Days of FuturePast: The Hour and The Bletchley Circle

So, with it being Memorial Day and all, I thought I'd take a televised road trip with ya'll and highlight two great BBC dramas set in the post-WWII era. Since it's now the unofficial official start of summer, this may be a good time to get some shows queued up for your summer watching.

No, not that 50s. This 50s.

That one. The one where everyone had a push-up bra and smoking was sexy and cool and didn't cause a bunch of cancer. Also, no one wore black-framed glasses ironically. Oh, the good ole days. 

I have waxed philosophic about The Hour before and how it was SO GOOD and then BBC canceled it because ugh. Never fear. Our modern space age era allows us to access moving pictures and television programs at the touch of a button like never before, all thanks to humanity's ability to harness the power of nuclear energy. Well, really it's electromagnetism, but I did want to sound like one of those announcer guys from the 50s.

Plus also:

Clip art!

Okay, so. The Hour. Seriously, this show is da bomb. (See above.) I binge watched all of the episodes about a year ago, and I have been hoping since then that Netflix would make the show available on instant streaming, but it is alas still only available on DVD.  However, it is available on Amazon Instant Video. Originally airing on the States on BBC America, The Hour dramatizes a fictional BBC news and information program entitled (you guessed it), The Hour. Don't ask. It's meta.

It features Romola Garai (Atonement, Vanity Fair, Daniel Deronda) as Bel Rowley, professional news lady and producer of The Hour (the show within the show, not the show show.) Her partner in crime is her bestie bestie (and maybe boyfriend if she could only stop screwing married men), Freddie Lyon, portrayed by the adorbzabear Ben Whishaw (Bright Star, Brideshead Revisited, Skyfall). Freddie is a truth-seeking journalist and co-presenter of the hour, along with Hector Madden (Dominic West). Hector is less of a truth-seeking journalist and more of a man whore. Hector has an affair with Bel, much to the humiliation of Hector's wife, Marnie (Oona Chaplin, really, yes, that Chaplin).

Freddie is totally in love with Bel, but Bel has friendzoned him, although it's clear from their working and platonic relationship that they should be a couple. In the mean time, Freddie sets out to uncover corruption in the British Parliament and PM's office, overturning secrets that are being kept at the highest levels of the incredibly paranoid UK government. His crusading puts both his life and the survival of The Hour in jeopardy. There are spies and all types of intrigue. Also featured are Anna Chancellor (if you remember your 1995 P&P, she threw shade at Lizzie Bennett as Caroline Bingley) and Peter Capaldi as the Season 2 Head of News. (Thaaaat's where I've seen him before.)

This show is smart, sexy, well-written, and engrossing. It had a following in the US, but BBC canceled it after two seasons. :Sadface: It would be nice if someone else would pick it up and make more episodes. I won't give away too much, but Season 2 ends on a cliffhanger and it was the cast's understanding that they would be tying up the loose ends when the execs at The Beeb brought down the ax. There's no reason why BBC America couldn't take up the reins and make a few more episodes. What does a girl have to do to see Bel and Freddie get together?

Is your "I Like Ike" button tingling? Well, that means it's time to discuss The Bletchley Circle.

Now, we all know the British are known for their great muhhhhder mysteries. There is so much murder in Britain, and so many clever people to solve said murders. Bletchley features a quartet of ladies who worked as Nazi code breakers at the top secret Bletchley Park during World War II. During the post-war period, they've found themselves without much to do because if a lady gets it into her pretty little head that she has a knack for puzzles and things, well then she's really not that content to sit at home and discover new ways with Spam.

Set in 1952 and starring the always awesome Anna Maxwell Martin (Becoming Jane, Bleak House, Philomena) as  Susan Gray, a London housewife who sets things in motion when she realizes that a string of murders she has been reading about in the Times shows a distinct pattern. Not taken seriously by Scotland Yard or even by her own husband, Susan becomes convinced that she can crack the pattern's code and find the killer. She enlists the help of her old Bletchley friends, who have found life rather dull after after their time spent cracking Nazi codes on Enigma machines and whatnot. Susan's friends -- Millie (Rachel Sterling), Lucy (Sophie Rundle), and Jean (Julie Graham) -- have, like Susan, had to keep their wartime activities to themselves and so must for the most part confine themselves to 1950s gender roles.

Girl, don't even think I don't have a tire iron in my dainty handbag.

Series 1 aired on PBS Stateside in 2013 and is available on Netflix streaming. Series 2 saw the departure of Martin's character, and the introduction of a new member of the circle, Alice, portrayed by Hattie Morahan (Elinor in Sense and Sensibility, 2008), a former Bletchley worker who finds herself in trouble with the law. 

I find the Brits tend to have a good grasp on the mystery and suspense drama, and if you're looking for something with some strong female leads, I'd encourage anyone to tune in. Series 2 is available on on Amazon Prime. 

Series 2 just finished airing on PBS, but if your fallout shelter has wifi, the series is available for binge watching online.

Now with wireless internet! And in technicolor! Spamdandy!

The British Be Invadin

As Clovis and Maggie Cats have decamped for parts unknown, I felt it behooved yours truly to update all of you lovely people about the programs I have been spending my time watching instead of keeping up with Mad Men. (It's on my DVR, chickens! Fear not.) I thought perhaps you lovelies all thought I had shut myself in my apartment, huddled in blankets, binge watching Call the Midwife while eating cookies and cream gelato directly out of the pint. Me? Do such a thing? So, I thought I would keep you abreast of what I had been up to TV-wise.

I've been watching the hell out of Call the Midwife.

My dudes, this show gets me right in the feels. Now having completed its third, yes, third season, the BBC One drama has seen some major changes occur in the lives of the young midwives and the nuns of Nonnatus House. The most significant event of Season 3 is that Jessica Raine, who portrays the late Jennifer (Lee) Worth (on whose memoirs the show is based) has said goodbye to the series in the hopes of finding greener pastures elsewhere in some absurd little backwater known as Hollywood. After three seasons of filming graphic births, Raine is ready to move on to new challenges and new roles. Jenny starts a new job at a Marie Curie cancer hospital, working with terminally ill patients, and she begins her life with Philip Worth.  However, her departure does not mean the end of the series. BBC has renewed Call the Midwife for Season 4, starting in 2015. Like all good ensemble shows, Call the Midwife has done a fine job of developing its supporting characters, so there is plenty of interest in Chummy, Trixie, Cynthia, kind Sister Julienne, BAMF Sister Evangelina and batty Sister Monica Joan. 

RIGHT IN THE FEELZ!

If you watched all of Season 2 and the Christmas special, you will know that Sister Bernadette has thrown off her habit like she is Maria Fucking Von Trapp, and gotten herself married to Dr. Turner. She dyed her hair and went back to being called Shelagh and she is all kinds of prosh. Dr. Turner and Shelagh were being all kinds of improperly flirty in Season 1 and it's nice to see that relationship come to a successful conclusion. However, Shelagh discovers that her bout with tuberculosis during Season 2 has left scar tissue on her lady bits and she is told that it is unlikely that she will be able to conceive a child.

The show also shifted focus this season somewhat away from Jenny's personal life and more on the personal lives of Trixie and Chummy. Chummy has a bittersweet reconciliation with her posh mum, and she tries to become a Modern Lady, attempting to balance marriage and family with a career. And Trixie starts dating A VICAR. 

Go on with your bad self, Trixie.

I'm sure there will be more development of Cynthia, and the producers have introduced two new characters: Sister Winifred, direct from the Mother House, and new midwife Patsy. 

Call the Midwife is a huge hit in the UK and I encourage all of you duckies to tune in. The guys on this show are so hot. Even Dr. Turner is sexy for an old dude. Seasons 1 and 2 are available via Netflix streaming and through Netflix DVD. Generally, it airs Sunday nights at 8 EST on PBS. 

Next in PBS news (I'm not frontin or nothin; I watch a lot of PBS) is Mr. Selfridge.

 I'm actually glad I gave this show another shot. It's done the opposite of what Downton Abbey has done -- Mr. Selfridge started out weak and it's getting stronger. The shows are pretty comparable, and I do think Mr. Selfridge is a much better show at this point. Season 1 began in 1909, and Season 2 has moved forward in pastfuturetime to 1914, and addresses the outbreak of World War I. Harry (Jeremy Piven) and Rose (Frances O'Connor) Selfridge have stopped cheating on each other with really scary stalker people and are trying to rebuild their marriage. Since the show moved five years into the future, the role of Gordon Selfridge has been recast with an older actor (now portrayed by Greg Austin) and Harry sets the lad to work in the store, starting in the stock room and moving up to the perfume counter, where he begins a flirt with a young shopgirl. D'aww. 

With the outbreak of war, Harry attempts to break into the British establishment by using his money and connections to secure a seat on the Procurement Committee. He runs into a roadblock in the form of Lord Loxley, who dislikes Harry on a personal level. The Procurement Committee is dismissive of Harry's attempts to break into the British aristocracy because he is of low birth and American and all that jazz.

Focusing more on the ensemble cast and their personal struggles has allowed the characters to become more fully fleshed out, and in many cases, more likeable. Case in point is Mae Loxley (Katherine Kelly), who during Season 1 was a very cougary vampy person, but this season has revealed that the formerly MIA Lord Loxley is a TOTAL fucking asshole and I kept wishing for Mae to push him down the stairs.

Just you wait, my dears. 

There has also been a bit more focus on Store Ginger, Kitty Hawkins (Amy Beth Hayes), late of ladies' accessories. Kitty is now Miss Mardle's assistant, and she gets to boss the junior accessories assistants. Her character has revealed itself to be less catty and much more amiable, likely due to her character maturing, and through her burgeoning relationship with newspaper man Frank Edwards (British mainstay Samuel West). All workplace dramas need a ginger. Fact.

And then I told him I never wanted to speak to him again. I think I'm in love!

The title may be Mr. Selfridge, but the star of the show is, and always has been, Agnes Towler (Aisling Loftus). Agnes returns from her design studies in Paris and takes over as head of design.  There, she must contend with the jealousy of wannabe rival in ladies' fashion, the bitchy Mr. Thackeray. Agnes is also conflicted due to the return from America of her former lovvvvaaahhh, Henri LeClair (Grégory Fitoussi) because, in his absence, she has grown closer to Victor Corleone. Agnes realizes she must choose between one of her suitors, and compounding her work and personal stress is the fact that her brother, George, is one of the very first to sign up for active military duty. Oh, the dramz.

Oui!

The adorable Miss Mardle (Amanda Abbington) receives two life bonuses this season, while Mr. Grove continues to be a clueless douche. If you haven't noticed, and you should, Amanda Abbington also appears on Sherlock as Mary Morstan, and she is totes Martin Freeman's lady friend in real life. She is just wonderful on Mr. Selfridge, and if you haven't tuned in, you should.

We'll mad your men. And sell it a sturdy pair of boots.

Seriously, this show has gotten under my skin. The first few episodes of the first season are melodramatic and silly, but this season has made up for it in spades. If you're looking for a British costume drama that has the bells and whistles of Downton Abbey, but with better writing and a perfume counter, I very much encourage you to get on board with Mr. Selfridge. The show's home network, ITV, has renewed it for a third season. Mr. Selfridge normally airs around 9 p.m. EST Sundays on PBS. Some episodes are available for streaming on PBS.org.

The next ensemble of which I speak is BBC America's Brit-Can-Am Orphan Black, which is an entirely different kind of ensemble show altogether.

My dudes, this show is crack. I can't say too much about the season thus far without revealing major spoilers. 

Cosima (Tatiana Maslany) is working for the Dyad Institute, but the symptoms of her mysterious illness begin to worsen. Sarah (Tatiana Maslany) searches for answers about Mrs. S's involvement in Project LEDA. We learn more about pro-clone Rachel (Tatiana Maslany), and Helena (Tatiana Maslany) survived being shot by Sarah, but was abducted by some creepy International House of Prayer culty science people. Alison (Tatiana Maslany) turns into a pill popper due to her guilt over Ainsley's death, and the fact that she's finally realized that her husband, bumbling, oafish Donny, is in fact her monitor.

Canadian actress Tatiana Maslany (Tatiana Maslany) deserves some kind of acting Olympic gold medal. Much has been said about her performance  and it all bears repeating. Her portrayal of each of the clones is so mesmerizing and utterly believable that you really do forget that Cosima, Rachel, Sarah, Alison, and Helena are all played by the same actress, and the illusion goes far beyond wardrobe, make-up, and hair. 

Orphan Black airs Saturday nights on BBC America at 9 p.m. EST. Netflix for some odd reason does not have this available for streaming, but they do have Season 1 on DVD.

TV Sluts: Live! And in Person!

Clovis originally wrote the beginning of this post...and then had to leave town for work. *sad trombone* So I'm actually posting it (I'm = Maggie Cats) and writing the introduction to the introduction. Got it?

Oh, whatever. Just go with it.

Clovis:

Two things happened this week that are both rare and heavenly: Haley’s comet will make a pass-by to earth (no visuals, but there was a meteor shower!) and three of the TV Sluts managed to find ourselves in the same room at the same time. What did we do? Watch television, natch.

Damn, those are some good-looking tv bloggers. From left to right: Arsenic Pie, Maggie Cats, and Clovis.

Arsenic Pie, Maggie Cats and I all caught the first two episodes of Salem, WGN’s bloody and provocative new thriller set in Salem, Massachusetts during the infamous witch trials. How is it? Well, it ain’t your father’s Crucible, that’s for sure.

Salem covers the real history of the witch trials in only the broadest of strokes, something we should frankly expect from a show that takes one of the most poignant episodes of the real horrors of fear-mongering and suspicion in early American history and goes, “yeah, but sexy witches are totally more fun, right?”

Obviously the show places fast and loose with the facts, but fans of history and Arthur Miller will recognize some of the high points – In this incarnation, we see the events through the eyes of John Alden, a soldier who has recently returned to Salem after a long time as a POW in an Indian camp, to find Salem has become a hotbed of witchy activity. John Alden is not to be confused with John Proctor, the upstanding moralist in Arthur Miller’s play, but in real life is one of the contemporaries who wrote about the witch trials and thus how we know many details about that event. (Fun fact, he’s also my great- great- great- great- great- great- great- great-grandfather. True story.)

So who’s leading this sudden upsurge in witchery? Unbeknownst to everyone but us viewers, it is Mary Sibley, John’s former love who has married into wealth and power in his absence and apparently also developed a taste for witchcraft after having a magical abortion in the woods. Yes, you read that right – this show doesn’t just go there, it has a summer home there plus a timeshare with options on New Year’s. In the first two episodes alone we see Mary’s demon abortion, apparitions of an Old Hag attacking a teenage girl, a demon orgy in the woods that looked like something out of evil Burning Man, a frog that is repeatedly expelled and shoved back into a man’s body, and a broomstick appropriated to a use that is far from its traditional expectation.

Watching Salem is kind of like this.

In short, Salem is what American Horror Story: Coven should have been – utterly crazy, completely unafraid of gore and terror, and willing to go the extra mile to bring the squicky and the sexy into the same room with each other. I make no secret of how much I enjoy watching train wreck shows – for that reason alone, I’m going to keep up with this one. But what did the other TV Sluts think of it? Take it away, Ladies…


Arsenic Pie:

Will you all think less of me if I say that I liked Salem? I didn't like it in an "OMG this is so thought-provoking and riveting" way, but I liked it in more of an, "OMG. This is so awesomely ridiculous that I cannot look away" way.

Aside from the completely anachronistic "I call bullshit" line from our hero, John Alden, I was interested in how the show mixed fantasy with actual events. It's an interesting take to say, "No, there were legit witches in real actual Salem doing all kinds of bad in order to get rid of people they didn't like" instead of the intense Arthur Miller "Joe McCarthy is an asshole" theme. I think that we are more familiar with the latter, and with the teenage Abigail Williams as the primary accuser. I'm not actually sure which character in the show is supposed to correspond with which character in The Crucible and which character in The Crucible corresponds to real life. I will defer to Clovis on that point.

I am more familiar with the play (English major what) than I am with the actual people in Salem. The Crucible was Arthur Miller's own particular brand of fan fiction, and he took people from the real trials and put them in his play but I'm not really sure how that translates to historical fact. Giles Corey, a character on Salem, appears in the Miller play, as does Brigid Bishop, who I believe at least gets a mention. In the play, Mercy Lewis is just one of the little nasty Salem accuser girls and not the one who is "bewitched" and it's Betty Parris who becomes bewitched. So, I did like that they changed things around. The play does rather beat one over the head with its morality stick whereas the show is morally ambiguous. Also, there are a lot of gross-out moments on Salem, which, sadly, there is a deplorable lack of in The Crucible.

ANYWAY, Salem also diverges from The Crucible in that its protagonist and primary accuser is a grown-up LADY, Mary (forgot her last name). In The Crucible, obviously it is the teen bitch-whore Abigail Williams. Mary, the only inexplicably English and posh colonist in Salem, was a member of the poorz and a SCARLET WOMAN because she was having RELATIONS with John Alden and she became pregnant. Enter her BFF Tituba (who is never hot in The Crucible, but she's gotten a teevee makeover), who is a witch and she convinces Mary to give up her baby to the forest in exchange for what turns out to be social elevation. Mary ends up married to some really old man, but no fear. She totally keeps him under wraps BY SHOVING A MAGICAL FROG DOWN HIS THROAT to keep him quiet. Mary's entire agenda is to punish the swells of Salem for keeping her down all those years, and I am pretty sure she's hoping that the witchy folk can take over Salem and build like Hogwarts or something. Anyway, she's a horrible human being.

I think the most interesting character thus far is Anne Hale, who is the daughter of Reverend Hale. She is both UPPITY and FORWARD, and is not content to work on her sampler. Oh, no. Girl wants to hit on John Alden and draw photos in the graveyard. Shocking. I think there's a lot of growth potential for her character, but her arc is a bit predictable at this stage. Cotton Mather, who leads the witchcraft investigation (legit -- how was that ever a thing?), is kind of an idiot and a hypocrite at this point, albeit hot, so I would like to see some more development with his character. As for John Alden -- I don't know. He just kind of reminds me of Russell Crowe.

Survey says: I think I will keep up with it unless it completely jumps the rails. Well, I think it already sort of went off the rails, so if it goes off further into Dracula land, I may give up on it. It kind of reminds me of Sleepy Hollow in the sense that it's mixing historical events with fantasy while being aware that the show is kind of silly.


Maggie Cats:

You guys. This show is crazy. And by that I mean crazy awesome. But seriously, it's also just crazy. The first two episodes alone fulfilled my "WTF" quota for probably the next 6 months. It's like somebody went into my brain and plucked out all the things I wished a show would be but was too embarrassed to admit, even to myself.

I went into Salem with no prior knowledge; I can't remember if we ever read The Crucible in my high school (we must have, right?) and I don't think I ever saw the movie with Winona. The actual Salem witch trials never really featured heavily in my interests, despite the fact that I was a History major with a semi-focus on early America. So I can't speak to the, ahem, historical accuracy of the events...though I am pretty certain that the Salem witches weren't real witches, so from my perspective the show can basically dowhatever the hell it wants. AND I LOVE IT.

Clovis described it as a train wreck, but I tend to disagree. Unlike American Horror Story, which basically throws every ridiculous plot device at the screen and sees if anything sticks, Salem unfolds in such a way that I think the writers know exactly what they are doing. The plot may be insane, but it doesn't feel random. Sure there's buckets of blood, sex, demons, and all the other good stuff, but it none of it feels out of place in the world the writers have created. And yet, it still manages to shock and surprise.

In short, Salem is not for the faint of heart. But if you enjoy the macabre, the surreal, and adult themes (i.e. sexy times!), and aren't squeamish, I think Salem might be the show for you. You know us TV Sluts will be watching.

Our impression of the banner at the top of the blog. 

Salem airs on WGN America (check local listings for stations) on Sundays at 10:00pm EST.

Penny Not Quite Dreadful But Working On It Maybe?

Obviously, I am a friend to the supernatural horror television show.  If your premise involves humans fighting scary monsters, possibly with some snark or at least a heavy amount of innovative production design, I’m probably your guy.   So I’ve been intrigued by Showtime’s upcoming series Penny Dreadful, which has been so shrouded in mystery that no one even really knew what it was about other than that it looked vaguely Victorian and possibly a little steampunk-y. Thankfully for those of us who don’t have Showtime, you can stream the entire first episode over on YouTube right now and check it out for yourself. Or you can read my blog post! (Hint: do the second one.)

So what is Penny Dreadful about?  Even after watching the first episode, it’s hard to say.  Essentially, it’s London in 1891.  American Ethan Chandler (Josh Hartnet) is running a travelling Wild West themed show that’s mostly bullshit when he is conscripted by Mysterious Woman Vanessa Ives (Eva Green) to help her with a job that’s going to require his uncanny skill with a pistol.  The job turns out to be invading an opium den where the goings on aren’t exactly of this earth.  Before we know it, our American is drawn into a world of monsters and maybe possibly ghosts but certainly tarot cards and it’s all going to be extremely Victorian.  There’s a lot going on here, so let’s unpack it properly, shall we?

"Wot's awl this then, Guv'nor?"

The Good

First, the production design.  Great Muppety Odin does this show look slick.  The costumes are lavish, the sets are beautiful if a little too bare (this was Victorian London, after all – the culture that never met an extra piece of furniture it wouldn’t cram into a room the size of a closet), and the makeup and special effects are appropriately gory and queasy.  There's no shortage of sewn-together flesh, mangled limbs, and dark red splatters against those good old London bricks, but for all the blood, we still never feel like we're veering too far into the torture-porn territory of modern horror movies. 

Second, the source material.  This show is drawing from every Victorian horror trope you can think of.  Imagine Van Helsing or Hansel & Gretl: Witch Hunters but without the camp factor and taking itself more seriously.  Your mileage may vary on this, but if you’re a fan of old school literary horror, you’re definitely going to find something in here you like.  Likewise, you may find yourself in a few solid Pillow of Fear moments if you’re not careful. 

Third, Eva Green. Kids, this lady personifies the phrase “screen presence”.  After the first episode, we know next to nothing about her character, Vanessa Ives, and yet every time Eva Green is on the screen you can’t help but pay attention to her.  Even through some sloppy editing and confusing action sequences, Eva Green feels like the character that we can latch onto because she’s so clear in her intentions, even if we don’t know what those intentions are.

"I own you, bitches."

The Bad

First, disorganization of plot.  The bad guys are definitely vampires.  Maybe definitely.  Except they’re also kind of zombies.  Zombie vampires?  But then, the doctor on our team discovers that their skin is concealing an exo-skeleton.  So, aliens I guess?  But the exoskeleton is covered in ancient Egyptian hieroglyphics.  Alien mummy vampire zombies?  Sure.  Let’s go with that for now.  And they want… something?  And our heroes want… to stop them?  To get their lost loved ones back?  From where?  Good mystery shows should never give you the full story in the first episode, obviously.  But a good mystery needs to give us enough of the facts of the story to make us want to keep learning more. 

Personally, I'm just hoping that the monsters are like this. 

Second, the source material.  Again.  Remember how when you had your first job interview and you tried to turn all your weaknesses into strengths?  Just like that here.  This show is crammed full of things.  Everything and the kitchen sink is thrown at us in terms of characters.  It’s kind of like League of Extraordinary Gentleman meets The Exorcist. Maybe it's a by-product of the Glee television generation where every plotline is thrown at the viewer as quickly as possible, but just because that's a style doesn't make it a recommended one. 

Third, pretention.  The show is trying very hard to stay true to the horror aspects of Victorian literature.  In that sense, it’s got more than a strand or two of DNA borrowed from NBC’s Hannibal, the show about everyone’s favorite serial-killing cannibal, but unfortunately it hasn’t quite achieved the same smoothly stylized high-art feel that Hannibal has managed to corner.  That doesn’t stop it from trying to hide its more cringe-inducing moments under the veneer of this being some kind of story that Means Something.

The Ugly

Oh gosh, you guys – the dialogue needs work.  In addition to some of the most cliché-ridden stuff you’ve heard in a while, whole stretches go one where characters will be talking to each other in ways that no human, Victorian or otherwise, ever would. It’s again a testament to Eva Green’s screen presence that whenever she’s talking, she can draw you in, even if you don’t understand a single sentence.  Far too frequently the dialogue veers into the cardinal sin of fiction writing – it’s all tell, no show.  We hear about how deep and significant characters are, but we don’t see it at all.  It’s just one character telling us how much we need to care without making us actually do it.

As such, the most troubling part of the first episode for me is how much I didn’t care about what was happening.  The episode failed my iPhone test, which is to say that I lost interest about halfway through and started playing with my phone while watching the second half.  Pilots are never easy beasts, but this one is particularly fussy.  I found myself not understanding anything about the plot or the characters or why anyone was acting the way they did at any point.

NO, WAIT! DON'T LEAVE ME!

A family member of mine likes to say that in relationships, there’s often one person who’s reaching and one person who is settling.  That's pessimistic, but I don't think it's necessarily inaccurate.  If we carry that metaphor forward to the screen, Penny Dreadful is definitely reaching for the love of its viewers.  That doesn’t mean that viewers will have to settle, but it’s not the best dynamic to start with. Hopefully, this show can pull itself up.  Showtime and HBO are both networks that, due to filming entire seasons in one go, are more comfortable thinking of their episodes as book chapters rather than individual mini-movies that have to break every box office record or else the next episode isn’t going to air.  

As such, Penny Dreadful may be the kind of show that rewards its viewers a few episodes in.  That’s certainly a possibility given that the first episode doesn’t even introduce all the main characters – there’s still plenty of time to grow.  Fan-favorite Billie Piper hasn't even shown up, and it sounds like her character is some kind of potential prostitute because Showtime knows that nerds like to see Billie Piper being sexy.  Fans, and Showtime, will just have to hope that the rewards start coming quickly or else all that beautiful messy potential is going to end up splattered like the blood that Penny Dreadful clearly isn’t afraid to shed.

You Betcha

Have you seen the Coen brothers movie, Fargo? Like many of their films, it's dark, intense, genius, riveting, horrifying, funny, and in equal shares real and fantasy. It was released almost 20 years ago (in 1996), earned seven Academy Award nominations, and was inducted into the United States National Film Registry in 2006.

What I'm saying is, it's a pretty good movie.

So I cannot believe someone thought it would be a good idea to make a television show out of it. This seems to happen a lot and let's be honest, it's usually a disaster. Buffy the Vampire Slayer excluded, of course. But FX has decided to give it a go and last week the new television show Fargo premiered.

And it was brilliant. I know! I couldn't believe it either!

From the FX show website:

An original adaptation of the Academy Award®-winning feature film, Fargo features an all-new “true crime” story and follows a new case and new characters, all entrenched in the trademark humor, murder and “Minnesota nice” that made the film an enduring classic. Oscar® winner Billy Bob Thornton stars as “Lorne Malvo,” a rootless, manipulative man who meets and forever changes the life of small town insurance salesman “Lester Nygaard,” played by BAFTA Award® winner and Emmy®-nominated Martin Freeman.

I expected it to be dull and dumb, a pale imitation of its big screen predecessor. But instead it fits in perfectly with the movie, existing as a new story within the same universe without feeling derivative.

"You know, Lester, you should just kill all the people who bother you. It's the simplest way."

The creators of the show have made some very smart decisions. First, Fargo the tv show tells a different story with different characters than Fargo the movie. Sure, it still takes place in Minnesota and it still effortlessly blends the bleak winter landscape, the pleasantness of Midwesterners, and the sudden horror and violence of our darkest urges. And while the plot and characters feel familiar, the story and action are different.

Second, the casting is spot-on. Billy Bob Thornton is crazy on a good day and he just effortlessly slips into the role of the sociopathic Lorne Malvo, a man whose entire motivation thus far seems to be a love of chaos. He certainly has his own code (not a moral one though) and strives to break the bonds that hold people together. Is there a larger purpose to his madness? Who knows. But I will definitely stick around to find out.

As for Martin Freeman, he plays a sad-sack insurance salesman constantly beat down by those around him. He does his typical stammering twitchy shtick...but somehow manages to make a new character without reminding me constantly of Bilbo, Watson, or Arthur Dent. When I watching him, I'm not thinking "oh, there's Martin Freeman," but am instead thinking "this Lester guy is pathetic."

I could also go on about the supporting characters (Bob Odenkirk as the town sheriff and Allison Tolman as his clever and dedicated deputy), but I'll leave you to discover their charms on your own.

They're basically the best people ever. So I am sure something horrible will happen to them.

In case you couldn't already tell, I was pretty much blown away by the Fargo pilot. I would go as far as to say I was riveted which honestly doesn't happen a lot. Be warned though: it's a dark story that follows the Coen brothers style of scenes punctuated with sudden, shocking violence and/or intensity. It's not for the faint of heart. But if you give it a try, I think you'll find yourself captivated.

Fargo is a 10 episode limited run series that airs Tuesday evenings at 10:00 EST on FX. You can watch the first episode, "The Crocodile's Dilemma" on the FX website.

Final thought: the main action thus far takes place in the small Minnesota town of Bemidgi...where my Grandmother was born and we used to visit every summer as kids. There's not much there...

...except giant statues of Paul Bunyan and Babe the Blue Ox. Dontcha know.

Murder Most Fair

Like World War I, Episode two of Game of Thrones second season, "The Lion and the Rose", featured a major character's death which will set into motion a cascade of events that threatens the newly won peace in Westeros. Maggie Cats and I are here to chat about what is rapidly shaping up to be a horrible idea if you live in Westeros: Getting married. 

Seriously. It amazes me how many geeks want Game of Thrones-themed weddings. Are they not paying attention?

 It goes without saying there are MAJOR SPOILERS afoot for those who haven't caught up yet, so proceed at your own risk. Seriously. It's your last chance. Stop now if you don't want anything given away. The big reveal is in the first line. You've been warned.

 Clovis:  Instead of starting with "what did you think?" how about a variation - how much did Joffrey's death  fit for you in terms of how much you wanted him to suffer relative to how much he actually did? Put another way - was the payoff worth it, or could you have stood to have had at least a few minutes more of sputtering on his part?

 Maggie Cats:  Let me work this one out. Fact: Joffrey is a sociopathic spoiled toolbag who needed to have hot pokers shoved into his eyes. Fact: he was also a kid and watching any kid choke to death on his own blood is horrifying. Especially when his parents are RIGHT. THERE. 

Even by Westeros standards, this is harsh.

Clovis:  Very true. This is another reason I like the actor - he plays this terrible person, but you saw how horrifyingly young he was to die that way.

 Maggie Cats:  I find myself quite conflicted about his mode of expiration actually. I don't think that I, as a viewer, needed more time to watch him suffer. I seem to remember in the book (I hate to always go back to the book, but whatcha gonna do), it took him waaaay longer to die. Because dying from lack of air actually takes a really really long time. It was like 5 minutes before he actually full on died. Which is even worse. So from that perspective, the TV audience kind of got off easy.

 Clovis:  I feel like there wouldn't be enough that could be done to him to make audiences feel they had gotten proper revenge, which is actually kind of the point – this story is fundamentally about how unfair life and humans can be. The villain doesn't always get his just desserts.

 Maggie Cats:  For it to feel like revenge for the audience, I don't think the death itself needed to be more protracted, but steps leading to it. Joffrey would need to be stripped of his throne, humiliated, made to understand his douchebaggery. Poisoning seems so....random.

 Clovis:  Death isn't enough for Joffrey. You want him humiliated, de-powered, destroyed. All the things he's done to others you want visited back on him. It makes me think that the scene they included earlier in the episode between Milesandre and Shireen was definitely emblematic of all this. Milesandre even has that great line about the only hell being the one that we've living in right now.

 Maggie Cats:  Exactly. It's not even the dying that's the important part. It's someone finally getting through to him that is a total c***. Which is of course exactly the opposite of what they teach you in all those seminars about being successful--you can't approach conflict with the attitude that you need to "win" the argument. But that's what you WANT. And Joffrey would never be like, "oh, you are so right, I am such an asshole."

 Clovis:  In fairness, those seminars also aren't oriented toward medieval survival.

 Maggie Cats:  Are you sure? You have never spent a holiday with my family.

 Clovis:  <rim shot>

 Maggie Cats:  Nailed it.

 Clovis:  Totally.

 Maggie Cats:  Anyway, it definitely speaks to the quality of the show (and the book) that you feel sympathy for Joffrey as he dies, despite his awfulness.

 Clovis:  Definitely. He's terrified. He's a little boy again because he's only, like, sixteen. All that bravado that we see him with earlier, cutting up Tyrion's book, mocking the War of the Five Kings, it's all just covering up his own issues and his own immaturity.

 Maggie Cats:  He's never really been anything but childish, which definitely helps with the gut punch during his death scene. He's like that kid in the Twilight Zone episode who is omnipotent. But also a brat.

 Clovis:  Speaking of the scene itself, I have never seen a more Game of Thrones: CSI episode than this one.

 Maggie Cats:  Well, don't forget CSI: Winterfell when Lady Stark was combing the tower for clues and discovered gasp golden hairs!

 Clovis:  That's true. It was a clear precursor. Watching this one with a bit of advanced knowledge, I loved how well framed the scene was showcasing all the potential murderers and laying little clues to the possible point where any one of them could have done it.

"Moi?"

 Maggie Cats:  I actually thought they did a great job of not making it too much of a "something bad is going to happen soon" scene though, so when he actually died you were like WHAT THE HELL?? I need to go back and rewatch; I confess I had forgotten who actually did the deed in the books. I remember NOW though.

 Clovis:  It's never made absolutely clear, but the implication is that it is the Queen of Thorns. And they certainly set that up here - having her specifically play with Sansa's hair (I swear it looks like she palms something when she's touching her braid) and showcasing where they cup goes every time it leaves someone's hand EXCEPT for right before he picks it up again and it's been right at her table.

 Maggie Cats:  Not everyone remembers all the character's thirty names you know, Clovis. Let's just say: Margaery's Grandma.

 Clovis:  Fair enough, if i can also call her Grandma TopGun, because I think that's who she is really.  The scene was like the old con game of "follow the cup". It's in view at all times except for two or three strategic points - when it falls under the table and Sansa picks it up, when it rests at Grandma's table out of frame...

 Maggie Cats:  DUN! But again, unless you knew to look for that...I don't think a viewer would have noticed.

 Clovis:  No, not at all

 Maggie Cats:  Those clever HBO execs...they want me to rewatch!

 Clovis:  It's definitely there to be looked at once you know what's happened. But in terms of other things in this episode, I have to say that the thing that I appreciate again and again about this show is the dedication it takes to the smaller moments.

 Maggie Cats:  Do you mean all the character conversations?  We haven't had this many characters in one room since Season 1.  Loved them all, especially Cersei/Brienne.

 Clovis:  Yup, exactly. The best one being Cersei accusing her of being in love with Jamie. WHICH SHE TOTALLY IS.

It's like Mean Girls, only with be-headings.

 Maggie Cats:  I'm not sure she even thought about it though until Cersei said it. The actress who plays Brienne is really great; I mean they all are, but I love her extra much. Like how I love chocolate, but if you put peanut butter in there I am like OMG INFATUATED.

 Clovis:  Brienne doesn't even really have a vocabulary for love. She knows that she felt something for Renly, but isn't sure how to articulate it. Now she's feeling it again for Jaime, but this time it's with someone who at least actually knows her name and (maybe) feels something back.

 Maggie Cats:  Aw, poor emotionally stunted Brienne. Whatever, I am a total Brienne/Bear shipper.

 Clovis:  There is that lovely song about the two of them...

 Maggie Cats:  Speaking of songs... Rains of Castamere is officially overplayed. It's like Clear Channel owns all Westeros music stations. Enough!

 Clovis:  Even Joffrey was done with it. He threw the coins at the singers who barely made it through the first verse.

 Maggie Cats:  Nice to see some things are universal.

 Clovis:  Oh, another great small moment - Loras and Prince Oberyn totally eye-fucking each other from across the room.

 Maggie Cats:  HA, yes. That was hawt.

Bow-chicka-wow-wow

 Clovis:  I keep saying that with all the inter-relations that we've got going on here between the characters, this show is always only a few decapitations away from being Real Housewives of Westeros.

 Maggie Cats:  To be fair, they would need a shit more botox. Cersei would be first line for that injection.

 Clovis:  She'd cut a bitch. Literally.

 Maggie Cats:  bah dum dum.

 Clovis:  But contrary to our conversation so far, other things did actually happen in this episode. I, for one, was pleased to see crazy-ass Selyse, Stannis's nutty wife, return.

 Maggie Cats:  Oh, yeah. And I guess they burned her bro at the stake. As one does.

 Clovis:  And she's angling to do so to her own daughter if said whelp doesn't shape up. I loved the dinner set up - Selyse and Stannis at one end. Milesandre shoved down at the far end of the table.

 Maggie Cats:  Poor Davos. He is a man adrift in a sea of batshit crazy people. Seriously, he is so....steady. And yet: surrounded by crazy.

 Clovis:  I know, right? What's the phrase about never being a prophet in your own land?

 Maggie Cats:  He is a lot of people's favorite character. I think because he is the only halfway normal person. DESPITE all the stuff that he has gone through.

 Clovis:  Davos (and Milesandre) I think are really among the only True Believers in the show, even though they believe in different things.  As such, they both are arguably the closes to the sanest of the all the characters. Even though Milesandre is decidedly more...um...pragmatic about her sanity.

 Maggie Cats:  I guess it depends on what it is people believe in. I think you could say Tywin is a "true" believer. In his ability to fuck you up if you mess with his family. The Lannisters are what he believes in.

 Clovis:  Yeah, I'd say so. For him, it's just about being faithful to the right path of his family, even if the individual members of that family don't live up. You could argue that Ned Stark was the ultimate True Believer and look what it did for him. Even bad ass Arya isn't a "true" believer though - she's far too motivated by her need for revenge.

 Maggie Cats:  I was going to suggest that, but he kind of backed off at the end. Remember when in the end he did lie--because he thought it would save Arya and Sansa.

 Clovis:  that's true. So in terms of going forward, what are you excited about seeing this season? Joffrey's death happen about halfway through book three with plenty of other developments on the horizon. Without giving away too many spoilers, what are you eager to see?

 Maggie Cats:  Honestly, I don't remember too much. Except for Prince Oberyn's reason for being in Kings Landing coming to a head. I try not to reread the books too close to the tv show since I want to be surprised. So I don't have a clear idea going forward of what will happen. It's probably been about 5 years since I read Storm of Swords.

 Clovis:  Have we really only had one Jon Snow scene so far? I'm personally interested in getting back to the Wall to see how they deal with the invasion of the Wildlings now that some of them have made it over.

 Maggie Cats:  But based on the two episodes we have seen, I want to see more progress in Bran's story. The vision flashes were very cool. And I always want to see more of Jon Snow's hair. So I concur.

 Clovis:  Yeah, i really liked them. In the books when he merges with the trees he can see all sorts of things from all sorts of times. I wonder if they'll use this as an avenue for showing us some of the historical backstory.

"My character's sole purpose so far in this show has just been to be a plot device."

 Maggie Cats:  That's a good idea, maybe some stuff about the First Men, etc. But I am over that fucking three-eyed crow. You know what I need? A stuffed three-eyed crow for my living room. It would really tie the place together.

 Clovis:  It would go well with your iron maiden and your cask of amontillado.

 Maggie Cats:  Don't forget the guillotine. So fun at parties!

 Clovis:  How could I? Madame, her kiss is legend.

 Maggie Cats:  *eyeroll. In the nicest way possible, I mean. If you start quoting Proust I am out of here.

 Clovis:  accepted that way, I assure you. And I'll avoid the Proust. I've had too much grad school in my life to subject anyone to that.

 Maggie Cats:  Anything else you are looking forward to seeing?

 Clovis:   As we said last week, I'm really eager to see what they do with Margaery. In the books she kind of fades into the background after Joffrey's death, at least for a little while. I want to see if they develop her out a bit more. I would pay good money to watch her and Cersei fighting over the Iron Throne.

 Maggie Cats:  I think they will, they showed her in the preview for the next episode. And she is kind of established now. I mean, she IS technically queen. Bitch should just take over.

 Clovis:  Exactly. And the people love her and hate her mother-in-law. Margaery can totally rally the people to her side. The question I've got (for both the book and the show) is how much did she know that Joffrey would be killed? She's not naive, and she's got to be relieved that she doesn't have to actually live with the little demon, but clearly it was always her intent to ascend to this position. There's a reason why she married Renly, after all.

 Maggie Cats:  I never had the impression she knew what was going down.

 Clovis:  So is she just mentally nimble enough to take that crown and run with it until Cersei rips it off her head? Cersei is often ineffectual, but she does know how to move quickly. And TV Cersei is portrayed as savvier than Book Cersei.

 Maggie Cats:  I don't know the answers to any of this...which makes me really happy and excited about the season moving forward!

 Clovis:  Agreed. Me too.

That's it for this week. Join us again next week for episode three - "Breaker of Chains".

Spring show reviews

Every Spring the networks roll out some new shows trying to fill the gaps left by the failed Fall shows. Hope springs eternal--maybe this time they'll find something that catches on! But from what I have seen so far...I'm not sure we have any big hits. Here are some capsule reviews of some of the new shows I've managed to catch!

Resurrection: what would you do if your long dead loved ones suddenly started coming home? Looking the exact same as they did at the time of their death and with no memory of anything since their unfortunate...accidents? This set of circumstance is the central plot of ABC's Resurrection, which is actually not too bad. In fact, it's pretty good, if a bit meandering.

In the small town of Arcadia, Missouri, people are starting to come back from the dead. Not like zombie hordes, but one or two people here and there. They aren't hungry for brains, but just want to get back to their lives. Except they've been gone for quite some time...and their families aren't sure whether they are the same. All the medical tests seem to indicate and they are normal healthy humans, but clearly something strange is afoot.

Well, that's not ominous at all.

I am enjoying this show more than I thought I would, I think in part because it's way darker than I expected. Not everyone who has come back is a good person and the show is doing a nice job of teasing out subtle clues about the how and why of the resurrections. I genuinely want to find out what happens next and to know what the hell is going on. The cast is also pretty great, especially the always good Omar Epps as a US immigration agent (random, I know) who finds himself at the middle of the mystery.

Resurrection airs Sunday evenings at 9:00 EST and you can catch up with all the episodes over on the show's website.

Jim Henson's Creature Shop Challenge: Syfy's new show is clearly trying to capture the same magic as the fantastic Face Off. Unfortunately, it just doesn't work for me.

In JHCSC, the contestants are challenged to create and fabricate creatures that are Jim Henson-y in style. Human actors/puppeteers bring the creatures to life (usually from inside the large puppet body) and they are "shot" on a soundstage in the Jim Henson studios in front of the panel of the judges.

I like the concept, but the show just doesn't have the same entertainment value as Face Off. Maybe it's because the challenges are a little more limited as they are constrained by the muppet-style of the overall show's conceit, but I just find it hard to get into. I'll give it a few more episodes, but unless things pick up I don't think I'll stick with it.

Jim Henson's Creature Shop Challenge airs Tuesday evenings at 10:00 EST on Syfy.

Turn: It doesn't really matter if this new AMC show is terrible (it isn't), because I am going to watch it no matter what. There are two reasons:

1) It takes place during the Revolutionary War, a criminally un-represented area of American history in movies and television.

2) The cast includes JJ Feild who played the dreamy Mr. Henry Tilney in the BBC's most recent adaptation of Jane Austen's Northanger Abbey. You bros might know him as "the English guy in the beret" who was part of Captain America's team in Captain America: The First Avenger.

It takes a real man to rock a cravat. 

The good news is the show isn't terrible, hurray! It is a bit confusing though, so make sure you are sitting on the thinking side of your couch and are paying attention. It's not really the type of show you can just have on in the background while you wander around your apartment picking up and putting away all your shoes.*

The show tells the story of America's first spy ring...which sounds fancy but really just means it's about this farmer (Jamie Bell, sans Billy Elliot dancing shoes, alas) who lives in British-occupied New York and ends up reluctantly spying for the Continental Army. I say reluctantly not because he was a British loyalist, but because he basically just wants to live with his family and grow cabbages or lettuce or something. But you know, these things happen. And I guess he ends up forming something called the Culper Ring and inventing modern spycraft? This is all according to the show's website. After the first two episodes the spies have only just figured that maybe hanging a special petticoat on a wash line isn't the best way to communicate with each other. Baby steps.

Anyway, it's enjoyable if a bit complicated, but the attention to detail in the sets and costumes is nice. Also, JJ Feild. So you should watch it.

TURN airs Sunday evenings at 9:00 EST on AMC. You can watch the two episodes that have already aired over on the website.


*Just me?