animal I am? Nope. Not that. Nope, not that, either. Nope. I was a frog.

During the Call the Midwife era, Poplar was essentially a slum, which had seen no less than its fair share of tragedy. In 1917, eighteen Poplar children were killed when a German Gotha bomber shellacked a primary school. Even during WWI, it was populated by the disadvantaged, largely ignored by the British government until the National Health Service began serving poor neighborhoods after WWII.

The residents of 1950s Poplar are working class to poverty-stricken, and many are emotionally scarred former residents of 19th and early 20th century workhouses. However, being situated close to the docks, some teevee Poplar residents earn income from the shipping and fishing industries. Conditions are still very bad. The housing is substandard and the residents suffer from all the usual suspects that accompany poverty. Also, with this being the 1950s, no one uses birth control.

That is where Nonnatus House steps in. I'm not even exaggerating when I say this, BUT THERE ARE NUNS. Nonnatus House is a convent of Anglican nuns who run a prenatal clinic, a health clinic and deliver most of the babies in Poplar, with the aid of four trained twenty-something nurses from the National Health Service.


We're here to talk to you about sex!

Our heroine is Jenny Lee (Jessica Raine), on whose memoirs of nursing in 1950s and 60s Poplar the show is based. The narrated voice of the older Jenny is none other than VANESSA EFFING REDGRAVE. Also? Nuns.


I'm following every rainbow, bitches!

Jenny left her comfy middle-class home to train as a nurse after her relationship with the married Rakehelly Dishonor Esq. somehow did not work out. The other secular midwives are Trixie (Helen George), "Chummy" Noakes (Miranda Hart) and Cynthia Miller (Bryony Hannah).  Whenever a call comes into Nonnatus House, the midwives on duty pack up their baby-having kit and head off on their bicycles to deliver a baby. Hence the title. 

If you're already squeamish about childbirth, this show will not help. I really think it ought to be shown in high school sex ed classes during the contraceptive unit. Fortunately, I can close my eyes and say, "Ew." The birthing scenes are not really graphic per se, but they're biologically accurate. For those of you who think it's "miraculous," have at it. I will continue to be a little grossed out. 

The Season 2 premiere opens with Jenny riding her bicycle back to the convent as another day of work ends in Poplar. She has been out on a case. When she returns to the convent, there is cake! There is always cake at the convent due to batty Sister Monica Joan's penchant for sweets, but this time, the nuns baked a cake because it's Jenny's birthday! The midwives have a little time to celebrate, and then it's off to the movies! The movie is about Dreamy McDreamboat, who sings about flowers and sunshine. The girls share a box of chocolates they've snuck into the theater. Chocolates are easy to sneak into a movie theater. Harder with doughnuts. Easiest with alcohol.

Sister Julienne normally runs the roost, but the next day, Sister Evangelina (Pam Ferris) gives the midwives their marching orders. She sends Cynthia off to check on a mother whose baby isn't feeding, and upbraids Trixie for walking in late. Trixie protests her day's assignment, but Sister Evangelina shushes her and sends her on her way. Sister Christian doesn't want any nunsense from Trixie, and it doesn't help that Sr. disapproves of Trixie and her fast vixen ways. 



I'm going to wear lipstick and go on dates with men!

At the prenatal clinic, it's up to Chummy to demonstrate to the preggo ladies Dr. Turner's newfangled nitrous oxide machine! Chummy gets to do all the fun stuff. Last season, the nuns asked Chummy to run a clinic (quite literally) on condoms, and she met with skepticism and jeers from local ladies as she demonstrated how to unfold a safety first on a dildo. Nuns have this stuff lying around the convent. Legit. 

Chummy inhales too much gas during the demo, and she quite passes out. Dr. Turner is super stoked about N2O. Its original purpose was to ease labor pains and make delivery a little easier. Also? Laughing gas. However, the midwives find it only results in turning all the expectant mothers in Poplar into huffers.  Cynthia and Chummy discover this on their next case. They're not supposed to call Dr. Turner unless the case turns serious, but the mother insists on getting her fix for her labor pains. Posthaste. This leads to Dr. Turner being called to several ensuing deliveries which he would not have ordinarily attended.


Jenny's worried that Molly Brignall hasn't shown up for her prenatal check. Molly hasn't been in for four weeks, so Sister E tells Jenny to visit the next day. Jenny arrives, and hears Molly's husband yelling at her. Molly's protesting about not being able to do SOMETHING VAGUE because she's almost at term, but Richie's insisting that she has to do it because they need the money. Richie answers the door and he's sickeningly polite, but Jenny's not stupid. She notices that their house is too dirty for a home delivery. She also notices a bruise on Molly's arm. Not cool, bro. It's very apparent to Jenny that her patient is in abusive relationship. Jenny and the other midwives have lost patients in the past, and she's determined to save Molly -- from herself if she has to.  Molly also has a young daughter, Lorraine, who is witnessing all of this. Jenny tells the nuns she can't understand why the house was passed for home delivery five weeks ago, and Cynthia says that, five weeks ago, it did pass inspection. Sister Julienne (Jenny Agutter) instructs Jenny to contact Molly's mother.

Jenny visits Molly's mother, Mrs. Gray. Mrs. Gray tells Jenny that she's had a difficult time with Molly. Molly was evacuated during the war, and she came home afterward, but her father was killed in action and things haven't been the same since. Molly has nearly cut her mother out of her life, and Mrs. Gray says she doesn't like Richie, but Molly feels safe with him. Jenny informs Mrs. Gray that if Molly doesn't clean up her living conditions, the social services will have to get involved. Molly allows her mother to come over and clean after Richie leaves for...wherever it is that Richie goes. If Pete Campbell could be sleazier and smarmier and more of an asshole and way more evil, that would be this Richie fellow.

Richie creepily creeps in a few hours later, and he is none too pleased to see Mrs. Gray there. Jenny leaves, and she hears Richie screaming at Mrs. Gray. Jenny bursts back in, and sees Richie threatening to burn Molly with a cigarette if Mrs. Gray doesn't leave. Jenny leaps at him and shoves him off Molly. Jenny files a report with Chummy's policehusband, Peter (Ben Caplan). Sister Julienne tells Jenny to hold off on getting the federales involved, because she fears that Richie will forbid Molly from receiving any kind of medical care. It's a testament to Jenny and the other three midwives that they get very involved in their respective patients' well-being. Her ensuing visits to Molly are equally heartbreaking. She finally convinces Molly that she must deliver her baby at the maternity home, and she has to leave her daughter with her mother during the delivery. Throughout the episode, Jenny struggles to understand the addictive and unhealthy nature of Molly's relationship with Richie. She doesn't know how to help Molly find the courage to break away from a bad relationship, as she was able to do, because it is a very different situation. Later, Richie says something dickish to Molly, and she goes into labor. She's able to get herself to her mother's house, and her mother telephones Nonnatus House.

Sister Evangelina puts her foot down about the nitrous oxide, and these Modern Females protest that women should be allowed pain treatment during labor. Cynthia and Trixie gossip about how unkempt both the doctor and his son have been looking lately, until Sister Bernadette (Laura Main) shushes them. Sister Bernadette is crushing hard on Dr. Turner. Dr. Turner is a widower with a young son, and he's apparently the only doctor in Poplar, so he of course needs A Woman to Look After Him. 


Now...about that "vow of chastity" part...

Chummy starts to have second thoughts about giving up her ambitions to nurse in Africa (which had been part of her plan to run away from her former Downton Abbey-esque lifestyle). She helps Peter study for his upcoming promotion examination, and she helps him go over the laws about, of all things, PROSTITUTION. For those of you playing at home, have you caught on yet?

If you haven't, Peter calls Nonnatus House from the popo station. Chummy answers, and he tells her there's a woman in labor on board a cargo ship. Chummy thinks it's a joke because women aren't allowed on cargo ships, but Peter insists that it has to be checked out. Trixie's on call that night, and she and Jenny are going to head to the ship, but that's when Mrs. Gray's call comes through. Jenny feels she has to see Molly through this, so Trixie is left to head to the docks at the mercy of Sister Evangelina.  Sister Evangelina assumes the captain of said ship is German -- after he tells her he's Swedish -- and so she takes the obvious course and vacillates between yelling at him in German and Spanish. German + Spanish = Swedish. Trixie and Sister Evangelina are rowed out to the ship and Sister Evangelina takes the opportunity to get in a few digs at Trixie. But wait! There's more! Once they reach the vessel, they learn they must CLIMB A LADDER to get on deck. Sister Evangelina is not exactly young and not in the best of shape, and Trixie is wearing heels. Hijinks ensue. 

Sister Evangelina cannot, in fact, climb every mountain. It seems long ladders dangling from steel vessels are her limit. She falls onto the deck and dislocates her shoulder. It is now up to Trixie to save the day! She successfully climbs the ladder, to the delight of the gentlemen waiting up top. They're led to a tiny cabin, where a young lady is screaming in pain. Such a beautiful thing, that birthing process. 

The senorita in question is Kirsten, the captain's daughter. Kirsten cheerfully reveals to Trixie and Sr. that she's been serving as a live blow-up doll for the sailors on her father's ship. Like this is somehow normal. Apparently, Dear Old Dad has brainwashed her into believing that prostitution is her mission in life, and has even supplied her with a free lifetime's supply of condoms. Darlingest Papa has been whoring out his daughter to his crew, convinced that if they are not horny, they will not think about mutiny. Because that makes sense. Sister Evangelina is mad at hell about this nunsense, and insists that the captain find Kirsten a better room for the birth. Trixie takes charge! She figures she will keep Sister Evangelina placated by plying her with some of the ship's brandy supply.


How fortunate that we took advantage of this poor girl 60 years before the Maury show.

Jenny's able to help Molly through a pretty routine labor, but Trixie isn't so lucky. Trixie alerts Sr. E. that Kirsten's baby is prolapsed, and Sister E helpfully reminds her that a Caesarian is out of the question. They can't physically move Kirsten to a better position, so Trixie improvises by hitching Kirsten up on a chair. Trixie's able to manually get the umbilical cord out of the way ("Lots of room in there," she quips), while Kirsten yells out some curses in Viking. Trixie successfully delivers a baby girl. Kirsten is grateful for their presence, and for the baby. She says she's happy she finally has friends. Estrogen levels surge. Audience reaches for hankies.

Jenny presents Molly with her newborn son, and notices another bruise on her breast area. The next morning, Molly takes the baby and sneaks out of the maternity house before she's properly discharged. Jenny and Mrs. Gray knock on the door, but Richie answers. He takes Lorraine inside and slams the door in their faces. Jenny tries to visit Molly after that, but no one ever answers her knock.

El Capitan thanks Trixie for her service, but Trixie lets him know she's thoroughly disgusted with him pimping his daughter. She lets him know that he has to have a boat waiting for her so she can check in on Kirsten and the baby before they leave port, and she also informs him that she could easily report him to the police. Sister Evangelina gets carried on a gurney to a waiting ambulance, and orders Trixie to giver her some laughing gas. Sister Evangelina is quite the tweaker.

There's a short scene featuring Molly standing in an alleyway, with Richie talking to an unidentified man in a car. Molly gets into the car, and it becomes clear that Richie has been forcing her into prostitution. Jenny finds out later that Asshole Dad has been leaving the children alone, giving them milk and alcohol to keep them quiet. Sadly, the house soon after catches on fire, and Molly and Richie are imprisoned for child neglect. Fortunately, Lorraine and the baby are sent to live with Gran. Mrs. Gray gets a second chance to have a loving family and the children get a chance at a better life. 


The nuns let Trixie work in slacks, and she gets to dress like Marilyn to pay her regular visits to Kirsten.The sight of a nattily clad squaw elates the sailors, all of whom have hopefully found some obliging females whilst in port. Trixie has a present for Kirsten from the National Health Service. It's condoms! What Every Girl Wants. Kirsten informs her that she's gotten some R-E-S-P-E-C-T for herself and will not be playing the Staten Island Ferry for any more men. She is going to disembark once they get to Stockholm and raise her daughter on land. Dad can't object because...well, he can't.

In the foreshadowing department:

1) There's a glimpse of Chummy addressing a letter to Parts Unknown. 

2) Sister Bernadette takes it upon herself to personally sew buttons onto Dr. Turner's coat.

Are you thoroughly verklempt? This author is very happy about the return of Call the Midwife. Now, if only The Beeb had not axed The Hour. I need my Ben Whishaw and I need it now! 

Downton Abbey fans should for sure tune into this show. It's definitely an antidote to whatever Douchebag-Meets-Skank dating reality nonsense the main networks are offering in this time slot.

Call the Midwife airs at 8 p.m. on Sundays in my neck o' the woods. Check your local PBS stations for air dates and times. OR, you can watch episodes online at pbs dot org. Also! Season 1 is FINALLY available on instant watch on Netflix. 

Biker Bitch for the Lord!