Showing posts with label actual news. Show all posts
Showing posts with label actual news. Show all posts

Tuesday, November 03, 2015

Latest TV News

We now interrupt your usual Fall TV blogging with some breaking news. I swear that Supergirl review is coming soon, but I've been seeing and reading so much good stuff on the internet lately (all hail the internet) that I just had to share.

First up! The return of one of television's most beloved franchises: Star Trek. CBS announced yesterday that it would create and air a new Star Trek series in 2017. The catch? While the pilot episode will premiere on CBS's television station, all other episodes will only air on the network's paid streaming service, CBS All Access.

I'm not sure I can adequately express how important this news is, not just for me, but for geeks everywhere. Star Trek: The Next Generation was one of my first fandoms and the first show I remember watching as a family. To this day, my brother and I have a tradition of seeing all the new Star Trek movies together (well at least at the same time since we live on different coasts).


As this most excellent article from The Verge points out, CBS is clearly using one of its most promising and popular established properties to send a clear signal that it is doubling down on its streaming service. Will it work? Only time will tell--but I'm not making any plans to subscribe just yet and I consider myself a big Star Trek fan. My current prediction is that CBS will only succeed in making it one of the most pirated shows on the internet (all hail the internet), but that's because the quality of Star Trek series since TNG has not been great. If CBS is really serious about making this work, they're going to need to get an amazing showrunner and fantastic writers to pull it off. If they try this shit with another Enterprise, well, it won't be pretty.

Speaking of networks upping their profile with new shows, Starz is really knocking it out of the park lately. They got on the map with Outlander, are developing American Gods (based on the Neil Gaiman novel) into a series, premiered Ash vs The Evil Dead on Halloween, and I am really excited about Flesh and Bone, an upcoming drama about ballet.


Center Stage fans, REJOICE!

Flesh and Bone is about a dancer getting her last shot! at living her dream! and dealing with mean dance company directors! But it also looks really beautiful, dark, and painful. So I'm on board. Flesh and Bone premieres on Starz on November 8. Break out your pointe shoes and set the DVR now.

Next in the "items I feel compelled to share" category, is this great bracket series over on Vulture dedicated to determining the Best High School Show in the Past 30 Years. If you're looking for something to distract you from the mind-numbing minutia of your everyday life, this series is it. The articles will fill your brain with happy memories of the shows that perfectly documented the angst and pain of teenage life. Early winners are Buffy and Daria (duh), but decisions are going to get really painful the more we need to cull the herd. I recommend reading this while at work, when you don't want to do work. Prefect time waster!

And finally...Jon Stewart is returning to television! Kinda. At some undetermined time. According to EW,"As part of a new four-year production agreement with the premium network, Stewart will create daily short-form content that will be showcased on the company’s streaming outlets HBO Go and HBO Now, as well as on other venues." It sounds kind of like Stewart has carte blanche to release short videos of himself talking about whatever strikes his fancy whenever the hell he wants. That's pretty sweet. But if it means more Jon Stewart in my life I am all for it.

That's all the news that's fit to print! See you soon with a Supergirl review and more fun from the internet (all hail the internet).

Tuesday, October 07, 2014

The Scariest Thing on Television

You guys.  I was seriously just about to post my promised review of Gotham (coming right up, I promise!) when a quick cursory fact check via Twitter informed me that Ryan Murphy and Brad Falchuk, creators of Nip/Tuck, Glee, and, my personal favorite, American Horror Story are spinning off the latter show into a new franchise that just may be the scariest thing on TV; reality television.

And by that I mean actual reality television, not the scripted Kim Kardashian stuff.  The new series? An anthology in the same vein as American Horror Story that will try to do for the weekly true crime genre what AHS has done for the weekly horror show.  The new series will be called, seriously, American Crime Story and season one will be the O.J. Simpson story.

Terrifying!

I'll be honest that I thought this was some kind of April Fool's Day joke when I came across it, but low and behold it is, in fact, real.  The creative team behind AHS (season four debuts tomorrow.  Jesus, I have a lot of writing to do...) have been "looking for the right property that could serve as an extension of the American Horror Story brand."

This may not be a crazy idea.  An anthology series about America's most notorious crimes would certainly fit the bill in terms of expanding AHS's franchise brand.  AHS has already shown itself to be very willing to tell stories in multiple time periods and presumably the format would allow Murphy et al to visit any significant true crime from all of American history.

That's the good news.  My worry is that we're going to get a series about stories that are already overly sensationalized by the team that brought us Glee.  Subtle is not their bailiwick.  And while I don't think a poorly filmed take on O.J. Simpson is likely to do anything like, say, restart the L.A. riots, I do worry about how well the show will be able to present these stories, especially if the aim is to do them as true crime and not as the kind of "true crime" we saw in season one of AHS with the Black Dahlia.  As dramatic as murder is in real life, Hollywood has typically felt for some reason that it isn't sensational enough. That kind of sexing up of history will be harder to pull off in cases like O.J. Simpson, which is a story that existed in the era of modern news, but it will be significantly harder if season two is the Lindbergh Baby.

American Crime Story will air on FX sometime in 2015.


Thursday, April 10, 2014

Television! Now Fortified With Morality!

Going back to when I was a kid, there were certain rules in my house regarding television. One rule was “don’t sit too close” on the thought that an expansive view of a screen that took up my entire field of vision would somehow melt my eyes. (In retrospect, given my need for corrective lenses, that one may not be off.) Another rule involved what I wasn’t allowed to watch after 10pm, which for years I assumed was some secret cache of information that would blow the lid of the Easter Bunny, Santa Claus, and the truth about the reality of Batman, but turns out it had more to do with swearing and lower-cut dresses.

But there was always one maxim that overruled all others; one propagated by everyone from my grandmother to my teachers to the slightly scary old neighbor woman who lived next to our house: Too much TV will rot your brain.

Silly television. That's what my smart phone is for.

The notion that watching too much television would permanently warp my development, both moral and intellectual, was taken as a given. It was rooted in a firm discomfort with the notion that this magic box was going to create a legion of unintelligent, immoral deviants that would populate the world and cause things like the decline of the church and the end of wholesome family entertainment about singing families who perform for Nazis. 

It’s into this mindset that panic over the rise of reality television has really taken root in a small echo chamber of the world. (One that is, ironically, increasingly becoming accessible to people who fear that going away from The Way Things Used to Be through another temptation of modernity – the computer.) that panic scaled significant heights with MTV’s reality franchise 16 and Pregnant and the show’s three spinoff series: Teen Mom, Teen Mom 2, and Teen Mom 3. (Note to people who don’t watch this stuff – yes, those are the real titles. I was suspicious too.)

"We're empowered!"

Since 2009, the four shows have followed the stories of teenage high school girls through their pregnancy and first year of motherhood, a formula that has been perfect for MTV because not only does it bring in teen viewers but it also gives moral crusaders something to scream about and those who are secretly or not-so-secretly titillated by sexually active teenage girls things something to drool over. The predictions when these shows began were dire: They would ruin society, they would make pregnancy into something that would be glamorous for teenage girls what with the promise of a TV series dedicated to your pregnancy and the attendant People Magazine cover spreads that went with them, that we’ve done wrong by Our Girls by not making them into proper ladies who knew how to keep their knees together long enough for some boy to agree to marry them first.

But guess what? It hasn’t happened. In fact, turns out the shows have led to a decline in teenage birth rates. Turns out that when teenage girls watch what happens when one of their peers gets pregnant and gets her own TV show, the tendency isn’t to emulate her but to go running to the nearest CVS to stock up on birth control. Seriously – the study in that link above mentions that upon watching the shows, girls show an increase in internet searching and Tweeting about birth control and abortion.

This is, obviously, good news. Aside from the fact that it’s just nice to know that teenage girls are more competent and capable of analysis than we collectively give them credit for, it’s also bodes well for the possibility that I may finally be able to convince my mom to let me watch TV shows late at night for once.


Tuesday, February 25, 2014

Save the Cheerleader Save the Whaaaat?! Heroes Reborn comes to NBC in 2015!

When I began to hear whisperings about some kind of return for the departed show, Heroes, I knew right where to go for the full scoop. My friend Priya, who has an amazing blog called This Is What Comes Next, was a Heroes fan back in the day and was kind enough to provide TV Sluts with her thoughts regarding the return of the show. Personally, I didn't think there was big outcry from the viewing public for more Heroes, but whatever, NBC. Desperate times, I suppose.

I have a routine. Where most people start the day with the New York Times or the Washington Post, I always kick things off scanning the headlines to Entertainment Weekly. So of course when this came across my twitter feed yesterday I did a double take.

"Heroes Reborn."

My first thought: Really? Have we officially run out of good ideas?

My Second Thought: But it started out so well. Five years later can it be better?

And then, again. Is this really necessary?

The answer of course, is no. Jeff Jensen covers most of the bases in this EW.come article, but here are my two cents.

Heroes was one of those shows that had so much potential and so many great characters. Horn-Rimmed Glasses Guy, Hiro Nakamura, Mohinder and the cockroaches, the Haitian! I mean seriously it started with a bang (and with a relatively diverse cast) and then ended season one with this bizarre flat, budget strapped sad climax. I wanted so much more this show and can't actually pinpoint the moment where I gave up -- though I know I stuck around a lot longer than most.

There were too many characters, too many subplots and nothing ever came together in the way we all wanted it to.

This is the show that gave us Hayden Panettiere (who is awesome on Nashville) and Zachary Quinto (New Spock!) and for that I will be grudgingly grateful. But I'm not sure I'll be willing to go back. NBC is going to have to do a hard sell --and in a world where we have Arrow, Marvels Agents of S.H.I.E.L.D. (though its future is questionable) and other examples of tight storytelling for super heroes I'm not sure I need to go back.

For your information, Heroes: Reborn is only a 13 episode miniseries. So who knows, maybe Peter Petrelli (or whatever version that shows up) can save the world once more....but for the love of all that is important in the land of television lay off the time travel.


Want to know who from the original cast might be back? Look at this cast picture and see who hasn't worked in a while. Chances are they'll be in the new episodes.




Thursday, November 21, 2013

Oh, great--more vampires.

Back in September 2012 (a younger, gentler time), I told you that FX was developing a new vampire television series based on the The Strain trilogy of novels, by Guillermo del Toro and Chuck Hogan.

Guess what? FX has ordered a 13 episode first season of the series which will air on FX in July 2014.

Call me crazy, but there's nothing particularly scary about this title art--it could just be normal NYC subway graffiti.

Some interesting things about the show: del Toro and Hogan wrote the pilot episode (promising) and del Toro directed the pilot (very promising). Carlton Cruse of LOST fame will act as the show-runner. This last piece of news doesn't have me quite as excited--sure, Cruse's current work over on Bates Motel is great, but we all know LOST went off the rails there at the end. And with his fingers in so many pies (Cruse is also working with ABC to create a series called Point of Honor set in Civil War-era Virginia and ANOTHER vampire series, The Returned, with A&E), does he really have the time to run another show?

But, whatever. The big question here is do we really need or want another vampire-themed television show? Y'all know I am a vampire fan, but even I am starting to get a burned out with True Blood, The Vampire Diaries, The Originals, and Dracula (and those are just off the top of my head). I read The Strain book series and enjoyed it--though they weren't without their problems. So the concept doesn't exactly light me on fire with eager anticipation. For those not in the know, here is a plot intro:
A plane lands at John F. Kennedy International Airport with lights off and doors sealed. Epidemiologist Dr. Ephraim Goodweather and his team are sent to investigate. On board they find two hundred corpses and four survivors. The situation deteriorates when the bodies begin disappearing from morgues. Goodweather and a small group of helpers find themselves battling to protect not only their own loved ones, but the entire city, from an ancient threat to humanity.
On a positive note, the novels don't shy away from the likely realities of a vampire outbreak (let's just say things get dark pretty quickly and go really bad for the humans), but the whole vampirism as a virus isn't anything new. And I think I read somewhere that del Toro has come out and said that The Strain was basically an attempt to rehash the ideas and themes he had for Blade 2 that were crushed down by the movie studios.

Much like the vampires in Blade 2 (pictured), The Stain vampires have mandibles and a stinger that transmits "the vampire virus." There's also lots more gross stuff about how you make a vampire, but I will let you discover that on your own.

I am going to do my best to withhold judgment until you show actually airs. I am sure I'll be first in line to watch it...but I remain skeptical that it will actually bring anything new to the genre.


Wednesday, September 11, 2013

Break Out the Spreadsheets

Can you believe it is almost the middle of September? I don't know about you, but my brain is still stuck firmly in summer mode. I keep thinking, "I have weeks until the Fall tv season starts....there is no rush to whittle down the DVR!"

...and then I looked around and realized the new and returning shows were premiering soon. As in NOW.

So in an effort to help you, my dear reading public, I spent 5 seconds googling a Fall tv premiere date calendar. It's amazing the amount of time I am willing to spend to help you all out. I mean, I could have like, picked my nose or a wedgie in the time it took me to find this information and link to it. That is the meaning of SACRIFICE.

 TV Guide really gets all the credit though.

So what new shows am I planning to watch? I'm glad you asked! Here are some things I am definitely tuning in for (and their premiere dates).

Sleepy Hollow: Monday, September 16 at 9:00 on FOX. Hot old timey guy wakes up in the modern world and has to help catch the headless horseman? SOLD.

Brooklyn Nine-Nine: Tuesday, September 17 at 8:30 on FOX. Andy Samberg in a buddy cop show. Sounds promising.

Marvel's Agents of S.H.I.E.L.D: Tuesday, September 24 at 8:00 on ABC. Two words: Joss and Whedon. Seriously, you don't need any other explanation, do you?

Reign: Thursday, October 17 at 9:00 on CW. The Tudors meets Gossip Girl. Yesssssssss.

Tuesday, July 16, 2013

I can't fight this feeling any longer.

Late Saturday night, I performed one last Facebook check before heading to bed. As I was scrolling down through the usual posts and photos, I noticed a link posted by a fellow music-nerd.

"Glee" Star Cory Monteith Dead at 31.

I gasped. I clicked on the link and read the article. And then I was sad.

Don't worry, this isn't going to turn into some long post where I wax overly poetic about Cory or his character on Glee, Finn. But his death has saddened me, actually more than I expected it to, and I couldn't let it pass without comment. Especially since we here at TV Sluts have always embraced our Glee love, even through the show's more rocky episodes and plots.

I actually had two personal encounters with Cory Monteith. Well, I say personal...but it was from a distance. Anyway, before the first season of the show actually aired, I was fortunate enough to attend the Comic Con Glee panel and hear him speak. It was clear he was overwhelmed by the excitement the show was generating and loved to interact with the fans. The second time I saw Cory, was when I attended a live Glee concert in Las Vegas. It was one of the most fun and entertaining shows I have been to (no, seriously) and Cory's energy was palpable even from the back of the arena.

At its best, Glee is a frothy ice cream sundae of fun and music, and Finn was one of the two main characters. He was part of the original cast and a founding member of the new glee club, and his romance with Rachel made up the core of the show. I remember spending the entire first season rooting for those crazy kids to get together. Last season, the writers pushed the idea that Finn was the glue that held The New Directions together, and he became both a leader and mentor to the new generation of kids. Whether the show successfully established Finn in these new roles isn't the topic of conversation today, what's important to note is that Finn was at the center of Glee.

So what happens now? EW.com has a few ideas for how the show should proceed. I personally wouldn't hazard a guess as to what is in store for the Lima and New York gang. I don't think anyone expects Lea Michelle (Cory's real life girlfriend) to get back to business as usual, and it's clear the show is going to have to make some massive changes to rework the stories in light of Cory's passing. At this point, it's not even clear if Glee will be able to return in the Fall on the currently scheduled date since it is likely they have already done a substantial amount of filming.

The one thing that is clear, is that Glee will not be the same. Love him or hate him, Finn was a big old teddy bear and without him there wouldn't have been any glee club at all. I don't know much about Cory Monteith, but I have read many of the kind things his friends and co-stars have had to say in the past few days. I  know he struggled with substance abuse, but was always open about his difficulties and his time spent in rehab trying to conquer his demons. For that I respect him.

Before I end with a video of my favorite Finn musical number, I just want to express that if you or someone you know is dealing with a substance abuse problem, please help them. Whether it's recommending treatment options or just being a friend who can listen without judgment, you can help.

Cory Monteith--Jessie's Girl

Tuesday, May 14, 2013

They Shot That Poor Kennedy Boy

Just a typical day at the office, folks. Don's keeping a woman hostage in a hotel room, he sets Ted drunk their first day working together and Joan's puking into a trash can. 

Wow, Don Draper. You certainly do know how to turn a girl's stomach. In this episode, we learn that Don doesn't being stuck in a private plane with Ted Shaw, but he does like keeping his mistress trapped in a hotel room.


Did I ever tell you about the time I was the Red Baron? No? It was 1917 and I was a young, idealistic enlisted man who believed in what we were fighting for. Little did I know that the war was the product of cynical men and it ushered in a cynical time...

In fact, this whole episode is about people being trapped in things. Pete's mom has Alzheimer's and she ends up trapped at his skeezy bachelor pad. 

Oh, and Bobby Kennedy gets shot. But you knew that was coming.


So then I said to her, "Stay here naked until I get back." And she did. These chicks, man. They kill me.

So, Don's headed to work one day. Or coming back from work. I don't know which and frankly, I don't really care. He hears Sylvia and Arnie Rosen having an epic argument, and Arnie's suitcase is in the hallway. Don listens to them argue, makes a sadface and presses the "Close the fucking door now button" before Arnie can storm out and catch Don eavesdropping.

At Sterling Cooper Draper Pryce Alphabet Soup (new firm name TBA), there's crap everywhere. It's like Welcome Week on a college campus. Head Secretary Partner Joan is in charge of assigning female secretaries to their male bosses, but she takes a break to escort Peggy to her new office. Which has her name on it. In Magic Marker.

Colonel Sanders Bert Cooper starts off the partners' meeting and Don strolls in late. Because he's Don. Pete smarms in and is mad because he doesn't have a seat. Ted's secretary offers to give up her seat, but Ted tells Pete to take his seat and he sits on the filing cabinet. Also, there are danishes. With what looks like raspberry filling. Nummy. Henry LaMont from New York State thinks there's a conflict of interest in their accounts because SCDP's client list includes Mohawk Airlines as well as the New York transportation board. Ted thinks they should resign the New York account because Mohawk is an airline. Then one of the new partners gets angry at Pete for losing Vicks (and Clearasil as well, apparently) and Don breaks in to say that he will go upstate to soothe Henry LaMonte. He agrees to take Pete, and Joan insists that he take Ted along as well. Ted volunteers to fly them all up in his private plane. Don doesn't like the idea of Ted going or Ted flying them, but he can't defy the other partners. Cue everyone dying in a fiery crash. 

Oh, if only we were so lucky.

Really, Don could drive himself up there and take care of binnis by his own bad self, or at least have some time to get the hell away from all of you people. Pete's girl, Clara, pops in to let Pete know there's an urgent call for him, and Pete leaves the office to deal with his batty mother. Pete's mom is at Pete's apartment, which is where Pete still lives because he's not allowed home. 


Pete's ma is demanding of Pete's maint guy that she be allowed to see Pete's pop because she's convinced that Pete's dad is having an affair. Only problem is that Pops is real dead. Like real, real dead. Pete tells the maint guy to keep Mom liquored up with G&T until he can get there. Pete's brother is Bud sick of taking care of Ma, and he tells Pete it's Pete's turn. Bro of course does not know that Pete is persona non grata with Trude and that they're separated.

Bud's wife is Judy! Not Trudy!

Don welcomes Peggy back to the fold and gives his regards to Bert Peterson, who gets fired by Roger in the following scene. Nobody knows where Don's secretary Dawn is, so when freaking Sylvia calls, she gets Don directly. Since Arnie's flown the coop, she tells him she will spread like buttah for him if he comes over straightaway. Much in the manner of unoriginal hook-ups everywhere, Don agrees to meet her at a hotel at 12:30 for some nibbles.

And this is the point where Don goes off the rails. He has sex with Sylvia and it's gross and awkward and whatnot, but then, sensing lack of control in other areas of his life, he starts ordering Sylvia around. He tells her to get on the floor and crawl over to his shoes, and she refuses, but brings him his shoes and puts them on him. Then he tells her to take off her clothes and get into bed. Sylvia seems a little weirded out, but she plays along. She expects Don to undrape, but Don remains draped and heads back into work, leaving Sylvia alone in the hotel room, with orders for her not to go anywhere. Which she for some reason obeys.

Well, it's news to me that you don't respect me, Don. Frankly, I am shocked.

Over at the office, where people are doing, you know, WORK, creative is working on margarine. Peggy can't find Dawn/Don (neither black nor white, thanks, Ted), and Ted wants to do a "rap session" with the kids in creative to "free associate" about margarine. It's yellow. It spreads easy.
Nutritious, delicious frankenfat.

Peggy puts her useless margarine trivia knowledge to use and mentions that Napoleon III invented margarine as a way to feed his troops because it doesn't spoil. That is actually true. That actually happened. Can we get this girl on Jeopardy? But Ted's hearing a lot about bread. Less bread. More spread. Don waltzes in and Ted is pissed because Don was forty minutes late to the meeting.  Don takes his toast into his office and makes a creepy stalker call to Sylvia at the hotel. He orders her to wait there, with no idea of when he'll be back. Then he tells her not to answer the phone again. Sylvia starts some personal buttah time and he calls again. She follows his orders and doesn't answer, and this turns her on in a weird way. It's like phone sex tag. Or phone tag sex. Or something. Anyway, buttah. 


Don barges into Ted's office with some booze and wants to talk margarine. Ostensibly, it's a peace offering, but Don really wants to get Ted shitfaced because Don can drink the entire merged staff under the table. Don comes up with a campaign strategy for margarine, and Ted falls asleep at the creative table.

Yep.

At Pete's, Bud shows up and refuses to take Ma home. Bud's mad about a business deal of Bud's Pete didn't take him up on forever ago, and Bud won't take Ma back. Ma's place is apparently condemned because she won't clean it anymore, and Bud tells Pete it's his turn. Judy (with a J) won't deal with Mother anymore after Mother smacked her with a tea towel. She's had it. Plain had it. Pete orders Mother to say at his apartment. 

Sylvia isn't creeped out at this point by strange knocks on her door, so she opens the door to Room 503 thinking she will find Lil Dickie Whitman, but instead she finds a box from Saks. She opens it and it's a swank red dress, which she can presumably don. Pun intended. Don swaggers in and Sylvia thinks they're going out, but instead he tells Sylvia to take off the dress. Instead of running screaming out of the room, she does it, while Don watches her with this creepy evil self loathingy hatredy look in his eyes. Anyway, it gave me the irks. Then he goes home and goes to sleep next to the sleeping, clueless Megan. Nice job, Don.

Don's new special work mug?

Joan began today's festivities by puking into a trash can. Her vomiting is interrupted by likely serial killer (or at least planning a hostile takeover of the company), Bob Benson. Joan thinks she has food poisoning, but sister is in pain. Bob convinces Joan to let him help her out of the building and to the hospital. He calls a babysitter for Kevvy and scams the apathetic ER nurse into letting Joan, you know, see a doctor. Bob seems like kind of a decent guy, but then you have to remember that no one on this show is a decent person. I can't tell if he's helping Joan because he's a good person, or if he's taking advantage of an opportunity to gain a partner's loyalty because he knows the merger is creating redundancies. In either case, it's nice to see a man not treat Joan like shit for a change.

Hungover Ted's at the hospital visiting Frank the next morning. Things do not look so great for Frank. As we recall, Frank has been diagnosed with pancreatic cancer and he is failing, despite Ted's chipper can-do attitude that Frank can beat it. Ted admits to Frank that Don pwned him, but Frank's advice to Ted is for him not to fight Don because Don will tire himself out more quickly, because Don views Ted as more of a threat to his roost than Ted views Don.

Peggy is lying in wait in Don's office. She tells him this is a Shut The Door type of convo and berates him for getting Ted drunk at work. I also really dig her outfit in this scene. Peggy's of course still twitterpated with Ted, because of both before and after zees:

Shut the front door!

Don tells Peggy she's adorably angry, pats her on the head and tells her it's just work. Peggy's still angry with Don because he doesn't respect her (WELL, DUH, YOU ARE AFTER ALL FEMALE), so she leaves and slams the door. I love how Peggy takes Don's assholery so personally, when really he is horrible to everyone. Doth the lady protest too much? Oh, she doth. She so doth.

Still no sign of Dawn. She's probably tired of everyone awkwardly hugging her.

Pete's in Harry's office bitching about how he has no clients when Clara comes in and tells him that there's an emergency at his place with Mother. Mother has set his apartment on fire and he must leave the office, presumably to swat her with a tea towel. This means Don is stuck flying up to Albany in a biplane with Ted at the helm. Don clutches at his book for some semblance of mommy control and security while Ted lets Don know that there is a mutha fuckin bad ass on this mutha fuckin plane.  



Bob Benson visits Joan and her mother thinks he is a Very Nice Young Man. And so handsome! And single! And successful! JOAN. Joan had a cyst all up in her lady bits, but she is perfectly fine. Joan's mom wants Joan to get together with Bob, but Joan sayeth she isn't interested. Then she saves him from the chopping block during a partners' meeting, and they let some other poor sap go instead of Bob. Well played, Bob. Well played.

Pete's pissed (again...yawn) when Clara informs him that Don and Ted went up to chat with Henry LaMonte and Mohawk and whoever and things are all cool. Pete had to miss the meeting because Mother is a pyro. He cries and stamps his feet because things are not going his way.

Over at the Hotel Amores Creepos, Sylvia doesn't want to spend another day naked in bed and tells Don she's not hanging around there all day while he goes out and saves the world and she plays blow-up doll. Finally, she tells him that they are done and she is going to ask Arnie to come home. After letting a man degrade her for a day and a half, Sylvia puts her stiletto down. Woo-hoo. Female empowerment. So, in a futile attempt to control someone in a world gone mad, Don learns the futility of his efforts and his existence. Le sigh. 


One awkward elevator ride later and Sylvia walks into her apartment and Don reluctantly goes back to his. He finds Megan there, chattering away about a vacation she wants to take. Don listens politely, but tunes her out. 

Later that night, at Pete's, Mother interrupts Pete's slumber by letting him know that Bobby Kennedy has been shot. Pete dismisses it as her confused rambling, mistaking JFK for Bobby. Pete's self-absorbed nature is at its full height in this episode with his obviously ailing mother-- begrudgingly helping her when  she is unable to think clearly and dismissing her during her one lucid moment.

The next morning, Megan is watching the television coverage of Bobby Kennedy's assassination and crying. Don walks in and sits on the bed, looking totally helpless. Is he thinking that he knows he doesn't love Megan and that maybe he should do the gentlemanly thing and let her go? Is he regretting how he treated Sylvia? Is he bothered by Bobby Kennedy's death? Is it all three? None?

Or perhaps something more pernicious? Perhaps he's having a vision of the future?

Coming soon (in fabulous Technicolor) to a television near you.

At least there's still the Chevy account.

Damn, it's good to be a gangsta.


Also, did you know that Death Cab is doing an Oreos commercial now? Oh, the things you learn when you watch Mad Men.

Thursday, May 02, 2013

You're Still Living in a Paper Doll World

There's this huge risk that period television shows run when they add actual news events into their storylines and have the characters react to and interact with real historical events. They always run the risk of sounding belabored, blase or trite, or we have to sit through self-congratulatory soliloquies about What it All Means. Sunday night's episode of Mad Men tackled the assassination of Martin Luther King, Jr. with grace and class, and it brought out some unexpected emotions in characters whom we all thought we knew like the back of our kid-gloved, Tiffany-braceleted, Chanel No. 5-perfumed hands. I wasn't around for the MLK Jr. assassination ofs so all I can really do is comment on the characters' reactions as well as the way the show handled the event. Matthew Weiner handled the episode with a degree of sensitivity, and highlighted that MLK Jr.'s assassination was an important event in American history, but he didn't hammer us over the head with Its Significance. The episode has a "Where Were You When You Heard?" vibe to it that makes it seem sincere and authentic.

Apparently, the plan for this season is for you and I to feel guilty about being unmitigated sleazebags.

This episode opens with a back view of Peggy, looking out an apartment window that overlooks New York's East Side. Abe walks in and the Realtor assumes he's the money behind this operation because he's the one with the penis, but Abe tells her that Peggy is the one holding the wallet. Yes, Peggy's one of those career girls the news people have been talking so much about. The Realtor realizes her blunder and excuses herself to go check out one of the bathrooms, presumably to go stick her head in the toilet and flush.

Over at the Fat Betty Francis home, Little Bobby Draper is either going to grow up to be a serial killer or a novelist. I'm uncertain which direction he's most likely headed in. At present, his main hobby is peeling the wallpaper off his bedroom wall, because as he later tells Don, "it doesn't line up." 
So, I'll be living in a house full of random junk and cats, and I won't get diagnosed with OCD until 1996? Neat-o!

On a side note, this young scrapper is Mason Vale Cotton. He is the fourth actor to be cast in the role of Bobby Draper. This kid is a scene stealer with a killer sense of timing. He does seem a tad more coached than Kiernan Shipka, who to be fair is several years older, but he holds his own in two scenes with Jon Hamm. I'm hoping he sticks around because ya got potential, kid. I don't know why they're changing the actor nearly every season, but I'm guessing it has something to do with the actors being very young. Either that or Betty is killing and eating the Bobbys and replacing them with an orphan off the street. We all know Henry won't notice and Sally won't care. Betty finds out Bobby's gone all Charlotte Perkins Gilman and punishes him with no TV for a week.

Don and Megan are headed out to an awards banquet, and see Sylvia and Arnie Rosen headed out, too. They are going to a conference in D.C. Megan is up for an award, not for acting, but for advertising, with the Ad Club of New York. Paul Newman's coming! Sylvia appears a little jealous of Megan's success in more than one area, and she doesn't do a very good job of hiding it for the sake of politeness.

The popular girls are never going to stop getting on my nerves, are they?

Copy editor Michael Ginsberg's dad wants to get him together with a Nice Jewish Girl. He gets home to find his dad has a young lady waiting for him, and Pops gives him money to take the girl out for a nice dinner. Dad's determined to get Michael laid, but Michael's determined to cockblock himself. Look at you, says Papa Ginsberg. It's Heim Faber's daughter, Beverly! Heim Faber! Lovely girl. Good teeth, nice hips. What's to complain about? You don't shave, you don't eat right, you don't dress right. I've never seen anyone in my 99 years who needed a good shag better than you do. I didn't survive a concentration camp and the Nazis so you could fail to pass on my genes. Now get out there and get laid! 

Ginsberg takes Beverly out for some awkward dinner conversation, since he's a lowly copy editor and not invited to the Ad Club, but she's pretty easygoing. She tells him she won't sleep with him on the first date because she's not that kind of girl, but she does like Ginsberg. They have to cut it short because they hear about Dr. King's assassination. But we like Beverly. She is fun. Could there be a successful marriage in the future for Ginsberg and Mad Men? Stay tuned.

At the Ad Club dinner, Don won't go over and talk to Peggy, but Megan heads over her way and Peggy is pleased to see her. Peggy tells Megan the news that she's paid off her debts (but still has a tax problem) and is about to make an offer on an Upper East Side apartment near the Drapers and they can all be neighbors! Megan's like OMG fondu party. Megan's team is up for this award, too, so we all know that Megan is going to win. Ted shows up and lets Peggy know that he already knows she didn't win and this causes Peggy to make a sour face. Peggy, you really need to get used to Megan getting everything you want. 

I think...I think the prize is for being pretty...? Wait, didn't I already win that?

Also, I am wondering what sort of debts Peggy has. She didn't go to college and she doesn't own a car, and this was in the days before the massive personal credit card debt problem. I don't know who she could owe money to. Maybe the Irish Mafia? Her bitch whore sister? 'Tis a mystery.  Don finds this whole thing agony. Roger introduces Don to a vaguely creepy insurance friend, who turns up later on in the episode. Ted flirts with Peggy in front of his wife, and makes eyes at her instead of giving his undivided attention to Paul Newman.

I thought it was respectful to the memory of the hotness that was Paul Newman for the production to not find a Paul Newman impersonator. Because, I mean...


and


Paul Newman apparently did not understand that he was asked to speak at this event so he could look pretty, tell a few inoffensive but lame jokes about lawyers and priests and rabbis walking into bars, and maybe keep a lid the commie talk. Then Paul Newman has to start boring everyone by going on and on and on about his political views. But before anyone from the New York ad world can start shouting about how Paul Newman is a commie, an unseen voice announces to the room that Martin Luther King Jr. has been shot. Quick! Protect the talent!

This interrupts the festivities momentarily. Ted's wife, who is a terrible human being (so I guess we can all see why Ted is hitting on Peggy), reveals that not only is she incredibly catty, but she is also kind of racist! Megan is upset because Megan is the Nice One, and Don and Roger are just kind of like, "Dafuq just happened?" People out in the street start rioting and everyone at the dinner is wondering how they are going to get home.

But the reactions of the main characters are not the most reveling in this scene. Do-gooder Abe runs off to cover the riots for The New York Times, forgetting how much he hates The Man's Institutions. I sort of assumed The Times was one of them. He leaves Peggy alone to shift for herself. Giiiiiiiiiirrrlll. Don gallantly offers her a ride home. 

Abe wants to get a good story on the New York riots to advance his career, and he places that before his concerns about his politics or Peggy's safety. You'd think Peggy would be reevaluating her relationship with Abe, but WTF does she know about how she should be treated? Peg, hon, maybe he's only shacking up with you not because he doesn't want to conform to an old-fashioned tradition but because he's just too damn lazy to make an honest woman of you. Find a real man, Peggy! Get a tax break!

Speaking of tools, Pete thinks the assassination of MLK is a good time for everyone to be together, so he phones the estranged Trudy and begs her to let him come home. Trude refuses due to that whole mistress thing. On that same note, Don's worried about Sylvia in D.C. due to the rioting, and he phones her hotel in an attempt to get in touch with her, but he's unable to reach her.

No one knows how to behave around Dawn at SCDP. Joan awkwardly hugs Dawn, and Don insists that Dawn go home, but Dawn insists on staying. Peggy, however, has a sincere moment with her secretary, and lets her leave for the day. The gravity of the situation appears to weigh on Peggy. Peggy gets a call from her Realtor who wants Peggy to make an offer on the apartment, especially since there are riots about ten blocks away. Peggy's Realtor thinks she can use the news to get the building's owners to go down in price, and she takes Peggy's shocked silence as agreement. Peggy later loses the apartment because the building managers got another offer, and Abe tells her that it wasn't really a big deal to him, anyway. He doesn't want to live on the Upper East Side with all those horrid ad execs, and he'd rather drag Peggy down to run-down part of the city and throw up a coat of paint and go all boho chic. Peggy seems a little perplexed. Abe went along with East Side scheme because he didn't feel like it was his place to interfere, but he wasn't honest with her about not wanting to live among the city's wealthier residents. Abe's obviously concerned about getting ahead in his career. Being a well-respected reporter in New York City could lead to wealth and fame and he has to know that. So can really be any different deep down than the soulless Madison Ave. execs he with whom will not stoop to live on the tony East Side? Does Our Girl Peggy really want to live on the Upper East Side? 

Harry Crane and Pete get into an argument because Harry's upset that his TV clients are being pre-empted for special reports and he's losing money. Pete is like, "Oh know he better don't!" and he loses it and calls Harry disgusting and a racist. Bert Cooper comes out of office and tells them to apologize to each other, but neither of them can let it go. They start shouting at each other again and ignore Bert, and Pete stalks off. Pete is sincerely upset about Dr. King's death, which is surprising to say the least. Is this a turning point for Pete? 

And later, they're letting ME be the moral compass of the MLK Jr. episode. I know, right!

Roger's insurance guy, Randall, wants SCDP to run an ad for his insurance agency. His vision for said ad is the name of their insurance agency, accompanied by a photo of a Molotov cocktail. Much like Peggy's Realtor, Randall wants to take advantage of the event for business purposes. This vision, he says, came to him, when he was visited by (no shit) the spirit of Dr. King. By a vision of Dr. King, he means, "I took a lot acid." Randall starts blathering about all the animals crying, Stan snickers and Don politely tells this hippie twat that SCDP isn't interested in this trite BS idea. Then Randall starts chanting in Cherokee. He does, however, make one lucid observation: That the heavens are telling us to change.


At home, Don's swilling Scotch and watching D.C. burn. Then Betty calls. Betty tells Don he forgot to pick up the kids. Again. Don tries to excuse it away by saying he didn't think he should bring the kids to the city because of the riots. Betty's retort is that Don would go to Canada on his knees to pick up his girlfriend. Bible, Betty, Bible. Preach. So Don has to schlep his drunk ass out to Betty's, pick up the kids, and then haul the impressionable youngsters through the NYC riots. Because Mom said so.

Our parents never loved us or each other. WTF did you expect?

The next morning, hungover Don Draper gets up and finds Megan getting the kids ready to go out to a vigil in memory of Dr. King. Due to the togetherness of this moment, Sally is being a brat to Bobby because he's watching TV and it's the Big Sister's job to aggressively enforce the younger sibling's punishment. Bobby doesn't want to go to the vigil, and Don asks Bobby what Betty said his punishment was supposed to be. Don resolves this with the simple solution of taking Bobby to the movies. See? Not TV. Problem solved. Draper takes Junior to see what else but The Planet of the Apes. Bobby has such a whiz-bang of a time watching a nihilistic feature film about humanity's destruction of itself that he wants to watch it again. Son, you couldn't have made your old man more proud. 

Don breaks down in front of Megan, and tells her he realizes that he does love Bobby. He didn't love any of the other Bobby Drapers, but he does love this one. This is a significant step for Don. He realizes that he does have the capacity to love someone and he doesn't have to go through life faking it, leaving a trail of ex-wives, discarded mistresses and fucked up children in his wake. Is there hope for Don Draper after all? Or is Don going to somehow fuck up this second chance and spend the rest of his life spiraling downward in a haze of alcohol, cigarettes and meaningless hook-ups until he is a mere shell of the slick cat Don Draper that was?

Once I was an ad exec with a wife and children. Now I operate an evil undersea secret lair. And am a cartoon.

At the Fat Betty Francis house, Henry expresses his displeasure with how the mayor handled the crisis. He reveals that there is a Republican New York Senate seat up for grabs, and Betty encourages him to run for office. What she doesn't realize -- but that Henry does -- is that her job as a Senate candidate's wife is to look pretty, meet people and smile for photos. Betty's elation fades when she understands that she will have to do a lot of socializing during the campaign, and she doesn't want to meet people looking the way she does. Henry thinks Betty is beautiful and wants to show her off, but Betty hates her body. In her final scene of this episode, she's standing in front of a mirror, holding a green formal gown up to her body. Longing creeps over her face as she realizes how much weight she will have to lose in order to feel attractive again. 

Remember when I was hot?

Dr. King is right. You must ask yourself what you are doing for others. But you first have to consider if you are doing enough to feel good about yourself. Self-loathing never done helped nobody. Sometimes the best thing you can do for other people is to do for yourself. #inspirationalbullshit 

Mad Men, children. Sundays at 10 p.m. Eastern on AMC. 

Monday, November 12, 2012

Sexy Revisionist History Coming Soon! “Over it,” Says Henry VIII


Prequels today are all the rage. Personally, I blame George Lucas for the modern rise of this trend, but you may see things differently. Regardless, in addition to the origin stories for our favorite scruffy nerf-herders, would-be Übermensches and socially-conscious arrow slingers, Starz is going historical and finally giving us the Leonardi Da Vinci coming of age story we didn’t know we wanted. I give you Da Vinci’s Demons!

Makes you wonder if the demons have a code or something...


Starring Tom Riley ("Monroe," I Want Candy), as the title character, "Da Vinci's Demons" is a historical fantasy, following the ‘untold' story of the world's greatest genius during his turbulent youth in Renaissance Florence. Brilliant and passionate, the twenty-five year old Leonardo Da Vinci is an artist, inventor, swordsman, lover, dreamer and idealist. As a free thinker, with intellect and talents that are almost superhuman, he struggles to live within the confines of his own reality and time. He begins to not only see the future, but invent it. 
I confess I’m a little ambivalent about this.

Pro: I love history, so anything that gets people more interested in a chapter of history, especially for someone like Da Vinci who, despite being well-known, isn’t really someone most people know anything about, is gravy in my book. Also, the series is by David S. Goyer, who recently wrote a couple of movies that you may have heard about and which I think are all uniformly incredible. Goyer is a master at understanding how to employ action and character in a way that supports multiple deeper themes. Given how lush Da Vinci’s life and work was, the potential here in the hands of such a capable writer could be amazing. Also, judging by the preview the thing looks bloody incredible. The production values are high, the visuals are stunning, the whole thing just looks beautiful.

Con: Really, Starz? I know it’s Hollywood, but was “Sexy Leo Da Vinci” really a thing that you had to resort to in order to get this thing greenlit? Da Vinci’s life is fascinating and there are plenty of opportunities to play with the political and social intrigues that he was really involved in without skirting toward the Twilight audience. As a cable network, you can count on a viewership that’s going to be more discriminating. Also, given that Da Vinci lived a somewhat notoriously celibate life, possibly because he may have been gay, this seems like a stretch.

The early Virtuvian Man sketch looked a little different, apparently.

Another potential concern, one that could outweigh the slick visual design, is the production team which is the same that produced Torchwood: Miracle Day, another show that looked great but had some unfortunate missteps that ended up hurting the final package. Hopefully, that team has picked up a few lessons since their inaugural outing.

Finally, why refer to this as a historical fantasy? History is pretty fantastic (and fantastical) when you actually look at the details. It doesn’t need magic realism in order to dress it up. Of course, I’m also the guy who liked Abraham Lincoln: Vampire Hunter, so maybe I’m talking out of both sides of my mouth here. This also may be the least concern, since the show descriptions are being more than a little coy about how much fantasy this thing actually is.

Da Vinci’s Demons will air on Starz sometime in 2013.

Thursday, November 08, 2012

Alphas gets an A

Do you all remember how excited we were during the first season of Heroes? Finally we were getting a fresh, contemporary take on the superhero's journey. As expected, we started with our heroes discovering their powers, setting off various chains of events that all converged in an epic boss battle. At the end, the heroes were collected together for the first time - IMHO, the obvious next step was for them to form a superhero team. This would allow them to explore their super-powered nature as an identity - one person with powers might be a fluke, two people might be a coincidence, but twenty, thirty, one hundred people? That's a subculture. Sadly, instead of moving these characters forward, the creative team of Heroes decided to hit a giant "reset" button and scatter the heroes to the wind. This is part of why the series fizzled, but not before churning out two more seasons of diminishing quality. 

From Heroes to Zeroes.

Weep no more, my fellow Heroes fans - SyFy's Alphas is here to save the day. This show picks up where Heroes dropped the ball. It focuses on a group of super-powered people (known as Alphas) who have been recruited by the government to form a task force that investigates crimes perpetuated by similarly super-powered individuals. Their leader is actually a non-Alpha who also serves as a psychiatrist, and the team doubles as a support group. This is an elegant little set-up - we have the perfect structure within which to explore these people's superpowers, their basic humanity, and how the two an play against each other. 

Alphas also does something that Heroes never did - it imposes limits on particular powers, by trying to make them fit within known biological frameworks. Often it's a bit of a psuedo-scientific stretch, but it's interesting nonetheless. More importantly, it means that there are significant downsides to various powers. My favorite character is a man who can see electronic signals and other sonic wavelengths, who also has high-functioning autism. It doesn't hurt that he's played by one of my favorite Bones alums, Ryan Cartwright (aka Vincent Nigel-Murray). The first season also had a couple of cameos from sci-fi standard bearers/fan favorites Summer Glau and Brent Spiner - squee! 


The internet scuttlebutt is that Alphas has about a 50/50 shot at renewal, and that the actors will be told by Thanksgiving. In light of this, I urge all you Heroes fans to check out this series - TiVo it, rent it, buy it, watch it TODAY. The entirety of the first season is available on Netflix Instant Watch, and five episodes from the second season are available on SyFy Rewind. And keep your fingers crossed for good news later this month!